Discovering Music, Building Connections: The Story of Ckord

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How a Chance Encounter Sparked the birth of a Platform

Ckord was born from a single, transformative idea: music and technology should bring people together, not push them apart. This vision took root when founder Darko stumbled into a bar one night and witnessed an incredible band performing live. The energy in the room was electric, but a nagging question lingered in Darko’s mind: “How would anyone know this amazing band was playing here tonight without sheer luck?”

Determined to solve this problem, Darko dove into conversations with musicians, fans, and industry insiders. The answer became clear—there was no easy, accessible way to promote local, lesser-known artists. While household names dominated the spotlight, independent musicians struggled to find their audience.

Thus, Ckord was born. The platform was designed to bridge this gap, making music discovery personal, local, and deeply meaningful. At its core, Ckord connects audiences with underrepresented talent, helping communities celebrate the art that’s right in their own backyard.

Inspiration from AirBnB: Democratizing Live Music

Ckord draws inspiration from companies like Airbnb, which transformed the hospitality industry by connecting travelers to unique experiences while empowering hosts. Similarly, Ckord aims to empower independent artists and venues to thrive without being overshadowed by big industry players.

Like Airbnb encourages people to explore the world beyond their screens, Ckord encourages users to discover and support local music scenes. By shining a light on emerging artists, Ckord is creating a vibrant ecosystem where musicians, venues, and fans can connect and grow together.

What does this mean for me?

Ckord aims to be the ultimate app for discovering live music. Whether users are uncovering a favorite local artist or stepping outside their comfort zones to try something new, Ckord wants to create unforgettable nights out. Empowering independent musicians is also key goal. Ckord envisions a future where artists can earn a living doing what they love—without needing major record labels. Like YouTube transformed video, Ckord wants to redefine live music discovery and sustainability.

Ckord isn’t just about discovering music — it’s about rediscovering the joy of human connection. Check it out!

Minky Starshine and The Heats

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“Minky

Minky Starshine “Boozers Gloom and a Pinch of Anxiety”

Rob Anastasi’s Minky Starshine returns with a long overdue album that starts out with a song about loss of the indie music ecosystem. On the opener “Kids on the Verge” as he opines “Once you get old, you will never be young again” but its got a strong melody set to a mid-tempo beat. Next is “Our Father,” with its catchy chorus, harmonies, and layered guitars. It gets more optimistic with “I Want Tomorrow To Come,” one of my favorites here, a great riff is running the rhythm, and the stadium sized vocals give it a sense of depth.

From here, the album takes a toned down quality. There is more introspective pop balladry, and less rock but the songwriting remains well done, on “Devil’s Bargain” and “Whisper.”  The production here is slick, similar to REO Speedwagon if I’m looking for a reference. “Pride” is another impressive song, with the guitars more in the background and the overlapping vocals and thick percussion up front. While to some this may feel more like AOR (adult oriented rock) than power pop, it’s still highly recommended.

Amazon


“Minky

The Heats “The Heats”

Eventually, we all get old. It had been 40 years since a Seattle band called The Heats had played, and they were one of the best Northwestern power pop bands back then, part of John Borack’s Greatest Power Pop albums list. In late 2023, the Heats got back together with the intention of recording a new album and doing some limited shows. Jon Memolo (guitar, vocals) joined the band alongside co-founders Steve Pearson (guitar, vocals), Keith Lilly (bass guitar), and Ken Deans (drums). Old or not, here they come.

The opening riffs of “I Hope You’re Wrong” prove the band still has the goods musically, although Pearson’s vocal delivery is an acquired tasted here, a little like Tom Petty mixed with Bob Dylan. The band struts out the melodic rock on “You Know,” and most of this wouldn’t be out of place with artists from Rumbar Records. Other impressive songs include “The Life of The Party” and “She Belongs To Me.” It leans more toward hard rock than power pop, but there is still enough here to satisfy. Jon Memolo’s “You Know” and “Never Be The Same” showcase the bands depth of style and helps make this one highly recommended.

Amazon

 

It’s a Hi-Fi Christmas: The Weeklings, The Supernaturals, David Woodard, The Happy Somethings

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Did I hear you say “More Holiday Music?” No? Well don’t be a Grinch, listen anyway. The Weeklings, that amazingly cool Beatlesque band has a brand new Christmas album out. Lots of fun festive originals here, so it’s highly reccomended. Get it on Amazon. And the band is expected to play live next week at My Father’s Place in Roslyn, NY! Next, Futureman Records has a simply great Christmas comp that is loaded with great power pop artists (The Jellybricks, Phil Angotti, Lisa Mychols, etc.) called a Hi-Fi Christmas Party. All proceeds are donated to the Versiti Blood Research Institute, so open your wallet and give. Like snowflakes, these Christmas albums are unique (no two are the same) so please check out The Supernaturals, David Woodard, and a freebie from the contrarian “Don’t Mention it! (album)” by The Happy Somethings.


Great December EPs: Wyatt Funderburk, Sweetboy, Super 8, Blend Eleven, Softjaw

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Wyatt Funderburk “Fleeting and Finite” and “Parkside”

Wyatt is comparable to a “5-tool-player” in baseball. Does many things extremely well, from songwriting, playing, singing, producing, etc. He does punk pop to perfection with Kurt Baker, but I can think of very few people who have the skills to pull off a Brian Wilsonesque combination of melody and earnest romantic delivery. He gives us a double EP (one under the name “Hibiki”) Don’t believe me? Listen to “You’ll Know” and you’ll know! Get it on Amazon


Sweetboy “A Day in the Park”

Local NYC indie pop band has some amazing songwriting, check out the title track “A Day in the Park,” “Island” and the epic chorus of “End of The World.” This is a band you should keep your eyes on for future greatness. Get it on Amazon


Super 8 “Goes J Pop”

Sorry if you were expecting Kenshi Yonezu, but Paul “Trip” Ryan (aka Super 8) does a fine job with these Japanese pop covers (including a Beatles cover). Check out “Keep Doing It” with its shamisen accents. Get it on Amazon


Blend Eleven “Deepest Cuts”

This Aussie band with great sound builds everything off the 12-string acoustic strum. A cover of the classic Cat Steven’s “The First Cut is The Deepest” sets the stage, very much in the vocal mold of Extreme’s acoustic gems. And it’s a freebie to try – so pick it up, and listen to the band’s other material. Get it on Amazon

Softjaw “Softjaw”

Deceptively cool vibe on the opener “Pleased With Me” drew me in, as this Long Beach, California band has a perfect power pop approach. “Don’t Go Walkin’ Out On Me” and “Dragging Mt Feet” are pure gems. This is another band that flirts with greatness, as each song hits the mark and it’s a contender for best EP this year. Get it on Amazon

Holiday music: Willie Wisely, Kai Danzberg, Mike Brunacini, Dean & Britta & Sonic Boom, Reno Bo, Ben Folds

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The best way to enjoy holiday music is early December. It’s weird how we all love those songs after Thanksgiving, but hate the sound of sleigh bells after Christmas. Original holiday music has always been something I’ve enjoyed listening to because it’s fascinating to hear how different artists interpret their own personal holiday memories. Enjoy these presents from Willie Wisely, Kai Danzberg, Mike Brunacini, Dean & Britta & Sonic Boom, Reno Bo, and finally Ben Folds.