Jim Allen, Local Drags, Chris Stamey

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Jim Allen

Jim Allen “Maybe Things Will be Alright”

Jim Allen’s ‘Maybe Things Will Be Alright’ is an eclectic blend of power pop, roots rock, folk, and alt-country that succeeds through strong songwriting and an impressive supporting cast. Allen’s deep vocal delivery often recalls Eytan Mirsky, balancing sincerity with a melodic sensibility that keeps the album grounded even as it shifts styles.

The title track shines with dB’s co-founder Peter Holsapple adding guitar and vocals, delivering one of the album’s most immediate hooks. Elsewhere, Richard Barone lends his talents to the moody rocker “In a Cave,” while the touching ballad “For Byron” benefits from C.P. Roth’s backing vocals. The dreamy “Where I Am” reaches even further afield with contributions from Dorothy Moskowitz and Paul Conly. The variety never feels forced, making ‘Maybe Things Will Be Alright’ an engaging listen from start to finish. Check it out.
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Bandcamp only

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Local Drags

Local Drags “Cool If We Split?”

Springfield, Illinois singer songwriter Lanny Durbin trades grit for brighter hooks and bigger choruses, delivering what may be the band’s most accessible and polished release yet. Despite tackling weighty themes like depression, aging, and isolation, the music remains upbeat, driven by ringing guitars, bouncy rhythms, and an undeniable sense of momentum.

Fans of the Gin Blossoms, Dropkick, and Teenage Fanclub will find plenty to enjoy here. Tracks like “Staring at the Telephone,” “The World of You,” and “Easy Ground” showcase Durbin’s knack for crafting memorable melodies and emotionally resonant lyrics without sacrificing energy. The album’s biggest strength is also its main weakness. The consistent sound creates a cohesive listening experience, but several songs blur together over the course of the record. Even so, ‘Cool If We Split?’ remains a satisfying and well-executed power pop release. Highly Recommended.

Amazon


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Chris Stamey

Chris Stamey “Modernism”

Chris Stamey’s ‘Modernism’ serves as a companion to last year’s ‘Anything Is Possible,’ while standing firmly on its own as a celebration of the adventurous spirit of 1960s and early 70s radio. Drawing from classic rock, pop, soul, and even Broadway influences, Stamey curates a collection that feels both nostalgic and surprisingly fresh for a covers album.

The performances are consistently inspired. The Beatles’ “Hey Bulldog” benefits from the driving drumming of Big Star’s Jody Stephens, while the dB’s add their familiar sparkle to a beautifully rendered “Waterloo Sunset.” Stamey also tackles Sly and the Family Stone’s “Thank You (Falettinme Be Mice Elf Agin),” injecting fresh energy into the funk classic with help from the Uptown Horns and an all-star supporting cast. Deep cuts such as the Left Banke’s “Shadows Breaking Over My Head” and “Hernando’s Hideaway” reveal Stamey’s wide-ranging musical curiosity. Nothing here is earth-shattering, but the musicianship is outstanding and worth repeat listens. Highly Recommended.

Amazon


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June singles: Danny Laj and The Looks, David Myhr, The Toxhards, The Regulars, Willie Dowling, Almost A Cow

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Danny Laj and the Looks “We’re The Freaks” really speaks to the power pop movement. The track focuses on how something as simple as a noise complaint can threaten a beloved venue and the ripple effect that loss has on musicians, fans, and the local community. Something I’ve lived through, for sure. I’ve seen a big push in new music recently because it’s summertime. Let’s start with David Myhr (The Merrymakers) latest solo album, and the opening track “Summer Summer Summer” and its exactly what you expect, a swirling gem that will add a smile to your face. Next, The Toxhards are back after last year’s top-ten rated LP, with a new single and hopefully a full length isn’t far behind. After that you get a new freebie EP from The Regulars, a scruffy rock band from Boxborough, Massachusetts with the goods, check out “Impossible” and “Empty Dose.” Great live energy and good songs. Across the pond, Willie Dowling (Dowling Poole, Jackdaw4) is carrying on again in his manic way about the state of politics. We get it, mate! Finally, Almost A Cow is a Texas band with a big sound claiming to write anime songs, but its just melodic rock and roll (and I like it, yes I do!) Check out the 90s influenced power pop tracks “Manatee” and “Downfall.” Thanks!
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Middlebees and The Bishop’s Daredevil Stunt Club

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}Middlebees"

Middlebees “Seconds”

Middlebees is the musical project of Jon Manos, a songwriter with a clear gift for classic pop craftsmanship. The album opens with “Ticking,” which begins modestly with a toy piano and simple verse before unfolding into a rich, layered chorus anchored by a memorable hook. Manos draws from a wide range of pop influences throughout the album. “Made It Back” shines with jangly indie-pop energy and an unmistakable ’80s feel, while “Ashby” channels the bright, carefree spirit of late-’60s bubblegum pop. The stylistic variety keeps the record engaging while maintaining a consistent melodic focus.

The ballads offer a welcome change of pace. Manos’ deep vocal register suits some material, though “And You’ll See the Sun” feels less impactful than some of the stronger tracks and might have benefited from additional vocal harmonies. Even so, the album succeeds where it matters most: the songs. Tracks like “When Will the Light Shine” and “I Gotta Go” highlight Manos’ ability to craft infectious melodies without relying on studio excess or gimmicks. Fans of melody-driven pop, whether rooted in the ’60s, ’80s, or modern indie traditions, will find plenty to appreciate here. Definitely this check it out.

Amazon

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The Bishop's Daredevil Stunt Club

The Bishop’s Daredevil Stunt Club “Fever Dreamer”

Over the past 12 years, Bishop’s Daredevil Stunt Club has steadily expanded its sound, and ‘Fever Dream’ finds the band leaning further into glam rock influences. Opener “Stunt Double” recalls the swagger of Imperial Drag, driven by crunchy riffs and tambourines that immediately set the tone. The album hits an early high point with “Disco Demolition,” a standout single packed with Queen-sized harmonies, thick guitar lines, and an irresistible energy. While “Heavy Conclusions” and “Fuzzz4escence” showcase the band’s impressive musicianship, neither track delivers hooks that stick.

Things quickly get back on track with “Monday the Destroyer,” a hard-rocking groove machine complete with a healthy dose of cowbell. “Lost Daughter of Stardust” blends influences ranging from Extreme to David Bowie’s Spiders From Mars era, revealing more depth with each listen. “Hostage to Hypothetical” is another slow-burn highlight that rewards repeat spins, while closing track “Reach” wraps things up with a classic rock chorus that leaves a lasting impression. ‘Fever Dream’ may not deliver wall-to-wall hooks, but Bishop’s Daredevil Stunt Club continues to evolve while maintaining the strong musicianship and adventurous spirit that have defined the band for over a decade. Highly Recommended.

Amazon

Sour Ops and Doug Gillard

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Sour Ops

Sour Ops “Bikers Make Better Lovers”

Nashville power pop-rock trio Sour Ops, led by Price Harrison, continues to build on its reputation for mixing proto-punk, glam, and power pop hooks with lyrics that often lean toward the cynical. Their latest LP, ‘Bikers Make Better Lovers,’ delivers another batch of sharp-edged rockers with plenty of personality. The production is crisp and uncluttered, allowing every instrument to sit comfortably in the mix. The lineup of Price Harrison (guitar, vocals), Tony Frost (bass), Steve Ebe (drums), and Mark Harrison (guitar, vocals) works together with impressive cohesion.

The heavy synths that introduce “Opting Out” quickly fade as a muscular guitar riff takes control. The song’s cool factor is undeniable, fueled by layered rhythm guitars and sharp vocals as Harrison declares he’s “opting out of everything that’s free.” Next, “Problem Number Next” recalls elements of Urge Overkill, thanks to its memorable melody and stacked guitar textures. When the band turns up the volume on “She’s So Strange,” the sound hints at AC/DC, albeit with stronger vocal melodies. This heavier approach reaches its peak on the infectious “Gym Bros,” a clever and entertaining commentary on hypermasculinity. Highly Recommended.

Amazon


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Doug Gillard

Doug Gillard “Parallel Stride”

“Parallel Stride” is Doug Gillard’s first solo album in more than ten years. It features his trademark guitar-driven indie rock sound with catchy tunes and poignant lyrics. Gillard has been so busy with Guided By Voices, Nada Surf, Bambi Kino, and other projects that it’s an incredible accomplishment in and of itself that he has time for his own work. Gillard’s guitar work is both melodic as it is technically impressive.

The album opens with “Face of Smiles” and its instantly memorable GBV-styled riff, while the title track “Parallel Stride” is masterclass in gritty guitar melody akin to The Grip Weeds. The galloping rhythm of “Until I See You Again” has echoes of Tom Petty, but “New Vista” marries great minor chords with acoustic rhythm that sticks in your head. In fact, it’s astounding the range of tones and moods he’s able to get, keeping things unpredictable. Added highlights include “My Friends” and “Saving My Life Everyday.” Highly Recommended.

Amazon

Power Popaholic Interview: Cal Everett

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Cal Everett (4 out of 5 Doctors)

My longest interview yet, and every minute was worth it.

I sat down with Cal Everett of 4 Out of 5 Doctors for an in-depth conversation covering his music career, songwriting, the band’s legacy, and what he’s working on today. Cal shared great stories, insights, and memories from decades in power pop and rock music and especially his new solo album “The Weight of Early Promise.” If you’re a fan of 4 Out of 5 Doctors, classic power pop, or the art of great songwriting, this is one you’ll want to watch.

See the album review for “The Weight of Early Promise.”