The Very Most opens with the upbeat, perky “Good Fight Fighting” where both the vocals float like The Beach Boys meets Belle and Sebastian – not since The Davenports or The Heavy Blinkers have I heard a such a wonderful light pop approach. The Very Most are an indie-pop band from Boise, Idaho. As an indie band with the help of a small group of musicians they carefully constructs layers upon layers of guitar, bass, drums, synths, percussion, piano, synths, bells and sound effects. Their music is dense, catchy, and has a decidedly positive, lyrical viewpoint. “Sod Off” is another sweet mid tempo synth and guitar song with Kris Doty’s sweet vocal. Another standout “Polygraph” uses modern indie pop elements, but retains the wonderful pop melody and has a great hook (even using castanets!). The follow up, “Neuron” has a slow yearning vocal, similar to the Smiths, but also great percussion work and a touch of child-like simplicity and innocence. “Bleess” is a very Colin Moulding (XTC) sounding song, with a guitar strum that hooks your brain immediately. Another gem, “Spilt, Spilt Milk” recalls those early REM ballads in a way with a sweet female harmonic chorus. “Profoundly Imperfect” has an even more REM-like tone and actually rocks the hardest on this album. It’s hard to find a bad track here, although a few tracks wander on a bit long (“Love At Home”) – this album will grow on you in a very good way. Even the ending track “Congratulations” ends on a very positive note with a not so hidden track called “Hidden Track” that is a very Brian Wilsonesque piano tune. Fans of The Shins, Belle and Sebastian, The Heavy Blinkers will not want to miss this one.
The Very Most Website | MySpace | CD Baby