With their debut in 1997 “Soon”, The Lollipop Factory quickly establish themselves as disciples of 70’s-era rock. Guitarist/vocalist David Tweed and drummer/vocalist Bekah Manning sound a lot like a marriage of Queen, Jellyfish and T Rex. Almost ten years later the band has roared back with “Away In A Trailer.” The band has pretty much toned down the pop sound here and replaced it with more metal, albeit in a carnival atmosphere. “Song For Robert Schuller” is a glorious opener with the Freddie Mercury multi-layered vocal harmonies wrapped in a forceful guitar attack. As a metal-pop album, it will earn plenty of raves. Another standout is “Crashed and Crucified,” and the killer riff leading “JumpJet.” The Jellyfish influence comes through on the excellent “Objective Man” and the classic “Somewhere My Love.” Unfortunately the band seems to concentrate more on texture and tone than any hooks or melody. “Lovers Leap” and “Tore My Heart in Two” are both a metal mess and “State Of Distraction” is off-key to the point of near unlistenable. Thankfully there is enough here to bang your head to.
A new EP “Eat Cake” was released this year, and the songs are more pop oriented, like the ambitious title track, full of complex chord progressions. “Freeze Pop Holdup” has Bekah’s vocals up front and it sounds like a totally different band. “Rigor Mortis” adds a vaudeville-styled “eulogy” break, and is a ton of fun to listen to (fans of Bryan Scary take note). The band has been touring the midwest in support of the album and EP. Overall this a band going through a creative growth spurt – and we benefit musically. They just need more focus and consistency to sustain a full albums worth of tunes.
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Listen to “Song For Robert Schuller”