The Cry and Laurie Biagini

The Cry “The Cry”
The CRY! is not fu**ing around! We ARE simply the BEST new POWER POP band in the World!  – such is the hyperbole mentioned in my initial introduction to this youthful band from Portland, OR. Opening with the bouncing riffs of “I Think I’m In Love With You” it’s kinda like a mix of Thin Lizzy and The Rubinoos, where the guitar melody is supported by the punky vocals of Brian Crace. The influence of The Ramones is all over “Such A Bore,” as they kick the energy level up a few notches. The music merges the do-wop vocal arrangements of the 50’s and jangling hooks of the 60’s quite well on “Sleeping Alone” and “Be True.”

The band’s perfect blend of styles also works on the melodic “Forget It,” and its my favorite track here. Each song is quick and many are under 2 minutes long. But no misfires here and the band blew the doors off during an impressive live performances at this years IPO festival, so I’d say they are well on the way to living up to their motto.

The Cry Website | ReverbNation | Facebook

Laurie Biagini “A Go-Go Girl in a Modern World”
The Vancouver singer is on her third album at this point, and once again she is a one woman version of The Honeys. Laurie stays retro here, with a clear 60’s Beach Boys influence, multi-tracked vocals and Phil Spector production values.

The songs are well composed, as standouts are the descriptive “A Ride on the Train” and the surfin’ car tune, “My Little SUV” with just the right guitar by Richard Snow. She also gets some help  from guitarist Fabrizio Serrecchia (from the Italian group Soundserif) on the faux-Bond theme “The Invisible Guy.” But for the most part Laurie’s vocals are center stage, and just when it starts to get monotonous, the best song emerges. “In The Eyes Of A Little Girl” is a thrilling mid-tempo look back at childhood co-written and performed with the brilliant Maxi Dunn. So if you want to return to those innocent days of AM radio pop, close your eyes and let Laurie take you back.