Redd Kross “Beyond the Door”
One of the great power pop bands, Redd Kross is back with an eighth album, and they are truly timeless despite the seven-year wait since 2012’s Researching the Blues. The band has been around for 40 years (!) but now has updated its line-up; the McDonald brothers; Steve (bass) and Jeff (vocals) with drummer Dale Crover and guitarist Jason Shapiro. Just remember, the McDonalds started Redd Kross by opening for Black Flag at a middle school graduation party in 1981. And today the sound still rocks; harmonious rock and roll somewhere between Cheap Trick and The Jellyfish.
They open with “The Party” which grooves like a lost song off The Austin Powers Soundtrack, but it’s based on the theme to a 1968 Peter Sellers film. “Fighting” is where the brothers excel, with loud driving guitar riffs and a catchy chorus. The band delivers more gems with the Kinks-like psyche-pop of “Ice Cream (Strange and Passing)” and “Fantastico Roberto.” The party atmosphere continues with “The Party Underground” with swirling guitar solos. It’s tough to find a favorite here since every tune hits its mark. It ends with a cover of Sparks “When Do I Get To Sing “My Way” and it too is glorious. Highly Recommended, and an easy pick for the top ten list of power pop for 2019.
Extra: Redd Kross is funding a documentary on the band. Check it out at www.reddkrossfilm.com
https://www.youtube.com/watch?v=Hl4BtWCgvT0&feature=youtu.be
The Junior League “Adventureland”
Joe Adragna is back and he continues to impress under the moniker of The Junior League. His latest LP Adventureland starts strong out the gate with “Heavy,” led by thick guitar riffs that carry you away, and thick synths of Scott McCaughey (Minus 5) keep it coming on “Have Faith In Yourself.” The feel is very similar to The Posies, Tommy Stinson or Bob Mould.
It shifts into bubblegum rock territory with “Falling In Love,” and with Tammy Ealom’s backing vocals it bounces along like a lost Tom Petty rocker. Joe’s riffs are direct and there are plenty of melodic rocking gems here. “Queen of the Dead” is a standout that will stick in your head, and “Town in a Box” is almost Nirvana-like with its heavy-pounding chords. “Delete and Repeat” adds a sugary sweet chorus to the dense guitars. Overall the songs are short and sweet, but most of all they are meant to be played loud. Highly Recommended.
