Nick Frater “Full Fathom Freight-Train”
The UK based Frater has quickly emerged as a power-pop force to be reckoned with. With a leaning towards classic 60s-70s influences he opens with “Sunshine After The Rain,” a deceptively simple melody that worms it’s way into your head quickly, on its strong verse-chorus structure. “Oh, Now Girl” is like an early Teenage Fanclub gem, which also has its heart on its sleeve. “Your Latest Breakup Song” slows down just a touch, like if Paul Simon teamed up with Andrew Gold. These three tunes alone make Frater’s music unforgettable. But there is more.
The dream-like “All Out at Sea” changes the mood and “The Getaway” has this thick early 70’s sheen, like Sweet or Sailor. “Holding On to You” is a perfect song about longing that combines old and new styles of pop balladry. “Strangers on The Bus” and “What Does Good Look Like?” lean toward mid-tempo pop in the mold of Adam Schlesinger. Not a single weak track here, so I’m gonna cut this review short. Last year’s “Goodbye Kayfabe” was a top ten EP, and it’s safe to add this LP to 2019’s top ten LP list.
The Pozers “Crybaby Bridge”
Texas-based band The Pozers are back with two distinct songwriters as they sing about nostalgia, youth, breakups, regret, and death. Starting with a hard rock riff and an echoing lead vocal by Kenny Swann on the opener “Goodbye (I’m Gone),” it’s safe, but an uninspiring start. But Jim Richey’s “Two” is a much more interesting tune, as a psyche-pop mid-tempo gem with layered harmonies and a nice instrumental break at the midpoint. Fans of The Pillbugs will enjoy that one. Next, “SoCal” is another Richey song and you’ll hear echoes of Badfinger in this tune about chasing fame. He sings “So tell me how’s the life you’re making? If you cry just say you’re faking.”
“The Only Girl” is an odd one; like a Beach Boys tune played at half speed and it contrasts with Swann’s “Nonstop” with its frantic drum pounding. Some songs with this approach work great like “Teenage Storybook,” and “So Long” but some of the heavy production techniques detract from other songs (“Telling My Secrets”). ”The Obvious Ledge” is a worthy tribute to the late Elliot Smith. There is enough here to keep most power pop fans interested, and I would recommend you check it out.
