The Greek Theatre “When Seasons Change”
Swedish duo Sven Froberg and Fredrick Persson are back, and they inject much-needed energy into their newest release. “Twin Larks” majestically starts with duel acoustic guitars and a flute melody floating by, and then the jangling “Lawrence of Laurel Canyon” bursts forth with a hopeful exuberance. But these psyche-pop artists go totally acidic on “The Post Factual Jam” before returning to the pastoral “Old Jawbone.”
While many influences are present, Greek Theatre has a unique sound and style, from the soulful “Bible Black Mare” to the baroque strings and harmonies of “Open Window.” The band is every bit as versatile as The Moody Blues, which it reminded me of, especially on the wonderful “A Different Place.” This is an album to savor and rewards the listener during repeat plays. Highly Recommended.
The Proper Ornaments “Mission Bells”
UK indie psyche-popsters The Proper Ornaments have a hazy dreamlike quality to their music; perfect for early Sunday mornings or late nights. A project of James Hoare (Ultimate Painting, Veronica Falls) and Max Oscarnold (Toy, Pink Flames) the band added bassist Nathalie Bruno for their recent tour. The band was known for their past Beatlesque and Velvet Underground influences, but Mission Bells moves them further away from that signpost.
Adding more electronic textures and electronic drumbeats, they come closer to The Beta Band in style and approach. “Purple Heart” shows a slightly offset group of chords to describe someone “so cold,” and the layered “Downtown” features hypnotic rhythms. “Broken Insect” boasts a catchy bass-led melody where the vocals are buried far into the mix. It’s enough to put the casual listener to sleep. But, the lyrical and melodic brilliance surface on several songs, “Echoes,” “Flophouse Calvary” and “Music of The Traffic.” The patient listener is rewarded here, but you might need a bit of caffeine to stay awake.
