The Harmony Motel “Topical Depression”
Stanton Hall (The Zags) takes a detour from his band to this wild diversion. Starting with the electro-funk instrumental “The Plan” it goes into “Played By The Game” a compelling slice of piano pop akin to Ben Folds combined Bowie and add in some prog-pop elements. Next is the chugging beat of “Gettin’ Started Late,” it’s another winner that delivers a strong chorus before it leads to the sleepy synths of “Faces” which reminds me of Godley & Creme’s arty pop. “Mushrooms” is a bit of filler (with Hazel H rapping) but better is the impressive composition of “Comment Comment” and “Topical Depression” with its western slide guitar that morphs into a waltz. Some of these songs work, and a few don’t, but overall the experience proves that Stanton’s Harmony Motel is worthy of a visit. Come and stay awhile.
Diamond Hands “Thank You”
After three retro gems and some solo work, the duo of Jon Flynn (“Citrus”) and Joel Tyler Wall (“Green Wave”) join forces again for Thank You. And the retro-pop influences of previous entries are more in the background here, as Diamond Hands creates a more timeless sound. Similar to those Elephant Six bands of the late ’90s, they include elements of psych-pop and baroque folk.
From the start “The Magazine,” has a hook that keeps you engaged and a chorus that hums along, and “She’s An Alien” enjoys a crunchy jangling lead and its fascination with beautiful women. There seems to be no single track that stands out as it’s all consistently good from top to bottom. From the aching vocal of “Out of My Head” or the slide guide chord progressions of “Runaway,” it’s a treat. It does get heavier (glam?) with “Ziggy,” and the tempos slow down towards the album’s second half. Overall a highly recommended album that further solidifies Diamond Hands as one of the best power pop bands around.
