The Weeklings and The Toms

The Weeklings

The Weeklings “In Their Own Write”

The Weeklings are one of the best Beatlesque power pop bands out there and after three great LPs, they decided to put together a “greatest hits” album. The spin on this is that The Weeklings started life as a live Beatles cover band, so why not record these songs live? Taken from 2 different shows, the band plays a robust setlist and their banter and audience interaction make you feel like you are there.

From the opener “Little Tease,” it’s got all the Beatle “easter eggs” that people enjoy and done with a verve and energy few can match. The new “April’s Fool” is a welcome addition to favorites like “Morning, Noon, Night,” “Little Elvis,” and “Don’t Know, Don’t Care.” Like most Weeklings albums, there are a few choice covers like “Baby You’re A Rich Man,” the Adam Schlesinger penned “That Thing You Do,” and a re-arranged rocking version of “The Word.” Highly Recommended (what else?)

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The Toms

The Toms “Tomplicated”

The Toms (Tom Marolda) has remained an active DIY power-pop force of nature since his debut in 1979. Last year brought us some “lost” songs from those 1979 sessions, but now he’s back with some new material. In a return to the techniques of his early Beatle-influenced recordings, Tom’s masterful use of contrasting sounds (like a deep bass chord over a light acoustic strum) on “Too Many Yesterdays” make a simple melody stand out. In addition,“Three” has a terrific bass groove, with a psych-pop wall-of-sound, and it’s an early highlight in the massive 16 track effort.

However, many tunes feel more like sound sketches and experiments that fell off the Magical Mystery Tour bus, like the title track “Tomplicated” and “You Shot Me Out Of Your Cannon.” Interesting yes, but when the song has a great hook it works even better. Added highlights include the excellent “Hang On” and the jaunty “Sunday Clothes” with cello flourishes that recall The Move. “Somewhere Over This Rainbow” is another gem, referencing The Wizard of Oz in its narrative and the optimistic jangle of “It Doesn’t Matter to Me” is a fitting finale. There are more than enough tracks to rate this one highly recommended.

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