Ransom and the Subset “Perfect Crimes”
Seattle singer-songwriter RanDair Porter carefully curated Ransom and the Subset’s sophomore album. Back in 2014, when I heard the debut No Time To Lose it proved Porter’s talent, but with Perfect Crimes, he’s brought a more consistent sound across the 10 tracks. That glossy flawless production makes this a great headphones album, as it straddles the line between sophisticated adult-oriented pop and power pop. A bevy of guest stars behind Porter includes Roger Joseph Manning Jr., Darian Sahanaja, Jim Babjak, Kurt Reil, and Ducky Carlisle to name a few.
The opener “Perfect Crime” is irresistibly catchy with its guitar riffs rhythmically bouncing across a chorus of “bada-ba” harmonies. “Sara Kandi” is a seamless follow-up, about infatuation with a young girl he just met. “Left Her at the Shinkansen” is a Japan-based tableau at the famous bullet train. Once we get to “One Last Thing (Leaving)” its mellow vibe recalls the recent The Pearlfishers with its smooth tones and orchestral composition. The guitar riffs return with “Should Have Said Nothing At All” loaded with great backing harmonies. The ender “Fast Car” has a bit of Elvis Costello in its DNA. While the most memorable music and standout hooks occur in the album’s first half, the remaining songs are just as meticulously constructed. This is a terrific album that is without a doubt a contender for my top ten list for 2023. Highly Recommended.
Matthew Logan Vasquez “As All Get Out”
Matthew has been the frontman for heartland indie rockers Delta Spirit, he draws from a huge collection of influences, including Gram Parsons, Kurt Cobain, Neil Young, and Iggy Pop. The album’s approach is a potpourri of roots rock to slow jams. After the rhythmic percussive opener “Untouchable” it kicks the doors out on the catchy “Over It” a hook-filled rocker that sticks fast with its punk edge.
It then settles into a groove with “Odysseus” with its spiritual mantra “always coming home but never going home.” The anthemic “Long Line of Lovers” has a great Beatlesque bass line buried in the chorus and it’s likely the standout track here. The 12-string strums and jangle of “Shawna” and “Recognize” are flowing streams of Matthew’s lyrics that feel like a modern-day Donovan. And before you know it the pounding rocker “Can You Turn Me Up” shows up. While it zig-zags all over the place, the songs are quite good. Highly Recommended.
