Bory “Who’s A Good Boy”
Another Mo Troper-produced pop confection, Bory is a Portland artist who impressed me with his melodic EP debut, Sidelined. With his first full-length album, Bory has a layer of grungy, obscured fuzz and DIY bedroom compression, but it is unable to contain the powerful melodies, which sound like classic Teenage Fanclub crossed with Guided By Voices.
The bombast of the opener, “The Flake” is all about the lovely melody buried beneath the buzzing drone of guitars and pounding drums. Bory adds earworms to his “Five Course Meal” about a self-effacing narrative; you barely hear the rising harmonies and handclaps over the fuzz, and that’s the point. “Our New Home” is all about the freedom of moving to a new area and “acting real cool” as a homeowner. As we move forward, “We Both Won” and “Wreck” go into relationship issues with a masterful combination of key changes. The catchy “Secrets” adds more jangle to the mix as he frets about aging and insecurity as he says, “The best days are behind us, and the worst is yet to come.” “Sidelined” is another catchy riff that explodes into an echoing solo. Fans of Diners, Disq, and The Eels will enjoy this razor-sharp mix of textured memories and inspirations. Highly Recommended.
Richard Turgeon “Life of The Party”
Richard Turgeon has found his niche, and he’s sticking with it. He’s a one-man band that writes, composes, and plays almost everything himself. Longtime collaborator Ron Guensche guides Richard along here, and these new songs stand out right away. Starting with “All Alone” and “You’ve Moved On,” they are a one-two punch about a final separation. “I’ve Got You Now” is the guitar crunch rooted in mid-90s power pop (The Gin Blossoms, The Lemonheads, The Posies), and he falls into the category of modern West Coast power poppers like Jeff Shelton (The Well Wishers) and James Hall (Shake Some Action).
Next, “Our Fair City” is a commentary on the homeless problem (“It’s better when you turn a blind eye.”) Additional highlights include the solid “Friend Zone,” and while the album’s second half sounds a bit routine, the final track, “Don’t Forget Me When You’re Gone,” is a well-done ballad in the Billy Joel tradition. Highly Recommended.