The Real Numbers “Thank You”
San Franciso’s power pop band The Real Numbers has been a fixture in the indie scene for over 12 years, but this new album has a special meaning. It was originally lost in a tragic computer accident; the story is in detail here. But despite the setbacks, the band got this done and added some ex-Jellyfish to play on it (Roger Joseph Manning Jr. and Tim Smith).
Dave Ambrose and Lawrence Grodeska are the main collaborators here, along with Chuck Lindo (bass) and Robert John Tucker (drums). The enthusiasm is palpable on the horn-lead “Lucy’s in Love.” But even better is “I Love To Sing,” a sweet musical biography. Stylistically, The Real Numbers are akin to The Barenaked Ladies, Fountains of Wayne, and Andrew Gold. They even cover Gold’s hit “Thank You For Being A Friend.”
“Lydia Pinkham” is a very Jellyfish-styled tune with its swirling psyche-pop touches. “Sorry for the Mess” is a big highlight here, a message for future generations apologizing for screwing up the environment. The brilliant composition and musicianship make it my favorite song here. The introspective “News of the Day” and “Hello World” are wistful observations, and despite the bouncy optimism in the melodies, there is a sense of sadness mixed with nostalgia. Overall, a great album that’s highly recommended, and a name-your-price download. You can’t ask for more!
Brent Seavers “Exhibit B”
Brent Seavers (The Decibels) has driving energy on his opener, “Roller Coaster Ride,” as the riff weaves up and down the scale. Brent lists The Beatles, The Jam, The Primitives, The Plimsouls, and The Monkees among his favorite bands. Overall, the album has a tight sound, yet each song is unique, taking the listener on a whirlwind tour of the multi-colored power pop universe.
More varied stylistically than The Decibels or his first solo outing, the song compositions are terrific. “Evolves” is a catchy gem with weaving harmonies and a killer guitar solo. The story songs that stick fast include “The Noble Cause,” “No Perfect Way,” and “Til It’s Over.” There are some overt nods to the ’60s mod (“Fuzz Off” is pretty obvious), but it’s not a retro-dominated album. Timeless and highly recommended. Keep on going, Brent!