Kevin Robertson and The Martial Arts

 Kevin Robertson

Kevin Robertson “The Call Of The Sea”

Kevin Robertson (Vapour Trails) has done it again with a decent album full of jangly power pop, opening with the Byrdsian “Ghosting” and bouncy “The Guilt Trip.” He neatly positions himself stylistically between CSN, Teenage Fanclub, and Big Star. Both songs are great openers on different ends of the pop-rock spectrum. Guest players include Scott Robertson, Nick Bertling, and Nick Frater.

Traditional country is also a large influence here, as “Windows of the Sun” shows. Still, the gentle twang on “Search for Replies” with Frater and Ahren Buchheister (steel pedal) is a great example of his subtle but catchy songcraft. Kevin’s 60s-inflected techniques don’t dominate the album entirely. But the album’s second half moves back towards the psyche pop of “Rain Again,” “Ode to Stephen,” and “Fortune Teller Lied.” Another gem here is “Long White Feathers,” with its magical bridge and “ba ba ba” harmonies to make it a standout. The production is warm and the mix is crisp-sounding (thanks, Nick!) You’d have to admit Kevin’s songs here are a step up from last year’s Magic Spells Abound,’ which makes this album highly recommended.

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The Martial Arts

The Martial Arts “In There Like Swimwear”

Paul Kelly (BMX Bandits) has a lot of talent and lets it show on his latest Martial Arts LP. “Hold On Full Of Hope” has a jaunty guitar, and quirky piano melody, a mix of rock and roll with elements of musical theater and bedroom pop. The song dovetails directly into the similar sounding “Empty Out Here.”

Next, “The Attractions” boasts some terrific harmonies in a composition that brings to mind early ’80s Elvis Costello with its organ lead. “No Victory” is another great song with so many catchy details. The theatrical approach resembles Sparks on “Something in the Water.” The clever percussion also leads to a massive chorus on many slow building songs like “Working On My Eyes” and the ELO-esque gem “No Coming Down.” But nostalgic touches are mostly the window dressing, as Paul Kelly creates music in his own unique style and it deserves a much bigger audience. So many highlights it’s easy to see why this one is highly recommended.

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