OK Go “And the Adjacent Possible”
OK Go has always been at that rare intersection of indie rock musical innovation and commercial success. The new album while it adds more electronica and other modern tropes, can still claim to be at its heart a well made pop album. “Impulse Purchase” oozes cold cool with its deep buzzing bass beat, and Damian Kulash’s unique vocal.
On the lovely melody for “A Stone Only Rolls Downhill,” he laments “it’ll all be all right” and “it’ll all be just fine,” but fails to convince us. Much better is “A Good Good Day At Last” which has plenty of Prince-like funk, and on the bouncy “Take Me With You” he embraces his inner Bowie. The album’s center piece is “Love,” a swirling gem with strong harmonies, angular guitar riffs and an unmistakable arrangement. The soulful “Going Home” and wistful closer “Don’t Give Up Now” offers a mellowness that contrasts with most of the album, and the finale feels like an acceptance of present tragic events and a warm hug. Definitely highly recommended.
The Bablers “Like The First Time”
If you want to make a name in power pop, go big or go home. Finland’s The Bablers were promoting singles in the US since their Beatlesque debut ‘What’s All About’ in 1980 (a long sought after gem,) but most of the release action took place in Finland, until 2022’s highly recommended ‘Psychadilly Circus’ came out. The group is led by Arto Tamminen (guitars, vocals) with Janne Haavisto (drums), Pekka Gröhn (bass, keys) and Hannu Pikkarainen (guitars). The band has continued to tease with it’s singles, but now the proper follow up to their debut (previously only available in Finland or Japan) has arrived. And it’s big, as it was remastered and new tracks added as well.
The opener “You are The One for Me” has all the hallmarks of excellent power pop, as the music is both catchy and timeless. Those Beatlesque guitar chords are also back with “One of Those Dreams” and “Thinking of You,” and these gems could give the Spongetones a run for its money. But the band doesn’t hold back on romantic themes like “Holding Me Tonight,” and the ELO-ish “Sometimes.” The melodies are easy going and the sentiment is genuine, as opposed to sappy. (although “Together Forever” comes close). The second half is almost as good as the first, but with longer pop epics, for example “Like The First Time” and “In This World.” Additional highlights include the jangling “Here I Come,” and the finely orchestrated strings and woodwinds on the baroque “Where the Wind Blows Free.” Overall, a great album that’s long overdue here. Highly Recommended and a contender for top ten album of 2025.
