Off-the-beaten-path: Duane Hoover

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““Duane

Duane Hoover “Wayward Path”

Duane Hoover has been playing in bands for a while from Atlanta to New York City, where he excelled in the influences of T-Rex, Bowie, and Lou Reed. Duane frequently balances his roots in contemporary rock with his influences from classic 60’s rock.

His new album ‘Wayward Path’ starts with a sneering vocal in the solid opener “Sorrow,” and next he does a glam version of the Donovan hit “Jennifer Juniper” with a lot more energy than the original. Hoover’s dominant guitar riffs are very similar to Pete Townshend (The Who) on “Go Away From My World,” and the classic Choir single “It’s Cold Outside.”

Hoover stumbles a bit on “Dreaming My Dreams,” and “Over The Years” where the compositions are a little too ambitious for his vocal limitations. But there are plenty of good rockers here, like the rollicking “Wishing Well” and the complex bedroom harmonies on “Come On.” His vocals are best when he uses a Lou Reed styled approach like on “Fool’s Paradise” with just enough cool delivery to sell it. The album concludes with “All Over Again” another Who-styled guitar-bass epic, and you’ll hear Duane’s songwriting strengths. My advice is to lean into the vocal stylings found on “Sorrow” and “Fool’s Paradise” which sound the best to me. For fans of the band’s mentioned, it’s a worthy effort that deserves to be heard.

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Mike Delevante and Strange Neighbors

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Mike Delevante

Mike Delevante “September Days”

Although Mike Delevante is from New Jersey, he has spent a lot of time in Nashville. Like his idol Bruce Springsteen, they both have a talent for spotting the lyrical qualities in everyday situations with a resigned romanticism. The opening track “The Rain Never Came” is the big highlight here, a superb jangle pop tune and compelling verse akin to The Jayhawks Gary Louris.

“Whenever You’re Around” does conjure up a brisk fall day reminiscing about the past. His mellow voice and unpredictable chord changes work best on “Good Cry” and the bouncy “I Wrote To You.” The other songs, while well done are a bit indistinguishable from each other. Mike does tell a good story, with a big drum opening on epic ballads like “Sunset,” about ending life like an old movie. “Too Far Gone” is also a surprisingly catchy tune, with a bass line akin to The Hollies “Long Cool Woman in a Black Dress” but way slower in tempo. If you are in the mood, I would give this album a chance to seep into your brain.

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“OK

Strange Neighbors “People Pleasers Pleasing People”

Strange Neighbors were a breakout band last year at the International Pop Overthrow in NYC last year, with the hit “Skeleton Boy” and the band has stepped up in terms of songwriting, production, and performance for their new LP. Starting with “Crush” its got everything you need to know; catchy, risqué verses and Aidan Strange’s strong vocal performance. The angular guitar compositions continue with “Without A Head,” and it sets up some nice guitar breaks.

Additional highlights include “Silk and Cyanide,” “Influencer” and  “Whenever We Fall.” The honky tonk ending “Your Last” is also a ton of fun with a great bass line and plenty of country twang.  Overall a strong effort and musically mature one too. I hope for many more neighborly encounters in the future. Definitely highly recommended. 

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Power Popaholic Interview: Richard Barone of The Bongos

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Richard Barone of The Bongos

In this exclusive conversation, Powerpopaholic sits down with Richard Barone of the legendary band The Bongos to dive into their brand-new live album, “Shroud of Touring.” 🎶

We talk about the album’s raw energy, how it captures the band’s signature live sound, and what it means for fans both old and new. Richard also reflects on The Bongos’ impact on the New York/New Wave scene, the Hoboken sound, and their lasting influence on indie and power pop music. Whether you’re a longtime Bongos fan or just discovering their music, this is a must-watch for anyone who loves vibrant, intelligent pop with edge and heart.

Off-the-beaten-path: Carl Kammeyer

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Off-the-beaten-path features singles and albums of up and coming artists (often unsigned by a record label) that are not necessarily power pop, but really good music that deserves to be heard.

Carl Kammeyer “You”

California-born pop singer/songwriter Carl Kammeyer has a strong voice and a gift for crafting heartfelt and emotional music. Kammeyer’s “You” is soulful, light breeze through an early morning window. Influenced by Marvin Gaye and Bobby McFerrin, Kammeyer opens with rhythmic percussion and organ, and a striking vocal thereby producing a sound both nostalgic and modern.

Although initially the vocals strain a bit, Carl settles in nicely with the positive message and its touch of doo-wop in the background harmonies, repeating “you, you, you.” The instrumentation is subtle and understated here, as the vocals are out front. Simple and optimistic, the words complement the optimism, and gradually the melody creeps into your consciousness and remains there. In fact, you’ll hear the echoes of that chorus long after the song ends. Kammeyer shows with “You,” soulful pop doesn’t have to yell; sometimes it simply needs to make you smile.

OK Go and The Bablers

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“OK

OK Go “And the Adjacent Possible”

OK Go has always been at that rare intersection of indie rock musical innovation and commercial success. The new album while it adds more electronica and other modern tropes, can still claim to be at its heart a well made pop album. “Impulse Purchase” oozes cold cool with its deep buzzing bass beat, and Damian Kulash’s unique vocal.

On the lovely melody for “A Stone Only Rolls Downhill,” he laments “it’ll all be all right” and “it’ll all be just fine,” but fails to convince us. Much better is “A Good Good Day At Last” which has plenty of Prince-like funk, and on the bouncy “Take Me With You” he embraces his inner Bowie. The album’s center piece is “Love,” a swirling gem with strong harmonies, angular guitar riffs and an unmistakable arrangement. The soulful “Going Home” and wistful closer “Don’t Give Up Now” offers a mellowness that contrasts with most of the album, and the finale feels like an acceptance of present tragic events and a warm hug.  Definitely highly recommended. 

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The Bablers

The Bablers “Like The First Time”

If you want to make a name in power pop, go big or go home.  Finland’s The Bablers were promoting singles in the US since their Beatlesque debut ‘What’s All About’ in 1980 (a long sought after gem,) but most of the release action took place in Finland, until 2022’s highly recommended ‘Psychadilly Circus’ came out. The group is led by Arto Tamminen (guitars, vocals) with Janne Haavisto (drums), Pekka Gröhn (bass, keys) and Hannu Pikkarainen (guitars). The band has continued to tease with it’s singles, but now the proper follow up to their debut (previously only available in Finland or Japan) has arrived. And it’s big, as it was remastered and new tracks added as well.

The opener “You are The One for Me” has all the hallmarks of excellent power pop, as the music is both catchy and timeless. Those Beatlesque guitar chords are also back with “One of Those Dreams” and “Thinking of You,” and these gems could give the Spongetones a run for its money. But the band doesn’t hold back on romantic themes like “Holding Me Tonight,” and the ELO-ish “Sometimes.” The melodies are easy going and the sentiment is genuine, as opposed to sappy. (although “Together Forever” comes close). The second half is almost as good as the first, but with longer pop epics, for example “Like The First Time” and “In This World.” Additional highlights include the jangling “Here I Come,” and the finely orchestrated strings and woodwinds on the baroque “Where the Wind Blows Free.” Overall, a great album that’s long overdue here. Highly Recommended and a contender for top ten album of 2025.

Amazon | Big Stir Records