Parthenon Huxley and Matt Tiegler

Parthenon Huxley

Parthenon Huxley “As Good As Advertised”

Parthenon Huxley, aka P. Hux, has been a reliable musician known for his melodic gifts and his meticulous production work. The gentle strum of the chords for the title track showcases the mature and rich musical palette Partheon uses here. Most of the songs were created during the pandemic years, and the mood is decidedly downbeat. The passionate anxiety of “Mister Black Sky,” seeks to banish venomous politicians from the atmosphere with its hopeful message that “in the light you die” and “Uncivil War” are about the partisan media stoking hate between the factions.

It’s all very understated, but the inventive melody of “Rainbow” redeems the song from easy listening purgatory. The personal ballad “This Song Reminds Me of You” is a lovely sentiment, associating a moment in time with a favorite tune and a Spanish-styled guitar break midway through.  “Human Again” is written in anticipation of COVID restrictions being lifted. “When will normal ever feel like normal?” he asks. Most of these songs do not carry the ELO orchestral style that P. Hux has been associated with, except for the excellent “Bitter Tears.” However, there is enough here to make this highly recommended.

Kool Kat Musik

Matt Tiegler

Matt Tiegler “Hands Free Down Hill”

Matt Tiegler is a multitalented artist from Chicago who writes plays, acts, and occasionally records his own music. Singer-songwriter and multi-instrumentalist Tommi Zender was in charge of producing this new album and collaborated on many songs here. Opening with the bright guitars and vocals of “Dream (Reason for Living),” it has a good structure that sets up the chorus nicely. There is a light mood full of earnest emotion on “I Didn’t Get You” and the jangling “I Want Start A Religion With You.” While Matt’s voice isn’t classically melodic, it suits the quirky subject matter fine.

Tiegler’s great songwriting is what makes the whole album work. The simple love story of “Summer Love Song” and the awkward “Forward” are wonderfully realized. The exuberant power pop guitar on the title track, “Hands Free Down Hill,” will stay in your head, and it would be a much better album with more of these gems. It remains a good album that deserves to be heard.

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