Vegas With Randolph “The Future Store”
It’s been over 5 years since Vegas With Randolph’s ‘Legs and Luggage’, came out, so it was time for a new album. John Ratts, Brock Harris, Dave Purol, and Eric Kern remain in fine form, blending melodic power pop with adult-oriented rock and roll. With 22 tracks, this is a massive effort. The opener, “What if?” is a fast-paced rocker that looks to the future. But even better is the catchy gem “N.S.A.” about a relationship with “no strings attached.” Several other rockers here are winners; “A Pretty Good Run,” and “Don’t Stop for Love.”
Midway through is a 6-part hard rock medley, “Triple Play,” where the band’s persona shifts a bit to more prog-pop, akin to Kanasas or Journey here, and it’s good, although separating the tracks is disruptive. The “Days & Days” segment feels a bit forced here, but overall, the 9-minute suite is best enjoyed together (it’s an unbroken track as a bonus). Then it’s back to your regularly scheduled power pop program. More highlights include “Lake Paradise” and excellent “I’ll Be Waiting For You.” The band sounds like it’s having fun, there are plenty of great songs here with very few missteps. Overall, highly recommended.
Mark Bacino “Top of the World”
It’s been a long road for New York’s Mark Bacino. His debut LP, ‘Pop Job’ from 1998, was one of the albums that started my power pop obsession. His albums were infrequent, but always worth it. It’s been 14 years, and Mark has emerged once again, and his point of view on life is the focus of ‘Top of the World.’ With a mature perspective, his once bouncy pop optimism has given way to a weary, mindful acceptance of things.
The opener “Kaylee Hughes” has a fast, catchy tempo that gives it an energetic and fun feel. It’s a bluesy New Orleans jazz sound typical of artists like Dr. John. However, most of the album is in a mood like “Flop of the World,” with a tuba and piano melody, recalling Harry Nilsson’s “Think About Your Troubles.” The easy-going sad sack on “Why Does This Woman Love Me?” and “Shaky Hand” have a similar vibe. He makes some stabs at lifting the mood on the tin-pan alley pop of “I Like Wearing Clothes” and a spark of optimism on the excellent “Young Heart.” There is some instrumental filler, and “How the Story Ends” is like a lost Randy Neuman tune about health resignation, and how he “forgot cholesterol tasted so great.” Overall, it’s a good album with crisp production and a few memorable songs. If you’re looking for more of a power pop vibe, I’d visit earlier albums.
