Minky Starshine “Boozers Gloom and a Pinch of Anxiety”
Rob Anastasi’s Minky Starshine returns with a long overdue album that starts out with a song about loss of the indie music ecosystem. On the opener “Kids on the Verge” as he opines “Once you get old, you will never be young again” but its got a strong melody set to a mid-tempo beat. Next is “Our Father,” with its catchy chorus, harmonies, and layered guitars. It gets more optimistic with “I Want Tomorrow To Come,” one of my favorites here, a great riff is running the rhythm, and the stadium sized vocals give it a sense of depth.
From here, the album takes a toned down quality. There is more introspective pop balladry, and less rock but the songwriting remains well done, on “Devil’s Bargain” and “Whisper.” The production here is slick, similar to REO Speedwagon if I’m looking for a reference. “Pride” is another impressive song, with the guitars more in the background and the overlapping vocals and thick percussion up front. While to some this may feel more like AOR (adult oriented rock) than power pop, it’s still highly recommended.
The Heats “The Heats”
Eventually, we all get old. It had been 40 years since a Seattle band called The Heats had played, and they were one of the best Northwestern power pop bands back then, part of John Borack’s Greatest Power Pop albums list. In late 2023, the Heats got back together with the intention of recording a new album and doing some limited shows. Jon Memolo (guitar, vocals) joined the band alongside co-founders Steve Pearson (guitar, vocals), Keith Lilly (bass guitar), and Ken Deans (drums). Old or not, here they come.
The opening riffs of “I Hope You’re Wrong” prove the band still has the goods musically, although Pearson’s vocal delivery is an acquired tasted here, a little like Tom Petty mixed with Bob Dylan. The band struts out the melodic rock on “You Know,” and most of this wouldn’t be out of place with artists from Rumbar Records. Other impressive songs include “The Life of The Party” and “She Belongs To Me.” It leans more toward hard rock than power pop, but there is still enough here to satisfy. Jon Memolo’s “You Know” and “Never Be The Same” showcase the bands depth of style and helps make this one highly recommended.