Author: powerpopaholic

Reno Bo “Lessons from a Shooting Star”

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Reno Bo “Lessons from a Shooting Star”

After spending most of his career performing and touring with the Mooney Suzuki, Albert Hammond Jr. (the Strokes), Caitlin Rose and Andrew Combs, Reno Bo decided to make this his breakout effort; doing almost everything on his own. Reno appeared on the power pop radar in 2010, but this year he’s blown away all expectations with his newest Lessons From A Shooting Star. From the pounding beat and swirling chords of “Sweetheart Deal” its chock full of catchy power pop.

Every song presents itself perfectly, on “How Do You Do” Bo is joined by guitarist Sadler Vaden for a single that is a bit of Dave Edmunds meets Jeff Lynne, and its completely irresistible. “Just Say Go” has the guitar riff lead the song at full speed, and then we slow down on “Strange Maps” to a Jackson Browne like mid-tempo gem with some impressive guitar breaks.

“And I Know She Did” is a shimmering Big Star like ballad and “The Brighter Side” co-written by Brendan Benson sounds like the best song Matthew Sweet didn’t write. “Sleeping Sun” is a standout piano based melody with a big pinch of Beatles, as well as the wondrous pysche-pop closer “Somewhere There’s Something.” In fact, each song is a home run and this album clearly hits the top of my top ten list this year. I don’t award an album a “10” rating lightly, but Reno Bo deserves it. Essential listening.

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Singles: Brandon Schott, The Well Wishers and The Sensibles

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Brandon Schott: Get ready for gorgeous melodies from Brandon, this song is an advance from his new album “Crayons and Angels” which is self-funded through Kickstarter here. This tune “Every Little Song” is full of neat little sonic details and also helped by having the talented Kelly Jones backing Brandon up. Soak it in and please invest in great music like this.

The Well Wishers: Well Wishers frontman Jeff Shelton is at it again. “Build A Life” here is an unmastered demo, but it sounds better than most bands finished singles. Keep making music Jeff, and we’ll keep on listening.

The Sensibles: This is an Italian band that keeps improving with each release, and this A-B single is full of guitar crunch and Stella’s accented delivery. “Bibi” is a fun punk pop romp, and “Little Girl” has an early ’60s girl group vibe (think Shangri-La’s) with its catchy chorus.

The London Souls “Here Come The Girls”

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The Connection

The London Souls “Here Come The Girls”

Like mixing peanut butter and chocolate, when its done right you come up with a perfectly delicious combination – and that’s the best analogy of what The London Souls do with music. Mixing 70’s hard rock, pop and soul influences the band recalls Lenny Kravitz in his prime, but with a fresher coat of post-millennial paint.

Based in New York City, guitarist Tash Neal, drummer Chris St. Hilaire and bassist Stu Mahan blasts through the speakers with “When I’m With You,” a power pop nugget as catchy as classic Badfinger. “Steady” adds some soul and funk to the guitar riffs in the manner of Sly Stone. The acoustic “Hercules” is a catchy gem similar in spirit to Led Zepplin’s “Bron-Y-Aur Stomp” with its catchy riffs. “Alone” is a Zombies-Beatles styled composition with a sweet chorus, and you begin to notice as each song shifts in style, preventing things from getting too predictable. From the heavy riffs of “All Tied Down” to southern Allman Bros. style of “Bobby James,” it all works beautifully. This LP is easily a candidate for my top ten list for 2015. Don’t miss it.

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Texas Never Whispers and Johnny Stanec

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Texas Never Whispers

Texas Never Whispers “Texas Never Whispers”

Local Austin TX musical veterans like vocalist Tim Regan (Oh No! Oh My!), Dave Quanbury (Twilight Hotel) and bassist Daniel Wilcox (The Ugly Beats) deliver a mature take on Texas-spun indie rock that compares well with Wilco and Old 97s.  Although the band’s name comes from an old Pavement song, the sound is pure melodic alt. country. The album concept is a reminiscence of a past relationship through several songs.

“Record Shop” is an understated opener that leads to the piano blues on “Be Your Man.” It’s all a slow but still compelling on “Midnight Companion” and the ballad “Nashville.” The tempo picks up with the single “Always Drunk” about a sweetie that’s drunk on “poetry or wine,” and then ups the twang on the melodic “Tennessee Memories,” about the “faded echoes” of the protagonist’s romance. A hint of John Lennon’s piano peeks out from “Generous Gambler” and the wonderful melody on “Friends” is another winner. A really fine album that deserves to be heard.

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Johnny Stanec

Johnny Stanec “No Horizon”

Johnny Stanec (First in Space) returns with a confessional, mainly acoustic album that stands in direct contrast to his rock n’ roll band. The easy strum of “Let it Slip Away” grows into a repeatable chorus, and the solid “The Trouble With Spies” recall the late ’90s Toad The Wet Sprocket in spots. This album relies more on Johnny’s confident vocals to carry things, and the production is more stripped down than previous solo efforts.

“Until The Dawn” is one of his better ballads, and the poppiest effort here is the upbeat “Love, Life and The Chances We Missed.” Stanec certainly proves he’s versatile with the poignant “Winter’s Song” and “End of Days.” Give it a try.

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Rediscover: The Knack

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https://youtu.be/cnkPgHS9oLk

The Knack

When it comes to power pop in the 1980’s your starting points are usually The Plimsouls, The Beat and The Knack. Guitarist and singer Doug Fieger teamed up with drummer Bruce Gary, bassist Prescott Niles and guitarist Berton Averre to form The Knack in 1977. They played clubs all year and built up a huge following, including famous fans like Tom Petty, Stephen Stills and Bruce Springsteen. When the record companies came calling it was only a matter of time before “My Sharona” became the biggest single of 1979 and The Knack put on top so fast, Get The Knack spent 5 weeks at #1 and is one of the most successful debut albums in history. But the backlash was almost as swift. But after the death of John Lennon, the band felt it had more to say, and The Knack had a comeback of sorts in 1989. Thanks to the folks at Omnivore Records these final album have been remastered and expanded for 2015.

“Zoom”

Reuniting with drummer Terry Bozzio, Fieger and Averre were re-energized on Zoom. The songwriting was the tightest since Get The Knack, and “My Sharona” charted again thanks to the film Reality Bites. Starting with “Pop Is Dead,” it dramatically tells how the band’s fame “burst your bubble.” “Can I Borrow A Kiss” and “Smilin’” are shimmering examples of power pop, “Ambition” stands out as a single that’s as good as their debut, and even when the band moves into more mature pop like “Everything I Do” its the brilliant songwriting that makes this entire album a keeper.
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“Normal As The Next Guy”

While not as consistent as Zoom, the bands last studio album still has some gems; “Disillusion Town” is pretty much the emotions of a band that knows it’s not bound to “top of the charts” again.  The sense of resignation on some songs is apparent, but the ballads are what stand out like “Girl I Never Lied To You” and “Reason To Live.” A very touching Beach Boys homage “The Man On The Beach” (written by guitarist Berton Averre) is another big standout. Normal as the Next Guy shows us a glimpse of what a mature Knack sounded like.
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“Live from the Rock ‘N Roll Fun House”

This clean sounding concert documents just how important the Knack were in the evolution of millennial guitar pop music. The singing and playing are perfectly done, sounding as fresh as it did when Get The Knack first rolled out.. It features a treasure trove of songs from the bands earlier albums and sets great example of a band going out “on top.”
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