With his new solo album in heavy rotation here at the Powerpopaholic, I asked Mr. Wisely a few questions about the album and his music. Click on our interviews section or the direct link here to the Willie Wisely Interview.
For those of you who forgot, you can read our review of the album “Wisely”
Seeing that 2009 will be the fortieth anniversary of the moon landings, I present the video of The Eisenhowers “1969.” The song uses the story of an attempted seduction to question why the optimism generated by the space race of the sixties appears to have been lost in the early 21st century.
HAPPY NEW YEAR!
Sean Ashby is one of Toronto’s most successful musicians, being a leading member for the band Jack Tripper and also as a long-time guitarist in Sarah McLachlan’s band. His new solo “Brass and Gold” is produced with help of Todd Fancey (member of The New Pornographers) and several others. The opening riff of “Dreamin” has the melodic riffs and guitar overdubs that remind one of Brian Ray playing the guitar with John Cougar Mellencamp doing the vocals. Stylistically, Sean jumps around from muscular rock of “This Machine” to gentle ballads (“Brass And Gold,” “Nova Girl”). But the big hooks here in “Star 98” and “Gone” are so thick, they beg to be played loud, with a cutting buzz saw sound like Heart’s “Barracuda”. The song “Baby Yes” takes the same style down a notch. Not all the ballads work for me (“All I Need” tries to be Coldplay a bit too much) but when they hit the mark, with “Paper Tiger” it’s like the second coming of Mark Oliver Everett. The album finale “Come to Me” evokes a Lou Reed ballad and fades out. This is a strong eclectic debut that would be welcome in your collection.
Sean Ashby’s Site | My Space | Itunes
It’s been four years since “Volume 4” and Joe Jackson returns better than ever. Impeccable musicianship with great songwrtiting leads me to say this is a return to form that doesn’t feel as forced as “Volume 4.” Jackson has done it all the past decade from soundtracks, to jazz, to blues and has come home to his pop roots for “Rain.” For a start, he’s reunited with Graham Maby and Dave Houghton, both players on his classic eighties albums. He has constructed an album with the polished melodies and the massive hooks that borrow from different styles of his earlier catalog. The opening track “Invisible Man” is a piano pop classic that states his celebrity status among today’s musicians and stands alongside his greatest songs. “King Pleasure Time” and “Good Bad Boy” have a nostalgic feel and approach that would fit just fine on “Look Sharp”. Another new classic and my favorite here is “The Uptown Train” – a song that couldv’e fallen off of “Night and Day.” Another amazing track “Too Tough” that has the concert hall feel of his album “Body and Soul.” The other songs here are excellent too, “Wasted Time,” a very Rundgren-like, soul ballad, and the gentle strains of “Rush Across the Road” are pure pleasure for fans here. Jackson is above all else a musical survivor of the skinny tie era and enjoying every minute of this. It’s tough to argue against it, when so much passion is on display here.
Joe Jackson’s Official Site | My Space | Itunes
A nice overview article on one of the classic Swedish power pop bands –The Merrymakers. It’s also chock full of embedded Mp3s to listen to in case you’ve never heard of them (Shame on you!) Good job, Will.