Author: powerpopaholic

I got a cool tip a month or two ago about this band when I was finishing reviews about The Mother Hips. Well unfortunately it took too long to get to because it’s a pleasant surprise. Y33BA is a Brooklyn based band that gets to the very roots of great lo-fi pop. Starting with “I took a Deep Breath” lead singer Josh Westfal’s vocals resemble Lou Reed of the Velvet Underground. A ton of indie bands try to emulate the Velvets and often sound horrible. Y33BA not only does the sound right, but they have a unique spin on the approach that bring in powerful melodies and excellent lyrics. Hell, even Rolling Stone’s noticed it as one of David Fricke’s picks. As the album continues, “Psycho On Your Side” is a fun bouncy slice of rock similar to The Mother Hips and Wilco, with complimentary dissonant sounds trailing the main melody. The balladry is also engaging and my favorite track is “Town and Country” which sounds as good as anything Jeff Tweedy could perform, if not better. By the time we get to “Once I Dreamed The Future” it picks up some energy and continues to encourage repeat listens. The ballad “So you say you want love?” channels classic Big Star’s 3rd album as well with a gorgeous melodic chorus including Josh and an uncredited female vocal. The offbeat and semi-instrumental “Every time I see Your Broken Face” is just as compelling as it is unpredictable. All twelve tracks have merit and you can buy the album from them directly off the My Space page.

Your 33 Black Angels Page | My Space

Listen to “Sue”

Sparkwood is one of a rare few bands that take the Jellyfish power pop model to the next level. As their last two album, the bands love of Jellyfish, Queen, ELO and Beach Boys shine through each track here. I would consider “Kaleidoscopism” the best release yet. You know it’s going to be special when you hear vocalist Bart Padar’s multitrack a capella Beach Boys inspired intro “Welcome”- the rest of the parts were arranged and performed by Joel Nesvadba and Jonathan Nesvadba, Sparkwood’s bass player. Thus begins pure ear candy so sweet, the cavities may rot your brain. Enough cannot be said about guitarist Mark Doroba, who channels Brian May perfectly in each tune. The bouncy and playful “Ooh Sha La” leads to the Squeeze-meets-Queen “Losing my Mind.” The following tune, “Bop Bop Song” could be a children’s theme song, and my only problem here is that it seems lyrics were not written for it and a lot of “la la las” and “ba ba ba’s” placed instead. Things slow down a bit by the end of the album, but everything here shines. Included is four bonus tracks with demos and a perfectly good cover of Queen’s “Good Old Fashioned Lover Boy.” In some songs the mixing is a bit uneven and I feel Bart’s vocals get lost on a few tracks. The harmonies are really ingenious and catchy and that’s what great pop is all about. I could wax poetic on every track this album has even more, but you get the idea. This is a Japan only release right now, so the only place you can get it is from the Sparkwood site. I’m sure it will arrive in the US soon at the usual vendors. For those who cannot wait: Tasukete!

The Sparkwood Site | My Space

FYI: I have a handful of albums that need to be reviewed and then on 12/24 the First Annual Powerpopaholic Album Poll begins!