Black Tie Revue "Code Fun"


Pittsburgh, PA’s Black Tie Revue debut hit the streets and it is best described as legitimate sonic assault. The catchy “Code Fun” dares you to not enjoy yourself while you listen — it opens up with “Red Everywhere” and that’s full of heavy guitar and fast drums, not unlike Splitsville or Green Day’s early material. The best track however is the amazing “I’m so sure” a great summer punk anthem. It got the right amount of scorching riffs and profanity and I can’t stop listening to it and hitting that repeat button over and over. The group has been touring all over the country (CMJ, SXSW) and has been picking up new fans wherever the go. A local Pittsburgh newspaper declared BTR “most likely to succeed” less than two years after first playing together. “Code Fun” continues the addictive three-chord power-pop fest and I dare you to not shake your head in response to this one! “The Late Show” gradually increases the noise at the end of the track, like The Beatles’ “She so Heavy.” Every song here is hot with no filler, all killer tracks! The band’s history is one where “persistence” is a credo and it’s beginning to pay off. Get this one before your friends!

Listen to “Code Fun”

BTR Website | MySpace | Amazon | Not lame | Gearhead Records

Zuckerbaby has returned!

From sources on the Audities list, I wanted to spread the word that the Canadian power pop band Zuckerbaby is working on a new album. Listen to some of the new tracks on the MySpace page. Nearly 10 years after the group formed, landed a major recording deal, played stadiums across the country and then imploded after losing their record contract, Zuckerbaby is indeed back, and this time the band’s priorities have changed. “We’re just a bunch of guys who love to make music,” said guitarist Reed Shimozawa. “After all is said and done, and all that we’ve been through . . . the biggest thing we missed was creating something, and the feeling of giving birth to music that at least four people in the room think is great.” Read more about it here.

Also I’d like to give a shout out to some new blogs posted by Stuart Jones, a huge music fan with a group of music blogs.

Mr. Obscure – a blog with lots of rare tracks
Punk Powerpop – more tracks from ’77 to ’83
Rare and Elusive – more hard to find tracks
Super Seventies Sounds – take a wild guess what era these are from.
Enjoy!

Ther Paul Collins Beat "Flying High"

Paul Collins is a true original. With Jack Lee, he formed The Nerves in 1974, whose hit “Hangin’ on the Telephone” became a single for Blondie. He then met up with bass player Steve Huff and formed the Beat in 1977 and has released “The Beat” – one of the greatest power pop albums of the 70s. The Beat has played with The Ramones, Shadows of Knight and Eddie Money. Paul’s latest album is “Flying High” after a 12 year absence. With a mix of up-tempo guitar rockers and slow ballads, the album flows beautifully. And alot like Jeff Murphy or John Wicks, age has only made these guys sound better. “Rock n’ Roll Shoes” is an excellent classic single in the Beat tradition. “Helen” is another great song with a catchy and bouncy melody. Things get a bit spotty toward the middle with lonely sounding acoustic “Bobby.” But this album has plenty of great songs including the Wilco-like “All over Town” and the Byrds-like “More Than Yesterday.” Also amazing is “Silly Love” – which cuts between chorus with awesome guitar solos. “Paco & Juan” sounds alot like Dire Straits’ “Sultans of Swing” with a rich tapestry of characters in the song. If you haven’t heard the The Beat – shame on you! get this album and atone for your sins.

Paul Collins Website | MySpace | Kool Kat | Not lame

Splurge "The Cure for the Cure"


Splurge are a pop-folk-rock group from Australia with a laid back approach. They are a little hard to pin down as far as category actually. They have mid-tempo beats and steady rhythm guitars with melodic wailing vocals. The opener “When I Go To Sleep” is a bit like Coldplay meets Aztec Camera. “She’s Not the One” is another good song doing an Echo & The Bunnymen vibe with some synth and guitar. Sometimes the laid back guitar works well – the song “Beautiful” is better than any James Blunt trash. Greg Williams vocals do a serviceable job, but sometimes a bit too breathy for me. “Too much is not enough” is one of the few great rockers here, and the entire album could have used more of this. Several songs toward the end of the album, drift along on a lazy psychedelic vibe and at over four minutes for each track, could put you to sleep. The exception is “Numb” a nice Pulp-styled ballad with dramatic flair. Also the title track “The Cure for the cure” is a good track too, if a bit overindulgent. Overall the melodies are excellent, and this is a highly recommended CD. Listen for yourself on the MySpace site.

Splurge Website | MySpace | Not Lame | Jam Recordings | CD Baby

The Ugly Beats "Take a Stand with the Ugly Beats"

If you liked “The Go” – who I reviewed last week, you’ll also love The Ugly Beats. This Austin, TX based garage band nails the early Kinks and let’s loose with tons of new Nuggets that would fit with any 60’s inspired collection. Oh those riffs! It starts off with the tune “Take A Stand” with plenty of mod flavor. It continues with the excellent “Bring her down” and “Million Dollar Man” which mines the sound made popular by the early 60’s Who and the Easybeats. If you go for this sound, The Ugly Beats are a “must have” group with great guitar work, and unfortunately for Rainbow Quartz, they are only available on Get Hip Records. “I’m gonna break her heart” reminds me of another similar current favorite – The Gripweeds. “Action Plus” is an awesome instrumental, that is catchy as it is retro. Unlike the Go or The Asteriod Four and other garage revival bands, the vocals are not rough and scratchy, but melodic and clean-sounding, like Colin Blunstone of the Zombies. I do not expect a cover of “Louie Louie” anytime soon, however “Let me through” comes off like a Troggs update. This is a great album for a summer drive and has no filler – even the mid-tempo “Ain’t that old” has a little early Dylan vibe with that farfisa organ.

Ugly Beats Website | MySpace | Get Hip Records