The Cry and Laurie Biagini

The Cry “The Cry”
The CRY! is not fu**ing around! We ARE simply the BEST new POWER POP band in the World!  – such is the hyperbole mentioned in my initial introduction to this youthful band from Portland, OR. Opening with the bouncing riffs of “I Think I’m In Love With You” it’s kinda like a mix of Thin Lizzy and The Rubinoos, where the guitar melody is supported by the punky vocals of Brian Crace. The influence of The Ramones is all over “Such A Bore,” as they kick the energy level up a few notches. The music merges the do-wop vocal arrangements of the 50’s and jangling hooks of the 60’s quite well on “Sleeping Alone” and “Be True.”

The band’s perfect blend of styles also works on the melodic “Forget It,” and its my favorite track here. Each song is quick and many are under 2 minutes long. But no misfires here and the band blew the doors off during an impressive live performances at this years IPO festival, so I’d say they are well on the way to living up to their motto.

The Cry Website | ReverbNation | Facebook

 

Laurie Biagini “A Go-Go Girl in a Modern World”
The Vancouver singer is on her third album at this point, and once again she is a one woman version of The Honeys. Laurie stays retro here, with a clear 60’s Beach Boys influence, multi-tracked vocals and Phil Spector production values.

The songs are well composed, as standouts are the descriptive “A Ride on the Train” and the surfin’ car tune, “My Little SUV” with just the right guitar by Richard Snow. She also gets some help  from guitarist Fabrizio Serrecchia (from the Italian group Soundserif) on the faux-Bond theme “The Invisible Guy.” But for the most part Laurie’s vocals are center stage, and just when it starts to get monotonous, the best song emerges. “In The Eyes Of A Little Girl” is a thrilling mid-tempo look back at childhood co-written and performed with the brilliant Maxi Dunn. So if you want to return to those innocent days of AM radio pop, close your eyes and let Laurie take you back.

CD Baby | Amazon

 

Dynamo Bliss and Nat & Alex Wolff

Dynamo Bliss “Circadian Rhythm”
I have a solid policy of not reviewing singles, yet this Scandinavian band has an 11 minute opus that’s longer than most EPs, so I’ll let it pass. Stafan Olofsson and Mikael Sandstrom creates this awesome follow up to the highly acclaimed 21st Century Junk. It starts out a soothing blend of synths and launches into Andrew Gold guitar styled ballad with impressive harmonies, and shifts to a dreamscape of flutes and keys. Cleanly produced with a nod to studio prog along the lines of Alan Parsons early work, its simply mesmerizing.  While you enjoy that, you can also check out is a wonderful cover of Stackridge’s Dangerous Bacon.

Bandcamp  | CD Baby

 

Nat & Alex Wolff “Black Sheep”
Musicians/actors Nat and Alex Wolff starred on the hugely popular Nickelodeon series “The Naked Brothers Band” from 2007-2009. Now the brothers are prepared to grow up musically with their first album released under their own names. Much like Drake Bell did years ago, the boys need to go into a more mature direction and it helps that they list the Beatles, Weezer and Nirvana as influences. A standout is the first single “Thump Thump Thump” as it actually reminds you that love songs about girls should be sung by teens (as opposed to middle-aged dudes). The best song here, “Disappointed” is a very authentic theme for a young teen, “I’m not mad at no one else/I’m just disappointed in myself” regarding his place in the world. The harmonies and melody here are great – and its more of this and the rebellious “18” that make a very clear statement to the music audience  –“we are not kids anymore!” The album comes out this October.

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Back to School Mini Reviews

This is a collection of unsigned talent that I got requests to review – so if you wanna be daring give these a try…

The Blind Sides “Circles” EP
Toronto musician Aron Harris really impressed me with this gem of an EP. The title track is similar to the piano pop of Ben Folds or The Hillary Step, it just leaps out of the speaker and grabs you. And the following tracks are pretty good, with a DIY power pop effort in “When I Look Back Now” and the alt. country of ” I Don’t Want To Let Love Get In The Way.” Lead singer Stephen Scarrow has a real gift for songwriting and composition and he knows how to really croon on “Waiting For Tomorrrow.” I can’t wait for a full release from this new talent.
Bandcamp | Facebook
Toxic Melons “Melon Jam” EP
A very DIY effort by Paul Fairbairn of Newcastle UK, Melon Jam takes it’s cue from Jellyfish, The Move and Stackridge. “The Dole” is an ambitious opener, with a Jellyfish styled chorus and harmonies. The song “You’ve Changed” is slow pop waltz full of neo-psychedelics that creates a Zappaesque atmosphere. The ender “Tomorrow” is another standout, but unfortunately the low budget production starts to show on the other tracks. Fairbairn has tons of potential here and I would love to hear more… can someone sign this man to a proper label please?
Reverb Nation | Facebook
The Sharks “Stockwell Love” EP
Lead by Paul Harvey this London band as a number of free EPs and singles available on Bandcamp. If you are more into the loud side of pop, similar to Paul Collins. Harvey has very distinct vocal that warbles like Roy Orbison a bit, but with a nasal sound that takes a little getting used to. The songwriting here is very good, and the guitar work on several singles is very impressive. “Jimmy” has tons of power and “Stories” has a great hook. Truth be told this is a great FREE collection, and you should give these guys a listen.

Billy Burnett and John Holk

Billy Burnette “Rock and Roll With It”
Burnette has a long and proud history in rock and roll. And I’d be shocked if anyone else short of Brian Setzer can play Rockabilly better, as Billy’s dad helped invent the genre. He’s played with rock legends Fleetwood Mac, Rod Stewart, Ray Charles, Roy Orbison, Jerry Lee Lewis, and many more. The title track of the new album “Rock and Roll With It” is a bona-fide classic with a catchy rhythm that doesn’t quit. “My Love Will Not Change” is an uptempo country rocker that has a highly polished sound that will impress the most jaded critic. “Beautiful Distraction” is a honky tonk theme suitable for the NFL or NASCAR and each following track is solid twang-fest thereafter. “I really felt like it was time. I really like this music. I didn’t get into my dad’s whole Rockabilly thing until after he died.” Burnette says, and we’re all the better he’s carrying on the family business. One listen to the autobiographical “Hot Rod Billy” and you’ll be shakin’ all the way home.

Billyburnett.net | Amazon | Itunes

 

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John Holk & The Sequins “If You See Her”
In country pop music, subtlety is a premium that is often hard to come by, but John Holk uses his mellow vocal and melodic approach to win you over. The band’s sound is in the vein of Gram Parsons, The Byrds, or The Scud Mountain Boys. The pop goodness shows up in the lush second track, “If You See Her” with its tight harmonies akin to The Association, floating on top of the jangling guitar rhythm. Carrie Shepard joins Holk for a sweet duet on “Lady Jane” and another great pop moment is on “Autograph” with its ear-worm worthy chorus. Another standout is “If She Were You” with a superb guitar solo at the break. The album breaks into bluegrass and traditional country in the latter half which slow it down quite a bit, but it recovers with the easy going guitar of the ender “The Mountain” with its “Proud Mary” bass line. Overall a nice gem of an album with solid performances.

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Dan Hubbard and Sally Crewe

Dan Hubbard and The Humadors “The Love Show”
Dan Hubbard’s approach is unadulterated roots rock without all the showy excess of today’s major label acts. Hubbard and his band the Humadors are a blend of pop rock with some Americana thrown in, as evidenced in the opener “Don’t Take Me Now.” Lead vocalist Hubbard works a good harmony with Kyle Yap on “Stay Away” with a touch of blues guitar here. Fans of the recent Gerry Beckley or Jeff Larson album with be thrilled with the light piano and guitar on “This Is Your Life” with its heart-felt lyrical truths about life’s unexpected moments (It’s my favorite tune here). Things are pretty easy going until “Beautiful Bar” brings back more rock guitars, but out of left field comes the slow ballad “Half Vampires,” a pretty if disturbing story of loving a vampire, from the Van Helsing point of view. It ends on a high note, with “The Last Time You See Me,” a fast paced swan song to those long haired rock and roll dreams. The band is chugging on all cylinders here, and I wish this energy was shown earlier on. Maybe we’ll get more consistency on the next album, but that’s me nitpicking — this is a solid album worth your time.

CD Baby | Amazon

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Sally Crewe & The Sudden Moves “Transmit/Receive”EP
Even power pop legend Tommy Keene compared Sally Crewe to female rockers Chrissie Hynde and Polly Harvey. The comparison is quite accurate, as her vocals are powerful and very melodic, and the opener “Make Me Stay” is a riff heavy classic. Crewe is based in Austin, but she grew up in Yorkshire and her influences cling to the classic guitar bands of the 80’s. A real standout here is “Punk Rock Kid” with it’s layered chords and punchy beat. You will also hear a little Pat Benatar or The Motels in compositions like “Living Like You’ve Got Forever.” No filler tunes in this short 5 song EP, and it shows Sally can rock with the big boys with the big riffs. I look forward to visiting her debut album Your Nearest Exit May Be Behind You for further enjoyment.

Bandcamp | SallyCrewe.com