The quirky under-rated Martial Arts does what it does best. Brilliant modern pop in “Guilt By Association” and “Bethany” with memorable choruses, and “The Wild Humdrum” is a Sparks-like gem that is just too much fun. Cliff Hillis gathered his “Brunch Sessions” inspired by this past year of social distanced shows, and I just love the acoustic version of Nik Kershaw’s “Wouldn’t It Be Good.” So UK band Dropkick has been super busy this year, dropping a Greatest Hits LP, and releasing expanded editions of their first 2 LPs. A FREE sample of “Obvious” is here for you to pick up. Old Town Crier aka Jim Lough makes us an old-fashioned blues pop EP; “Don’t Go” is a keeper. Unsung heroes are what power pop celebrates, and we should celebrate long-time producer-engineer Joe Dilillo coming from behind the soundboard to the microphone with “Loser Girl,” a great ballad with help from the Lickerish Quartet. More details on Joe at 50thirdand3rd.
Category: EP reviews
Singles and EPs: Dany Laj, The Foreign Films, Jim Trainor, The Bishop’s Daredevil Stunt Club, Super 8, David Woodard, Rob Kovacs
April has been a monster month for music. The pent-up output from artists can no longer be held back and a flurry of singles and EPs are here now. Dany Laj and The Looks have a new single and a new sound, with a pop-folk spin. The new album Ten Easy Pieces is expected on June 11, 2021. Bill Majoros is back with The Foreign Films’ new single “The Fortune Teller (Pretty in the City),” a sweet mid-tempo love song, with little ELO flourishes. Meanwhile, Jim Trainor and The Bishop’s Daredevil Stunt Club put the power into their pop singles, with the latter “Tremor Control II” oozing Queen-like cool and Glam rhythm. Paul Ryan (aka Super 8) gives us a very John Lennonesque ballad “All My Worries” and David Woodward‘s new EP Butterfly Effect is a sharply written gem with highlights like “About New York” and “Ghosts.” Rob Kovacs is not power pop, but a pianist with a great pop sensibility. Check out “Fizzle” with its light vocals, the pastoral “Momentary Bliss,” and the artistry of “Here In The Future.”
EP and Singles Potpourri: Sandy McKnight, Beebe Gallini, Brad Marino, Vanilla, Jon Klages, Barton Hartshorn
Sandy McKnight‘s follow-up to last year’s San Fernando Beat EP continues his string of “shoulda-been” hit songs with Fernando Perdomo. If you’re looking for DIY rock and roll, look no further than Beebe Gallini and Brad Marino. Beebe’s got a rough garage sound, but it’s chock full of hooks, and Brad’s sound is vintage gold, similar to The Rolling Stones. Going back in time further, Vanilla ’66 is an instrumental album for a 1960’s movie that never existed, retro pop fans can bask in the fluorescent glow of nostalgia. Will there be another Austin Powers movie? We got the soundtrack.
Jon Klages new single “1133 Ave. of the Americas (For Enoch Light),” is a subtle jazzy tribute to his grandfather, akin to Harry Nilsson in its brilliant simplicity and a great mood setter. UK artist Barton Hartshorn has a new single, “Listen For A Change,” and it recalls Prefab Sprout and early Style Council. Very nice.
EP Reviews: The Poppermost, Tommy and The Rockets, The Peaces, Brisbane Radio
Glasgow native Joe Kane (aka The Poppermost) follows up his single from November with a smashing EP pulled out of the 1964 – 1965 Merseybeat era. “Well I Will” nails that early Moptop style, but “Laziest Fella In The Realm” is more like Freddie and The Dreamers, and the catchy “In & Out” is another winner. Excellent retro-pop that’s highly recommended.
Dutch power poppers Tommy & The Rockets do several simple three-chord gems as part of twofer with the band Psychotic Youth. Punchy songs that recall Kurt Baker and The Connection in approach are primarily covers, and my faves are The Jags “Back of My Hand and Chris Montez’s “Some Kind of Fun.” Check it out!
Peaces is a quartet from Germany. Love the opening heavy jangle of the title track and even though the vocals are a bit lacking, the spirit is there on “40 Days & 40 Nights.” A sweet rock song about Harry Potter’s wizard school is lamented on “Sorcerers Get All the Girls.” This is a band that deserves to be heard.
Stephen’s Shore is a band from Stockholm, Sweden with a dreamy jangle not unlike Dropkick with a bit more laidback attitude. “Skogen” and “Up To No Good” have a sound akin to the moody late 60s folk-pop of Scott McKenzie. Worth checking out for sure.
Emperor Penguin, The Vapour Trails and The Hard Way
Emperor Penguin “Corporation Pop!”
While this collection was created and released over the months of 2020, it’s a great selection of music to have complete in one album. “Talk To Me” the bouncy pop single (with Orbis Max) has echoes of the late ’80s in the rhythm. Another great collaboration is “Tuesday’s World” with the queen of power pop Lisa Mychols, featuring interwoven male-female harmonies in each verse. They bump up the tempo on the Star Trek inspired “Planet of Love.”
Emperor Penguin has proven to be a formidable talent, with a stylistic bend towards the ’60s psych-pop in many cases, like the jangling “Maserati” or the gentle harmonies in the wonderfully melodic “Hell in a Handcart.” Other than a lite synth track at the end, there isn’t a note of filler here and it’s a highly recommended album.
The Vapour Trails “Underneath Tomorrow” EP
Aberdeen-based psych-pop band The Vapour Trails are a talented group of musicians whose style emulates The Byrds, The Hollies, and Buffalo Springfield. The first few songs of this EP are loaded with hooks, “Tommy’s Tune” is just an infectious melody that sticks very quickly. “Underneath Tomorrow” and “That’ll Do It” has excellent guitar work, and fans of The Grip Weeds and Outrageous Cherry will love it. “Autumn & Spring” and “Good Morning Maudlin Town” have a lighter pop touch, all produced, mixed, and mastered by Nick Bertling. Fans of retro pop should check this out. Highly Recommended.
The Hard Way “New to You” EP
Matt Wilczynski’s musical collective (aka The Hard Way) is made up of Matt on vocals, guitar, bass, keyboard, and drums with a rotating cast of musicians and friends to round out the sound – which takes influences from The Beatles, Cheap Trick, Aerosmith, and The Doobie Brothers.
It’s the meticulous craftsmanship and production that you will notice right away. The opener “Walls & Bridges” starts with a slide guitar intro and Matt’s soulful vocal, then the Beatlesque harmonies in the chorus hit you. The guitar solo is Duane Allman-like in approach and simply great. “Note To Self” adds a smooth backing vocal chorus with a piano verse, and some impressive songwriting. “Open Cage” and the instrumental “Worm Underground” adds some of that Joe Perry-styled hard rock sound, and with the latter track, it’s got some funky keys and horns. “Sunshine” is an acoustic blend in the Doobie Brothers tradition and I’m proud to list this as a top ten EP for 2021. It was even reviewed by Ben Folds! In his words “Excellence everywhere…” Super Highly Recommended.
