Category: EP reviews

Crusaders of Love, The Maladaptive Solution and French Club

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Crusaders of Love “Take It Easy… But Take It!”
Hailing from Lille, France, Crusaders Of Love gives us a sonic power pop assault. Starting with “Never Grow Up” it’s part Ramones, part Plimsouls, with a generous helping of Big Star. The chiming guitars continue on “It All Ends that Way” and its all classic three chord riff style with a big bouncy Glam beat. It doesn’t do anything new here, but fans of early 80s punk (“Realm of Death”) or 60s jangle rock (“Next Summer”) won’t mind at all. Have a blast and do some air guitar to this one.

Amazon | Itunes | Bandcamp

The Maladaptive Solution “Heal” EP
Billed as “Middle Age Symphonies To God” the band is a collective of Brad Beard, Jimmy Haber and power pop legend Micheal Carpenter. It starts out of the gate living up to those lofty expectations with “Abacus (Count on You)” a rich blend of electric guitar and harmonies. The remaining tracks are also richly layered power pop, sounding a bit like The Gripweeds or Teenage fanclub. It’s a short EP with only 4 tracks, but definitely worth your time.
Amazon | Bandcamp

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French Club “Sh*t Talk”
French Club is a chaotic mix of rock, punk, ska with a melodic tilt that you don’t hear everyday. The title track is slow to start but then leaps into a rant with a lively horn melody in the chorus. The somber “October” follows this up with a duel vocal male-female lead followed by a harmonized wail. It goes full DIY punk on “In The Basement” with a spirited bass lead. This style is continued on “Jamaica” and “Rattle On” featuring the talented Lily Zwaan’s vocals. So, if you’re in the mood for something different, here it is.

Bandcamp | Facebook

FREE EP Downloads: Sons of Great Dane and The Susan Constant

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Sons of Great Dane “You Can’t Lose It All At Once” EP
Sons of Great Dane have been busy since the last time we reviewed them. Consisting of Brent Windler ( Guitar, Vocals), EvanJohn Nash McIntosh (Guitar), Nolle Bond (Bass) and Brendan Culp (Drums) they are producing some excellent music, showcasing both alt. country and power pop.

The opening track “To A City I Have Known” is a solid example of how they build a riff-filled, harmonic gem. Then the laid back “Love, Desire, Failure”shuffles along to the Big Star like chorus and guitar fill between each verse. “Approximately 18th St.” is a stream of consciousness rant that runs out of breath… and starts again. Look for a new full length soon, as this is an excellent appetizer to make you hungry for more.

Name your own price on Bandcamp | CD Baby

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The Susan Constant “Shapes” EP
Boston’s The Susan Constant continue to write impressive indie pop, and the new EP Shapes goes the extra mile, drawing from the live shows they are known for – it building excitement with epics like “Draw Us All” or short rocking blasts like “Locked Up.” The sounds are textbook alt. guitar led goodness similar to REM. It ends with “Midwestern You,” a U2 styled arena ballad that builds to a vocal crescendo. And you can’t beat the price.

Name your own price on Bandcamp | Artist Website

 

Alex Vans and Rachel Brown

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Alex Vans “DJ Booth”
Alex Vans starts DJ Booth with a synth bass beat on “Good Enough,” as guitar hooks bring to mind T.Rex or Bowie with a danceable melody worthy of Abba. The next song “Chase The Night” is another perfect example of this, the mixing of old influences skillfully into something fresh.

It veers into alt. country on “Saints” and Vans proves he’s a skilled composer of mood and lyric on the albums best track “Hideaway.” Parts reminded me of The Brian Jonestown Massacre’s early stuff, with a better, slicker pop surface. Highly recommended and a great new LP for 2013.

Bandcamp | Amazon | Alex Vans website

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Rachel Brown “Building Castles” EP
Brown has an soft voice, along the lines of Zooey Deschanel or Norah Jones and knows her way around a pop hook. “Bumblebee” is a hummable pop confection, sweet as honey. Then a subtle hip hop beat is used for “Four Leaf Clover” that’ll stick in your head. “Rockstar” uses unusual percussion that builds to its bouncy chorus.

These first 3 tracks are the most impressive, and then the instrumentation nearly vanishes on “Your Little Act” and “On Your Side” to focus on Rachel’s voice. She is a major talent in the making, so catch her now before the inevitable indie superstardom (along the lines of Nataly Dawn).

CD Baby | Amazon

The Candy Strypers and Ican Ican’t

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The Candy Strypers “The Candy Strypers” EP
 From Manchester, UK this “band” is really musician Paul Hughes, showcasing his skills with a big emphasis on Brydsian jangle and Rooks-like melodies. “Hymn the Girl” is wonderful single with a cheery chorus and “Sunshine Speakers” has a touch of harmonies, similar to Weezer. “Calling Sarah” has a bit more garage elements, and overall I’d say its an impressive start for Hughes. I look forward to hearing more in the future.

Amazon | ManicPop Records | Facebook

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Ican Ican’t  “Year of The Stat”
 This a pet project of musician Dermot O’Leary, gathering up songs from his other bands (Alanalda, Demostat) after they broke up into a “greatest bits” collection. The work is fine DIY indie rock, “Draw The Line” is a fairly catchy example right off the bat. A bit like Jonathan Coulton,”Little Wings” has little details of bitterness that endear you to the narrative.

Personal pain and apathy come out of the ballad “What If I Told You I’d Die Tomorrow” and the only other standouts here are the light harmonies and sunny melody of “Shortcut Thru’ The Park,” and the Lennonesque revenge tale “Sucked My Will To Live.” O’Leary has the talent and ability to get across many ideas, and overall the theme of loss here is well done. I hope for something more upbeat in future work.

New Talent: Asbury Keys, Didn’t Planet, Hi Electric

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Ashbury Keys “Wake Up” EP
Texas brothers David and Darwin Keys are joined by bassist and vocalist Bill Walter on this new EP. It’s got a blended sound,  just add equal parts of Foo Fighters, Noel Gallagher and Taking Back Sunday.  Each of the five tracks give us solid hooks and loud guitars, starting with the pounding drums and guitars of “Swimmer.” And these guys can still do the melodic as evidenced by “Hero” with its great minor chord shifts. The bands versatility is displayed through the punk beat of of “Oh My God” or the ballad-like start of “Break.” And if you want to hear more, then listen the full length LP Growing Up.

Didn’t Planet “We’re Goin’ Nowhere”
Why didn’t I hear about this band? Maybe its the horrible pun for a name, but this Massachusetts group won me over with its light-hearted intro “the Fat Albert theme.” Then it rocks right into “Maryanne” with ringing guitar riffs and harmonies. The  POV with “Any Requests?” is a band struggling to play at venues “going nowhere” and doing covers. The narrative on “Bitter” is that of a resigned musician “out of touch with the kids” wanting to play what he wants. I’m sure every power pop artist can relate to this song. However there are too many self-pitying songs, fortunately most of them are pretty good. Recommended.

CD Baby | Amazon

Hi Electric “Hi Electric”
Indie band from Memphis,TN that references garage, soul, rockabilly is lead by  singer Neil Bartlett. Influenced by Big Star, Queens of The Stone Age and The Grifters it starts off with the subdued but effective “Bicycle Blades,” that has almost a grunge redux with snarling guitar solos after the chorus. It shuffles along like a softer version of Soundgrarden, but never really impresses until the mid-point with the catchy tracks “Open Cuts,” “Foolin’ Myself,” “It’s Not You” and the mid tempo shimmering “Come Down.” After additional listens, the melodies help the fuzzy exteriors take shape, so overall it’s a grower… why not give it a try?

Amazon | Artist Website