Category: EP reviews

The Candy Strypers and Ican Ican’t

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The Candy Strypers “The Candy Strypers” EP
 From Manchester, UK this “band” is really musician Paul Hughes, showcasing his skills with a big emphasis on Brydsian jangle and Rooks-like melodies. “Hymn the Girl” is wonderful single with a cheery chorus and “Sunshine Speakers” has a touch of harmonies, similar to Weezer. “Calling Sarah” has a bit more garage elements, and overall I’d say its an impressive start for Hughes. I look forward to hearing more in the future.

Amazon | ManicPop Records | Facebook

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Ican Ican’t  “Year of The Stat”
 This a pet project of musician Dermot O’Leary, gathering up songs from his other bands (Alanalda, Demostat) after they broke up into a “greatest bits” collection. The work is fine DIY indie rock, “Draw The Line” is a fairly catchy example right off the bat. A bit like Jonathan Coulton,”Little Wings” has little details of bitterness that endear you to the narrative.

Personal pain and apathy come out of the ballad “What If I Told You I’d Die Tomorrow” and the only other standouts here are the light harmonies and sunny melody of “Shortcut Thru’ The Park,” and the Lennonesque revenge tale “Sucked My Will To Live.” O’Leary has the talent and ability to get across many ideas, and overall the theme of loss here is well done. I hope for something more upbeat in future work.

New Talent: Asbury Keys, Didn’t Planet, Hi Electric

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Ashbury Keys “Wake Up” EP
Texas brothers David and Darwin Keys are joined by bassist and vocalist Bill Walter on this new EP. It’s got a blended sound,  just add equal parts of Foo Fighters, Noel Gallagher and Taking Back Sunday.  Each of the five tracks give us solid hooks and loud guitars, starting with the pounding drums and guitars of “Swimmer.” And these guys can still do the melodic as evidenced by “Hero” with its great minor chord shifts. The bands versatility is displayed through the punk beat of of “Oh My God” or the ballad-like start of “Break.” And if you want to hear more, then listen the full length LP Growing Up.

Didn’t Planet “We’re Goin’ Nowhere”
Why didn’t I hear about this band? Maybe its the horrible pun for a name, but this Massachusetts group won me over with its light-hearted intro “the Fat Albert theme.” Then it rocks right into “Maryanne” with ringing guitar riffs and harmonies. The  POV with “Any Requests?” is a band struggling to play at venues “going nowhere” and doing covers. The narrative on “Bitter” is that of a resigned musician “out of touch with the kids” wanting to play what he wants. I’m sure every power pop artist can relate to this song. However there are too many self-pitying songs, fortunately most of them are pretty good. Recommended.

CD Baby | Amazon

Hi Electric “Hi Electric”
Indie band from Memphis,TN that references garage, soul, rockabilly is lead by  singer Neil Bartlett. Influenced by Big Star, Queens of The Stone Age and The Grifters it starts off with the subdued but effective “Bicycle Blades,” that has almost a grunge redux with snarling guitar solos after the chorus. It shuffles along like a softer version of Soundgrarden, but never really impresses until the mid-point with the catchy tracks “Open Cuts,” “Foolin’ Myself,” “It’s Not You” and the mid tempo shimmering “Come Down.” After additional listens, the melodies help the fuzzy exteriors take shape, so overall it’s a grower… why not give it a try?

Amazon | Artist Website

Three Minute Tease and The Sensibles

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Three Minute Tease “Three Minute Tease”
Three Minute Tease is the collaboration of California psychedelic cult hero Anton Barbeau with Andy Metcalfe and Morris Windsor (Soft Boys, Robyn Hitchcock). Barbeau organized and wrote songs for the band as early as 2010, and they recorded with Kimberley Rew (Katrina and The Waves) at her studio in Cambridgeshire,UK.

Barbeau has that XTC meets Robyn Hitchcock quality, angular melodies with beautiful obtuse lyrics. If you ever wondered who is the modern day equivalent to Syd Barrett — Barbeau fits it perfectly. “Love Is Onion” is a great opener with its paisley 60’s bass line and great guitar solo.  “Milko II” is a  reminded me of Julian Lennon with its slower delicate rhythm. The bouncy “Thanks For Lifting My Leg” is a highlight with its trippy lyric and driving chorus. While not immediately catchy,  it is accessible. From the jaunty “Dig My Bones” with the pastoral “Queen of Apples” its clear mood and texture are equally as important as melody to Anton. Dive right in and savor it.

Artists Website | Amazon

 

The Sensibles “7 inch” EP
Hard charging Italian punk pop not unlike The Dahlmanns or Vibeke, The Sensibles roar to the forefront on “Open Book” with strong guitars and Stella’s wailing vocal. The accent is really noticeable on “John Bambi” but it doesn’t detract from this hard charging guitar pop. Each tune here is solid, I really liked the proto power pop “Denny” which reminded me a little of Shonen Knife with its overdubbed chorus of “Whoa, whoa, whoa.” At only four songs you can’t go wrong here, they have an even more straight punk sound on another EP.

Bandcamp only | Facebook

The Wellingtons and The Bolts

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The Wellingtons “Hey Hey” EP
Once again Aussie Zac Anthony is back with a new The Wellingtons EP. “Devil In A Cardigan” starts us off with a warning about his clingy ex-girlfriend. It’s a pitch perfect song with a dense middle eight, designed to induce goosebumps. It’s easy to keep gushing over a band that made it to #2 in the top ten list last year. But the quality power pop just keeps coming, from the light bouncy “Hey, Hey” and IKE-like heavy guitar riffs of “Under The Power Of A Girl” both full of hooks and ending with “Another Drummer Down,” a casual ballad about losing a drummer to pick on, where he asks “Am I the problem?”  No Zac… not at all, now get a drummer and make another LP.

 

The Bolts “Fall” EP
Irvine, CA band dazzles with its debut EP, a combination of rock and pop that proves you can crank out guitar gems like “Walk Away” along the lines of Extreme and Collective Soul, but still have sunny harmonies on “The Truth” akin to Phantom Planet. Since 2007 the band has been winning local “battle of the bands” competitions, eventually leading them to earn the title of Orange County’s ‘Best Pop Artist’ from the OC Music Awards.

The bands three Farmer brothers (Addam, Heath and Austin) help make those harmonies shine on “This Can’t Be Real” and “We May Fall.” The Bolts have plenty of energy and compare well to The Stokes, Jet and The Killers. By all accounts they are a huge success as evidenced by a ton of commercials using their music. A full length is expected by 2013.

CD Baby | Amazon

Tsar and The JAC

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Tsar “The Dark Stuff” EP
Without a doubt, 2012 is the year of the power pop re-union. The L.A. rock band Tsar formed in 1998 and soon won favorable reviews for their energetic gigs and anthemic songwriting, but vanished after 2005. The band now has re-formed, lead by Jeff Whalen (lead vocals/guitar,) with Daniel Kern (vocals/ guitar,) Jeff Soloman (bass) and Steve Coulter (drums).

They haven’t lost the knack for catchy tunes, as the opener “Punctual Alcoholic” has a neat bass rhythm and sharp guitar solo. The high gloss rock of “Police Station” is similar to early Tsar hits, and the brooding “Little Women” is like The Dandy Warhols meeting Weezer in a smokey room. “Something Bad Happened To Me” is little lighter, where they explain “Rock and roll is good for the soul…” Overall, a this is a solid workmanlike effort, with enough to please fans old and new.

The JAC “Faux Pas”
Okay, you gotta love Joe Algeri (Brittanicas, Jack & The Beanstalks) letting loose his inner psyche to the fans with a “I Play All The Instruments.” It makes a pretty good case for solo musicians “stuck at home, with too much time on your hands.” Joe tells us “I Just Want to be Weird” and to prove it he does offbeat pop like “I’m A Glass Of Orange Juice.” Joe isn’t as obtuse as Robert Pollard, and his rants on “Persistent Man” and “I Refuse” have punk styled DIY charm.

Several songs have a 60’s-fueled psyche pop flavor, but with a modern cynicism reminding me of The Small Faces “Ogden’s Nut Gone Flake” or Ray Davies on “Romano The Dog.” It includes an additional disc of 10 covers, so you can’t say The JAC doesn’t deliver.

Bandcamp | Amazon | Kool Kat Musik