Mid-Week Mini Reviews

Sometimes there are just too many good releases and not enough time to review them all. These releases are definitely worth checking out – so I did a few quick reviews here.

Edward Rogers “Porcelain “
Birmingham UK bred Edward Rogers made NYC his home and has put together a great rock and roll album. Part T.Rex and Iggy Pop come across on the opener “The Biba Crowd.” Then on “Nothing Too Clever” we venture into flowery baroque pop, similar to mid 60’s Bowie. Some great slide guitar on the Dylanesque “Love With The World” and back to garage-fuzz greatness on “Separate Walls.”  Equally impressive are the rich and poignant ballads like “Tears Left in the Bottle” and the Ian Hunter styled “Link to the Chain” with Rogers grizzled vocal at his most expressive. Highly recommended.
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Little Barrie “King of The Waves”
Searching for that killer riff? Consider it found here. London-based trio whose garage sound is an exciting blend of hard rock, blues, and they get it right on the very first track “Surf Hell.” The pop influence of indie pop stalwart Edwyn Collins is clear on “How Come.” Fans of The Creation, MC5 and Primal Scream will feel right at home here. Tracks like “I Can’t Wait” and “Money In Paper” have a raw energy that’s hard to deny. And lead singer Barrie Cadogan’s swaggering tone makes those famous Gallager brothers sound like amateurs. A few bluesy stoner tracks are thrown in to fill things out, but overall a delicious sonic assault. Check out the great video too.
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Maxi Dunn “The Neglected Gambit”
Maxi Dunn is a singer/songwriter from Liverpool, England who has appeared one of my favorite artists albums (Lauri Biagini) and did tributes to The Jellyfish and The Posies, and while The Neglected Gambit isn’t straight power pop, it does have it’s own upbeat confessional mix of rock and pop folk. Some of the sound has echoes of the 80’s in “Why Do I Want You?” and the catchy “Make it Better” are highlights in a very diverse and emotional album.
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Taylor McMahon “Memory Music” EP
If you’d like charming acoustic pop, give Taylor McMahon’s debut EP a listen. McMahon is from Lake Charles, Louisiana and his music lies somewhere between Jack Johnson and Ben Kweller with an emphasis on catchy and simple melodies. “Rhyme & Rhythm” starts off with a casual strum and “The Donnie Song (It’s All Alright)” has a bit of local color. Both songs have a catchy sing along quality and I look forward to more from Taylor in the future.
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Son of Skooshny and Cheap Perfume

Son of Skooshny “Lovers Leap of Faith”
This is the project of Skooshny founder Mark Breyer and its a pretty good combination of power pop and roots based rock and roll. “Another Time” has a touch of Tom Petty and a terrific buzzing guitar riff. Breyer’s vocal cadence also resembles Petty on the wonderfully written “Candy Air.” The multi-tracked harmony of “The Right Idea” and bass driven “You Can’t Love Me” keeps things on a slow but steady course. The nicely melodic “Science Changes Everyone” picks things up and it’s chorus will be humming in your head. Not everything is as compelling, but it’s not boring either and it occasionally throws us a curve, like the crunchy pysche pop of “Kate’s Green Phone.” No filler here and a very worthy album that rewards the patient listener.

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Cheap Perfume “4 By Cheap Perfume” EP
Billed as the first all-female punk band, Cheap Perfume was formed in 1977 by two waitresses working at CBGBs. The girls having boyfriends in the Tuff Darts and The Sorrows, had easy access to equipment and rehearsal time, and they named the band after a Rick Derringer song. They played for many years as a successful opening band at the famous Max’s Kansas City and CBGBs. However not having an album, they were designated as a local sensation and historical footnote. 25 years later the band reunited and plays some of it’s best known work in this EP. Fans of Jana Peri, The Runaways and The Pretenders will love this. Lead guitarist Bunny said ““We believe the spirit of CBGB and the New York punk scene will always live on.” After hearing this, I totally agree.

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Origami Hologram “Bats In The Attic” EP

Sometimes it makes sense for a power pop artist to test out a different sound. That’s exactly what Justin Kline is doing with this new band Origami Hologram.  Using a noise pop template Justin is joined by Dan Wax (Bass, background vocals) and Jamie Mclane (Drums) recording it all in his home studio in Murfreesboro, TN. “Bats In The Attic” uses textures like Robert Pollard, with amp hum and feedback as part of each song (mostly as a backing layer) and extra fuzzy guitars. Justin’s earnest vocals and harmonies still work each on composition, the standout being “Ghost Horse”. It’s all pretty good and best of all it a FREE Download. Enjoy!

Dark Ocean Colors and Jenny O.

Dark Ocean Colors “Dark Ocean Colors”
The duo of Scott Hunt and Mark Mikel have worked on many projects together (including The Pillbugs and The Sprags) to create a rich tapestry of psychedelic textures and looping melodies using numerous instruments (guitars, Mellotrons, violins, etc.) and old analog gear to give it an authentic vintage sound. “My Barbara Closed The Doors” gets started right where the Pillbugs left off and it sounds great. “Crashing The Sky” sports a marching beat to the swirling guitars and vocal harmonies. Fans of progressive rock will also love this, as it’s a got a strong instrumentation on “The Other Line” and sunshine pop fans will swoon over “Lazy Lighthouse Jupiter Band” and the baroque “Same Old Mistake.”

This is an album is a real grower for audiophiles that reveals gorgeous musical tidbits with each listen. It did appear on a few “best of” lists for last year for that reason — as even weaker tracks, like “She’s  A Cornucopia” are performed so beautifully, despite the lack of a hook. Best comparison I have is The Olivia Tremor Control’s Dusk At Cubist Castle but with better harmonies. Just listen to the vocals on “Dream Away” and try not to be impressed. This is one great headphones album.

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Listen to “My Barbara Closed The Doors”

Jenny O. “Home” EP
Jenny O. reminds me a bit of Anya Marina mixed with Janis Ian, it’s got hints of folk, blues and a very sparse production. Honestly the bass hook and brazen lyrics on “Well OK Honey” just drew me in here and its cool beyond words. “All My Wishes” is a great showcase for Jenny’s melodic vocal and the gentle folk acoustic guitar and steady beat makes “Won’t Let You Leave” another winner.

Another solid melody is on the old piano ballad “I Do I Do” where it builds with double tracked harmonies and tambourines to a complex weave of melodies that would make Brian Wilson proud. I can’t wait till the full length – this EP is highly recommended for sure – also check out the video.

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LL Cosmonaut, Queen Electric and IKE

A few quick EP reviews before the ball drops on 2011…

LL Cosmonaut “Why X-5” EP
The new project from Paul Steel is described as kalaedeoscopic, irreverant, melodic Lazer Pop. Call it whatever you like, it’s pretty darn good. A stellar mix of guitars, effects and dance beats all greet us on “Why X-5.” I’m sure if Roger Manning Jr. had joined the band OMD it may have sounded like  “We Came in Peace” with it’s sunshine friendly harmonies and electronic loops. Each song is lushly orchestrated and best of all it’s available for FREE on the band’s website. Get it quick!

LL Cosmonaut website

Queen Electric “Queen Electric” EP
Another favorite artist of this site, Scott Sax slipped this EP out over the summer. The opener “Gonna Let You Down” is like a power pop version of Led Zeppelin. Scott still has the gift of great melodic choruses and solid harmonies. But here he adds guitar muscle and real atmosphere behind each tune, which earns it major props from me. The remaining tracks try a few different techniques, all with good results. No filler anywhere on this 7 track EP. Again, this is an easy purchase (name you own price) if you’re tapped out from all that holiday shopping.

 

IKE “The Little People, Church and the Steeple” EP
Scott Sax’s former band, the Philadelphia based IKE is still chugging along. John Faye (Caulfields) continues to take IKE in a hard rock direction here through 5 tracks, and the other half of the album contains all acoustic versions. All well and good on the opener “Rock And Roll Dreams” which really drives up those guitars. The other songs are also impressive. Standouts include “IF I Can Help It” and “Glorious Mistake.” The acoustic versions give you a preview of IKE’s living room shows and how well they translate each song to a single guitar.

CD Baby | Reverb Nation