L’Avventura "Your Star Was Shining"

It is most satisfying when you hear an artist who sounds like he’s lived through this music. And lead singer/songwriter Jeff Davis set up shop with Fergus Griffin (guitar) and Also Silver (bass) to write a big fat love letter to all the girls he’s loved before. The group settled together in San Francisco involved producer Bond Bergland, and producer Jeff Saltzman (Green Day, Two Gallants, The Killers) and included drummer Michael Urbano (Sheryl Crow, Cake, John Hiatt).  “Your Star Was Shining” is a gloriously tuneful collection of rock-songs with an emphasis on songwriting and melody. It seems equal influence between Bryan Ferry, T-Rex and Elvis Costello and the opening track “Swandive” is a great opening here, as the rock star Lothario picks up the girl. The next track “Pretend You Don’t See Me” is a slick slice of Britpop with sophisticated arrangements and the delicate “Rocket Girl” is a sweet sister track to Paul Simon’s “Judy’s Comet.” This showcases the brilliant acoustic balladry and it’s one of the best tracks here. Since almost all the songs are about girls, it’s fitting that each one has it’s own unique flavor and most are great pop. “Miss Yugoslavia” is a bouncy mid-tempo number that recalls both McCartney and The Honeydogs, and Davis really sounds Costello-like here. The strutting guitar riffs in “Black Venus” make it another gem, recalling The Stones “Brown Sugar” (in both subject and style). “Queen Of The Forest” is full of sophisticated pop charm and stands as another winning track. I was more enamored by the slower songs on the album, as you can really appreciate the well written lyrics throughout. No fillers here, and the ending track is “Here’s To Absent Friends” melts The Beatles with Oasis-like swagger “We fanned the bonfire/ And we got guitars/ I’ll see you in the ethers, baby” in a richly orchestrated finale.

Overall, a real winner of a debut here and no doubt it makes my top 10 for 2009. Highly recommended and even better… we highly suggest you visit L’Avventura’s Website before March 1st.

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Queen of the Forest – L’Avvent…

Here’s to Absent Friends – L’A…

The Tomorrows "Jupiter Optimus Maximus"

Members of The Roswells, one of the best Canadian pop bands ever, have formed this new group. This new release by The Tomorrows, follows the classic power pop template, with elements of Velvet Crush, Big Star, and Badfinger all come into play here. “Effortless Lee” is everything a fan could hope for in an opening single, with melodic jamming and swirling riffs that take the best of The Roswells sound and add the Beatles/Badfinger elements to the mix. “Love Is Dead” brings forth comparisons to Cheap Trick and The Rubinoos, with great chord changes and impressive backing harmonies. The title track is an expansive janglefest that recalls the past, but follows the band in a light mid-tempo mode about the largest temple in Rome. It follows with the gem “Don’t Worry About Me” complete with heavier guitars and smooth harmonies along the lines of Teenage Fanclub. The subject matter is also fresh, for example “Anime” is fanboy dream theme that sparkles with “You’ve got eyes so big, they’re scary pretty… I wanna be in Anime with you.” Every track here is excellent, without any filler to be found – although the ending six minute opus “Remember” drags into a wandering jam session. But there is enough rock and roll goodness here to have The Tomorrows earn my first nomination to the best of 2009 list! Kool Kat Musik is offering a bonus disc with this release which include live tracks and a Beatles tribute! Wink, wink, nudge, nudge – say no more!

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Mitch Friedman "Game Show Teeth"

A famous clown recently said “Why so serious?” Singer-Songwriter Mitch Friedman teams with XTC to come up with a quirky and fun musical journey guaranteed to make you smile. Mitch is a long time follower/fan of XTC and the music will definitely appeal to you if you enjoy Andy Partridge. Andy and Dave Gregory contribute to this album as well. The opener “This is A Song” is a literal formula for how to make a great pop song (kids should pay attention here). The next song is even catchier, as “My Dumb Luck” is a  brilliant track that will remind some of the “Oranges & Lemons” era with witty sing song wordplay. Mr. Partridge provides jazzy guitar licks to “Little Masterpiece,” and Gregory contributes several guitars and bass to the hyper actively folky “The Man That Talked Too Much.” Even thought Colin Moulding doesn’t play on this album, his spirit is channelled in “Make Yourself At Home.” It’s also pretty obvious that Mitch spent a lot of time doing kids records, as “Blackout” and “She’s Dynamite” uses all sorts of frantic effects and goofy arrangements. Even “In The Know” uses a whiny vocals and songstress Anne D. Bernstein for sweet backing vocals to go all over the place a la “I am the Walrus”. A sure fire single “I Have Never Lied” has more than a touch of fellow Brooklyn quirk-rockers They Might Be Giants influence here. Additional support is also here from power pop princess Andrea Perry, R. Stevie Moore and Joe McGinty (Losers Lounge). Like the kitchy CD cover, this CD is full of simple joys. Sing along and repeat.

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Ness "You Can’t Afford To Feel"

Another missed gem from 2008 that should not be neglected. I can’t say enough about Ness. An amazing masterpiece of a rock and roll. Ness takes it’s lead from 70’s classic rock and progressive pop sounds, but it combines the influences into a swirling mass of rock and pop sweetness. The opener “Where’s Guns?” floors you like a mix of The Posies and The Who full of hypnotizing riffs and harmonies. The follow up “I Intend” gets theatrical in a very Mick Ronson kind of way. Listen to it streaming and tell me you disagree. The track “Somewhere” sounds a lot like early seventies Yes, if you replaced Jon Anderson with Brian Wilson. This album manages to put layer upon layer of tracks, and “Weary By The Day” and the follow up “The Future Used To Be Cool” resembles a pop version of Genesis’ “Lamb Lies Down On Broadway.” This is the heart of the album, and it’s an amazing achievement (complete with organ solo fadeout). That would be enough, but the stellar “Losing Track (Of The Things I’ve Lost)” is another opus similar to Buffalo Springfield. “Petty White” is a Todd Rundgren meets Pet Sounds gem that compares well to Paul Steel’s “April & I” in technique. “Elena Margaret” is a fitting end ballad to the entire album. “Goin’ Home” is a jam that continues a general showcasing of instrumental prowess, with spoken band credits. This is one of the best progressive pop albums, I’ve heard in a long time.

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Leave "On a Happy Note"

This is the Chicago band Leave’s final album due the passing of lead singer and guitarist Mike Murphy. In a horrible act of fate, Murphy was killed by a hit and run driver. The band could’ve packed it in, but to their credit they soldiered on. On A Happy Note is a fitting tribute to his memory, with some excellent power pop that is styled like a combination of The Spongetones and The Riffbrokers. The opener “Hope It Doesn’t Come My Way” channels The Beatles with tight harmonies, driving rhythms and a delicious hook. The remaining tracks don’t drop in quality, and “Take The Easy Way Out” is another well crafted gem. The gentle ELO flavored ballad “Lovely Mess” is another mid-tempo beauty that will definitely get stuck in your head. “Again It’s Too Soon” could be considered a Cavern Club styled bit of rock heaven. Things settle down after that, with “Murph” exploring great lyrical depth on tacks like “On My Mind” trying to reassure his nervous girlfriend. His voice reminds me of a mellower version of Michael Stipe, and some tunes have a western pop flavor, like The Jayhawks or Rhett Miller. This comes through on “I’ll Get Mine” and the slow acoustic “Down The Line.” In fact the gorgeous title track is a bit eerie when he sings “- when time is at an end…” No duds or filler on this album, so it is highly recommended. May the legend of “Murph” continue in your ipod – get it today! 

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