Frank Ciampi "Big Top Woman"

Long Island native Frank Ciampi has played with fan favorite Mike Viola and written for The Click Five, and late last year came out with this solo gem “Big Top Woman.” Greatness has rubbed off on Ciampi as this is a wonderful piano based love letter to classic power pop fans. Like the Nines, Frank wears his influences like badges of honor. From the Ziggy Stardust meets Ringo Starr mix on the title track (“Big Top Woman”) to the Wondermints-styled “Waiting For Someone” the songs all have a wonderful sense of melody and hooks. The Beatlesque stamp is all over this entire album, with most songs evoking Sir Paul, like “The Miss Jenny” and “Oh Gloria.” Lets not forget the Beach Boys bliss-like singles “Anna” and “Anyway.” The production techniques are rooted in the 70’s, with touches that bring to mind Supertramp or Andrew Gold. A great example of this is “On The Road” with it’s awesome guitar solo and multi-tracked chorus, piano breaks, it’s an epic poem in every sense that lyrically ties together the other songs. Every track here is wonderful and even the closer “Along for The Ride” evokes the ghost of Big Star. The musicianship is flawless as well and I’m pissed I couldn’t add this to last years top ten. If you even like a little bit of the mentioned influences, this is a MUST buy disc.

Kool Kat Musik | My Space | Amie Street

The Successful Failures "Ripe for the Burning"

Review by Mike Z.

Able to change their sound up like powerpop chameleons, The Successful Failures mostly rely on western twang, so you know the harmonica and strong guitar are coming, but they are also not afraid to throw in the odd synthesizer or xylophone. “All I Can Take” is especially reminiscent of early Wilco, back when they rocked (remember that, anybody?).

“Ripe for the Burning” succeeds in producing one of those addictive moments when it’s a little difficult to discern when “All I Can Take” ends and “Bridges Over Delaware” begins. It is a memorable and effective transition, however. “Never Moving Out”’s lyrics border on the inane, but it rocks as hard as anything The Replacements ever did. So disregard the lyrics seemingly unfit for much else but something MTV would air midafternoon and seriously contemplate that you might just have a rod stuck up your ass if you can’t derive serious enjoyment from this one. “Except Together” should prove that this act is having a bona fide good time, and the best part is they don’t have to beat the listener over the head with it. That is, they don’t seem compelled to let you know that they have a sense of humor, and to this reviewer, that makes it all the more enjoyable. As far as the Successful Failures failures, the opening riffs of “Bigger Empty Things” is a direct lift from The Mountain Goats’ “This Year,” but gets more original later.  An unfortunate irony exists in that “Sun Makes Circles” hints that S.F. might be flirting with lyrical ambition, but the music is the weakest on the disc. The only other snarky thing I can say that this has got to be the best band with the worst name, but that is no backhanded compliment: this disc is a must listen.

The Successful Failures Web | My Space | Not Lame | CD Baby

Joe Jackson "Rain"

It’s been four years since “Volume 4” and Joe Jackson returns better than ever. Impeccable musicianship with great songwrtiting leads me to say this is a return to form that doesn’t feel as forced as “Volume 4.” Jackson has done it all the past decade from soundtracks, to jazz, to blues and has come home to his pop roots for “Rain.” For a start, he’s reunited with Graham Maby and Dave Houghton, both players on his classic eighties albums. He has constructed an album with the polished melodies and the massive hooks that borrow from different styles of his earlier catalog. The opening track “Invisible Man” is a piano pop classic that states his celebrity status among today’s musicians and stands alongside his greatest songs. “King Pleasure Time” and “Good Bad Boy” have a nostalgic feel and approach that would fit just fine on “Look Sharp”. Another new classic and my favorite here is “The Uptown Train” – a song that couldv’e fallen off of “Night and Day.” Another amazing track “Too Tough” that has the concert hall feel of his album “Body and Soul.” The other songs here are excellent too, “Wasted Time,” a very Rundgren-like, soul ballad, and the gentle strains of “Rush Across the Road” are pure pleasure for fans here. Jackson is above all else a musical survivor of the skinny tie era and enjoying every minute of this. It’s tough to argue against it, when so much passion is on display here.

Joe Jackson’s Official Site | My Space | Itunes

IKE "Where to Begin"

After the departure of Cliff Hillis from IKE, it has become a rawer, louder band fronted by John Faye and supported by Brett Talley. What is most impressive is that this self produced album was supported by fan donations, and everyone who contributed is in the liner notes. Note to you major labels: you are becoming less relevant every day. This is modern power pop closer to the commercial alt. sounds of All American Rejects, or American Hi Fi. This is almost a return to Faye’s form as a member of the Caulfields or The John Faye Power Trip but with the added depth of experience. There is more lyrical insight here behind the fresh melodic riffs than usual. The album starts out with some pretty heavy guitar work and the single “We Like Sugar” seems like good companion to Velvet Revolver (I want this song on Guitar Hero IV). Awesome stuff. My fav here is “The Way I see it” with those handclaps and killer riffs. It’s a great melodic power rock tune. Add to this “Say Luvva” and you hear John Faye at his best. A fully literate and descriptive lyrics with killer hard rock guitars. This is one indie release that has a great chance of breaking through to the younger crowd. The single “We Like Sugar” is getting airplay on a local Philadelphia rock station, and that says it all. The are no ballads here, although it runs to a mid-tempo pace after 2/3 of the album, with “Eleven Eleven” and “Late Bloomer” it kind of wears you down a bit, but it proves that John Faye is one hell of a performer. Purchase this directly from IKE Online and stick it to “the suits.”

IKE Online | My Space

All Night Chemists "Spots"


If the first four tracks of “Spots” don’t move you, then you need a new set of ears. The All Night Chemists new album have the soaring harmonies and melodic genius that bring to mind The Honeydogs or Chris Brown. The group is actually the brainchild of front man and multi-instrumentalist Len Monachello, who hails from Long Island, NY and grew up in a musical family. His dad also owned a record store, so Len grew up soaking in his parents Beatles, Kiss, Foghat and Cream Records. He grew into a sharp musician and joined the band Thisway in 1999. Eventually he matured to release the first All Night Chemists a debut album in 2005. Now on “Spots” Len continues his journey. “Wake Up” grooves on like The Mother Hips meeting The Velvet Crush. Then “Question” is a sombre ballad worthy of Elton John (Tumbleweed Connection-era) or The Finn Brothers. We then take a musical detour with the Harry Nilsson-ish music hall styled “Isabella.” Later on the album it takes a turn to classic Brit-pop a la Supergrass(“Waste of Time”) and Blur (“Look Me in The Eye”, “The Fog”). The last two tracks are a bit rambling, both “Overthrown” and “Searchlights” tend to turn into extended psyche-jams and then halfway through “Searchlights” it packs an Oasis-like power punch of guitars and distortion. Not a single track here is filler and the stylistic changes prevent any kind of musical boredom to set in. Every track has something to say, and it becomes a true musical journey. This is another 2007 best of candidate I missed (Damn it!) but you don’t have to, just get this great music. You can listen to the entire album streaming here.

All Night Chemists Site | My Space | CD Baby | Itunes | Not Lame

Listen to “Listen to “Isabella”

Listen to “Listen to “Waste of Time”