Category: Highly Recommended by Powerpopaholic

The Lodger are a melodic indie-pop group with a knack for throwback 80s guitar pop a la The Smiths and The Housemartins. And the album “Grown Ups” is full of jangly energetic pop nuggets. “Many Thanks for Your Honest Opinion” is the bouncy opener that groups like Belle and Sebastian would kill to have. This is followed by “Kicking Sand” a very Housemartins styled pop tune with all the proper hooks and quick riffs. If you enjoy the band Ok Go, you’ll flip for “Getting Special” which uses a great guitar dance beat. Every song here is catchy and mines the late 80s post-Smiths guitar jangle for all it’s worth. In most cases it’s loads of fun and and makes for excellent listening. “A Free Period” has a U2-styled baseline and clever chorus. The song “Simply left Behind” adds a bit of Squeeze and Zampano here, and is the winning single on this album, that elevates it above the average. Listen to this one first. It slums a bit on the last few tracks, but nothing too bad and it “The Story’s Over” would’ve been a fitting ending track here, but the ballad “Bye Bye” has a bit of Aztec Camera coolness as well. Check this microsite out to hear the entire album streaming.

The Lodger Website | MySpace | E-Music

Listen to “The Story’s Over”

Kicking Sand Video

The Rosewood Thieves originally released this as a 6 song EP last year. It has been reissued with added bonus tracks that qualifies it more as a full album now. With equal parts John Lennon and Dylan, lead singer Erick Jordan serves up a fine collection of tunes here. Staring out with the lazy rock shuffle of “Los Angeles” and then heads “Back Home to Harlem” with an energetic strum that touches on a country-tinged state of restlessness. Then the album really takes on a Beatles White-album era sound on “Cold in the Country” that conveys loneliness in a rich melodic tone. The double tracking of the vocals on “Diamond Ring” really bring this to classic status with the rough organ and carny atmosphere it evokes. The track “The Tale of Gustav Grimes” is a dead ringer for John Lennon, vocaly and melodically and makes it worthy of purchase for this track alone. The remaining tracks sort of mix the influences a bit more, as I hear some Dire Straits, The Thrills and Wilco. This was all created in a spooky old house in upstate Deposit, NY and not unlike the legendary “Music from Big Pink” was for The Band, some awesome stuff was created here. The band being sequestered pay it off here.

MySpace | Kool Kat Musik | Itunes | Amazon

The Saltshakers are a catchy Milwaukee, Wisconsin foursome that has a Replacements meets Cheap Trick style. “Believe” has awesome power riffs and lead singer Chad Curtis has wail that reminds me of The Kinks Ray Davies and The Replacements’ Paul Westerberg. The alt. pop rock side of the band comes out on “NOLA” and it is a commercial ready-made hit. The next tune, “Whiskeytown” is a whiskey soaked tribute to Ryan Adams, but the vocals here sound a bit too inebriated. The title track also has that manic ‘Mats energy with furious pop guitar that just keeps the party goin’ strong. Later on the tracks settle into a nice groove, like “Kick the Can” and are really enjoyable to listen to. “Happy now?” gets lost in a crazed riff that sounds like a punk rock version of Tom Petty. After a few listens the rough edges here fade a bit and you realize this is a really strong debut album. Personally I can’t wait to see them perform live (Come visit NYC, guys). Visit the bands website to hear the entire album streaming.

MySpace | The Saltshakers website | CD Baby

Listen to “Believe”

Listen to “NOLA”

Deadbeat Poets members — singer-guitarist Terry Hartman (Backdoor Men, Napoleon In Rags, Terry & The Tornadoes), singer-bassist Frank Secich (Blue Ash, Club Wow, Stiv Bators Band), guitarist-singer Pete Drivere (Infidels, Pretty Demons) and drummer John Koury (Infidels, Slackjaw) are a varied group of musical professionals with a common love of a great guitar pop song. A good comparison to other like-minded groups would be Scott McCaughey and The Minus Five. Lots of influences here include The Stones, The Cars, The Who, The Byrds, and Tom Petty. Fans of these bands will enjoy The Deadbeat Poets. The opener “The Truth About Flying Saucers” is a cool guitar centered song, that evokes classic Cars. “The Green Man” cribs a little bit from Pete Townshend’s “Behind Blue Eyes” but is also full of original hooks. My favorite song is the energetic “No Island Like The Mind, No Ship Like Beer” – an excellent hook filled anthem for drunken philosophers. I expect a group of guys named “Bruce” to be singing this with mugs raised (Monty Python fans know what I’m talking about here). Some great guitar twang on “Where Was I When I Needed Me” is alot like typical Southern Culture on The Skids. More Brydsian brilliance is on the amazing song “It’s Nothing.” This is a great album that fits like an old favorite pair of jeans. No filler here either, it’s all great stuff. Listen to some tracks on MySpace and pick up this one.

MySpace | Kool Kat Musik | Not Lame | Digistation

Kurt Hagardorn loves to play music. Simple as that. His album “Ten Singles” is a relaxing series of songs that recall the great power pop influences of the past.The production is clean and perfectly done here. On first listen it is a nice Beatlesque Alt. Country album in the early Wilco vein, but after a few listens it really grows on you. It opens with the excellent Beach Boys’ Holland-era single “International Travel Advisory.” Then the Neil Young-ish “You are my Girl” follows. It’s got a wonderful chorus that recalls You Am I’s countrified power pop. “Please Make it Last” is the best song Harry Nillson never wrote and a real standout as well. The Badfinger comparisons are most apt on “Rock Scissors Paper” a rollocking number with awesome riff work. The style takes a more contemporary spin with “Leanne” – a wonderful song with more of an electric sound, and great lyrics about losing the girl. Most every track here is really good, and the stories on even the slower ballads remain interesting. Recorded between 2000 and 2006, Kurt has given us the cream of his crop here. It feels like a carefully handcrafted project and you couldn’t ask for more than that.

MySpace | Itunes | Not Lame | CD Baby

Listen to “You Are My Girl”