Category: Highly Recommended by Powerpopaholic

The Black Watch and Valley Lodge

powerpopaholic
The Black Watch

The Black Watch “Weird Rooms”

With the help of his son Chandler, who traveled to Austin, TX to record ‘Weird Rooms‘ with producer/multi-instrumentalist Misha Bullock and his wife Sara, lead singer and lyricist John Andrew Fredrick—a writer and prolific songwriter—releases his twenty-third long-player from The Black Watch. In contrast to most bands these days, The Black Watch just gets better with each release.

It starts with “Myrmidon,” a swirling psyche pop gem with a jangling rhythm and thick descending baseline akin to “Dear Prudence” with choral backing. “Miles & Miles” also has a shimmering texture, that builds up a wall of sound with a dreamlike cadence. “Gobbledegook” and the title track “Weird Rooms” follow this with more 80s-styled guitar riffs, displaying a richly composed stream of consciousness. There are bits of “weird” interludes between some tracks, that serve to move us along the album, from one “room” to the next. “Fruit Stripe Gum” has a strong horn and drum-guitar combo that recalls an old western theme. Overall, it is a sensory experience that proves more intoxicating the longer you listen to it. Highly recommended.

Amazon


Valley Lodge

Valley Lodge “Shadows in Paradise”

Vally Lodge (Dave Hill, Phil Costello, Eddie Eyeball, and Rob Pfeiffer) continues to chug along, as one of the top power pop bands out of New York. The group draws inspiration from various sources, including Cheap Trick, Maroon 5, and Thin Lizzy. “Daylights” opens with a rousing guitar riff, it’s a catchy, silly song with lyrics like “I’m not your basketball, but I’ll bounce all over your head.” Next is “I Wrote a Song,” which also bounces along with Olive Hui (Late Cambrian) dancing in the video.

There are a few songs that have a rock vibe with funky electronic beats like “Secret Lover,” and “Dirty Dishes,” but power pop fans will eat up the brilliant “After School,” with its frantic guitar solo and “Hanging Around,” which starts almost like a Foo Fighters song, with a bass-heavy intro and settles into breezy “do-do-do” harmonies. In the end, ‘Shadows in Paradise’ is an enjoyable album with more than enough great songs to make this one highly recommended.

Amazon | Kool Kat Musik

Vegas With Randolph and Mark Bacino

powerpopaholic
Vegas With Randolph

Vegas With Randolph “The Future Store”

It’s been over 5 years since Vegas With Randolph’s ‘Legs and Luggage’, came out, so it was time for a new album. John Ratts, Brock Harris, Dave Purol, and Eric Kern remain in fine form, blending melodic power pop with adult-oriented rock and roll. With 22 tracks, this is a massive effort. The opener, “What if?” is a fast-paced rocker that looks to the future.  But even better is the catchy gem “N.S.A.” about a relationship with “no strings attached.” Several other rockers here are winners; “A Pretty Good Run,” and “Don’t Stop for Love.”

Midway through is a 6-part hard rock medley, “Triple Play,” where the band’s persona shifts a bit to more prog-pop, akin to Kanasas or Journey here, and it’s good, although separating the tracks is disruptive. The “Days & Days” segment feels a bit forced here, but overall, the 9-minute suite is best enjoyed together (it’s an unbroken track as a bonus). Then it’s back to your regularly scheduled power pop program. More highlights include “Lake Paradise” and excellent “I’ll Be Waiting For You.” The band sounds like it’s having fun, there are plenty of great songs here with very few missteps. Overall, highly recommended.

Amazon


The Black Watch

Mark Bacino “Top of the World”

It’s been a long road for New York’s Mark Bacino. His debut LP, ‘Pop Job’ from 1998, was one of the albums that started my power pop obsession. His albums were infrequent, but always worth it. It’s been 14 years, and Mark has emerged once again, and his point of view on life is the focus of ‘Top of the World.’ With a mature perspective, his once bouncy pop optimism has given way to a weary, mindful acceptance of things.

The opener “Kaylee Hughes” has a fast, catchy tempo that gives it an energetic and fun feel. It’s a bluesy New Orleans jazz sound typical of artists like Dr. John. However, most of the album is in a mood like “Flop of the World,” with a tuba and piano melody, recalling Harry Nilsson’s “Think About Your Troubles.” The easy-going sad sack on “Why Does This Woman Love Me?” and “Shaky Hand” have a similar vibe. He makes some stabs at lifting the mood on the tin-pan alley pop of “I Like Wearing Clothes” and a spark of optimism on the excellent “Young Heart.” There is some instrumental filler, and “How the Story Ends” is like a lost Randy Neuman tune about health resignation, and how he “forgot cholesterol tasted so great.” Overall, it’s a good album with crisp production and a few memorable songs. If you’re looking for more of a power pop vibe, I’d visit earlier albums.

Amazon | Kool Kat Musik

June EPs and singles: Freddy Monday, Stonedog, Michael Slawter, It’s Karma It’s Cool, The Stone Souls

powerpopaholic


The romantic balladeer Freddy Monday provides us with “Passing By Hours,” a sublime and melodic single that I can’t resist. Check it out on Apple Music—next, a shout-out to Stonedog, with a freebie that hits the sweet spot on its opener, “Time Machine,” and the late 70s guitar riffs come out on the impressive “Hourglass.” The always-interesting Michael Slawter has an EP with experimental power pop, and it’s worth your time. All the songs are cool, but check out the jangling “Down to Witness” and rocking “Little Mind” to get a taste. It’s Karma It’s Cool are back with some summer music and we get those buzzing “Autumn Recruits.” The Stone Souls have a few singles out, and this is the latest, a surf-styled tune with horns on “No Sense of Time (It’s Alright).” Enjoy that summer sun and the music, it’s June!




Quick Takes: Penny Arcade, Peter Freebairn, and Mo Troper

powerpopaholic

Penny Arcade “Backwater Collage”

James Hoare’s (Ultimate Painting) first solo album is under the moniker Penny Arcade. Hoare took his time making this sleepy, hand-stitched record. He had to save these songs from the cutting room floor of several recording sessions. In “Don’t Cry No Tears,” James combines his soft, sad voice with Nathalia Bruno’s smooth, warm vocals. “Mr. Softie” is another winner, a lo-fi psychedelic theme that will stick with you. Get it on Amazon


Peter Freebairn “Silhouettes & Cigarettes”

Aussie crooner Peter Freebairn is special. This 8-track LP, expertly mastered by Victor Stranges, is essential. Opening with “World You Choose,” it’s top-shelf, catchy modern adult pop with Peter’s weary, but endearing vocal. The swirling guitar strums on the ballad “You and I,” have that old-school charm, and there is no filler anywhere here. The catchy rock earworm “I Got Lucky (I Got You)” interrupts a suite of soul-searching gems. Highly Recommended. Get it on Amazon

Mo Troper “Svengali”

Portland musician Mo Troper is likely the most influential power pop artist we have now. After his recent Jon Brion tribute album, Troper Sings Brion, he is back in experimental lo-fi pop mode. Svengali has a few gems tucked away in the feedback and fuzz, like the guilty pleasure “The Billy Joel Fan Club,” and the bouncy, caffeinated “Spark World.” There are plenty of great tunes here, like “Recipe for Loving,” which almost sounds like the Lemon Twigs, and the six-part instrumental potpourri of “Svengali’s Theme.” Like most Troper albums, its a buffet of riches. Get it on Amazon

 

David Woodard and Ward White

powerpopaholic
David Woodard

David Woodard “Get It Good”

David Woodard from Nashville, Tennessee, makes a great impact with Get It Good, which shows off all of his power pop influences. With his signature sweet melodies and harmonies, this eleven-song album features some of his catchiest songs yet.

David’s lyrics aren’t obtuse, he says what’s on his mind, and you get it immediately. He launches things with the biographical jangling gem “Last of the Full Grown Men,” about a midlife crisis and picking up that guitar to take a “break from the insanity.” The mid-tempo “Get it Good” boasts a great bridge full of harmonies, and “I Can’t Make the World a Better Place” gets across the frustrations of the world today and the limits of what a musician can do.

His glorious Beatlesque side comes through on “Flower Power in the 80s” and “I Used To Be Cool.” These great catchy songs contrast with the calm tone and adult-oriented anxiety of “Riptide.” The 80’s rock riffs appear on “Grace Under Pressure” and “Coming to Life.” It finishes with the delicate “Only What Love Requires,” including a subtle piano melody and strings. There are more than enough great songs here to make this one highly recommended.

KoolKat Musik | Amazon

Ward White

Ward White “Here Come The Dowsers”

Ward White weaves together character vignettes voiced by many personas in his new album Here Come the Dowsers, which explores the disillusionment they all feel for the movie business. The concept album is a good way to tell the story from different points of view, and it also gives White a chance to add an emotional twist to each tune. There are several notable tracks here. Starting with “Continuity,” it’s an effective narrative of the life of a stuntman that soars musically. The title track “Here Come The Dowsers” equates the birth of a studio movie product with water divination in the desert of early 20th-century Hollywood. The swaying arrangement has multiple melody lines and harmonies.

“Our Town” is another grand melody about the cutthroat competition, and “Johnny Fontane” is about a producer stubbornly casting for The Godfather. The musical tone recalls Ray Davies and The Kinks’ early 1970s era in spots. “Pick Up Your Face” is a commentary on a starlet’s fleeting beauty, with a catchy keyboard chorus. Although the personalities and lyrics presented can become overly obscure (i.e., Louella Parsons), it doesn’t diminish the musical pleasure. This is an album that requires multiple listens to appreciate. Highly Recommended.

Amazon