Category: Power Pop Compilation

Altered Sweet and Cavetown

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Matthew Sweet Tribute

Various Artists “Altered Sweet: A Tribute To Matthew Sweet ”

If there is one thing I know, Futureman records know how to do great tribute albums, and like the Sloan tribute from two years ago, this one is even better. Matthew Sweet has been one of the best examples of an artist who contributes to the genre with his tributes to his influences through the Under The Covers series with Susanna Hoffs. And it’s fitting to finally have other artists honor his influence. Overall, the guest artist list reads like a festival line-up for IPO or Power Popaholic Fest, so the cream of the power pop crop is playing here.

Sweet’s psychedelic jangle suits the lovely Lisa Mychols just fine on the opener “Looking At The Sun,” and the faithful approach works well for Andy Reed on “Where You Get Love,” The Well Wishers “All Over My Head,” and Greg Pope’s “Not When I Need It.” But for me, it was tough to pick out standouts because everyone does such a great job with the songs. Some touches are subtle, like Chris Richards & The Subtractions “Someone To Pull The Trigger” adds a bit of sadness that’s missing in the original or Simple Friend’s acoustic folk version of “Sick Of Myself.” Even the man behind this comp, Keith Klingensmith hits it out of the park on “You Don’t Love Me”

To some, this will be a great introduction to Sweet’s musical genius — hopefully, it spreads the love to fans who enjoy great rock and roll. One of the best tribute albums of 2018 so far.


Cavetown

Cavetown “Lemon Boy”

Cavetown is the brainchild of young UK musician Robin Skinner, and his latest Lemon Boy is essentially a soundtrack that would be perfect for a Wes Anderson flick. Done in DIY acoustic style, its like chamber folk-pop with an emphasis on the emotional and quirky lyrics.

The title track has a flowing easygoing chorus full of obscure references. “Green” is a look back on a lost love, and most of the songs are simple but intimate love-lorn ballads. Standouts include “It’s U,” “Poison,” and “10 Feet Tall.” Robin’s skill in composition and sound mixing is commendable with simple ukulele and double-tracked vocals. Give it chance.

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Travis Bretzer and The Red Button

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Travis Bretzer

Travis Bretzer “Bubble Gum”

Edmonton native Travis Bretzer created this infectious album of bedroom pop that grows on you faster than weeds in the sun. Bretzer’s approach is very simple melodies filled with little hooks and sparse arrangements, similar to Apples in Stereo or early Brendan Benson. The quirky “Heart and Soul” has a fast tempo and a smooth synth for its chorus of “away, away.” It then delivers a brilliant faux country gem “Up In The Morning,” reminding me of The Monkees with its simple lyric,”Up in the morning/not much to do.”

“Are You Ever Gonna Change?” introduces a little psyche-pop guitar to the melody, and the follow-up “Evergreen” gets even more trippy, with acoustic guitar and echoing harmonies, like a lost Beta Band single. The centrepiece here is the gorgeous ballad “Peace, Love and Harmony,”  and on the latter half, we get lots of false endings and the tempos slow with each song that follows. By the time we get to “Vamanos” we get more instrumental, and eventually “A Song For Rashy” is simply a lullaby to doze off to. Oh, yeah this is also a “name-your-price” download, so reward him generously. Highly Recommended.

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The Red Button

The Red Button “Now It’s All This!”

When Seth Swirsky teamed up with Mike Ruekberg in 2007, it’s hard to believe the massive impression they left on the power pop scene. Jem Records picked up the band retrospective —Now It’s All This! featuring a new 6-song EP, bonus “unplugged” rarities, and newly remastered versions of the first two Red Button albums on 2 CDs.

Firstly, let me say the list of artists that can correctly capture the pure pop spirit of The early Beatles is very short. While many can emulate the sound, few can compose original material that stands alongside McCartney and Lennon. I count The Weeklings and The Wonders. The Red Button can also generate the same excitement with its music.

The new material is absolutely consistent, “Can’t Let Candy Go” and “Tracy’s Party” has the Rickenbacker riffs, and hook-filled melodies that never get old. The gentle jangling ballad “Tell Me It’s Over” is a heartbreaker about waiting for expected rejection. Seth’s winsome “Solitude Saturday” has a rich orchestral approach, and the title track is a fitting finale. The unplugged tracks are very close to the originals, but “Genevieve” actually sounds much better without the studio mixing. We have already reviewed The Red Button’s She’s About To Cross My Mind, and As Far As Yesterday Goes and it goes without saying this talented duo is essential listening.

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Compilation Fridays: More bands! More music!

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Power Popaholic Fest is coming on June 16, 17 (next week) at Bar Matchless in Brooklyn, NY. Each year we have a soundtrack made with songs by some performers and like-minded artists. Your purchase helps fund the continuation of this long-running music festival dedicated to power pop artists. This year’s soundtrack features Somerdale, The Successful Failures, Lisa Mychols, Lannie Flowers, Cirrone, The Brittanicas, Jose Estragos and The Pop-Coop. Note: Limited time! Some tracks will only be available during the month of June.

Another compilation that we promote regularly is the Coop Communique, championed by artist/writer Dw Dunphy. This is the third and most impressive volume yet. With an array of favorites including Josh Fix (!!), The Ravines, Greek Theatre, Son of Skooshny, Brandon Schott, Andy Klingensmith, Vegas With Randolph and much more. Best of all its a FREE download!  Between Dunphy and Ice Cream Man, you can fill up the old music player on my phone really fast!

Twelve String High and One Way Ticket

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Twelve String High

Assorted Artists “Twelve String High”

There are few instruments that have a more recognizable sound and evoke the heyday of folk rock more than the 12 string guitar. Its the primary “jangle” in jangle pop and the Rickenbacker 12 string has the distinct riffs that made The Byrds music legends. This compilation by You are The Cosmos label is chockfull of 23 jangling tunes.

The wide variety of artists and 12-string styles are different enough to prevent predictability in the playlist. Standouts include Erik Voeks (“She Loved Her Jangle Pop,”) The Jangle Band (“Love You Too,”)The Sensitive Drunks (“There She Goes,”) and The Bellowers (“She Reappears.”) And there is no filler here, making this another highly recommended collection for jangle and power pop fans.

Amazon | You are The Cosmos

Twelve String High

One Way Ticket “And Life Just Simply Moves Along”

Recently finishing a tour with Paul Collins, this French power pop band from Besançon has a combination of late 80’s influences; The Jam, Buzzcocks, and of course, The Beat. Most of these songs started as singles, but are now compiled to form the debut LP.

This was also out late in 2016, but worth exploring as the dramatic energy on the opener “In The Upper World” demands attention with its forceful riffs. The follow-up “All Change” has a bigger hook and a great jangling rhythm. Although the lead singer’s accent is thick, they don’t distract from the music as the mix favors the rhythm and lead guitars. “Miss Grievous” and “Beside You” are solid gems with plenty of swagger. You will definitely want to check this band out.

Bandcamp | Vinyl only

Guilt by Association and Bongo Boy Records

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Guilt By Association

Various Artists “Guilt by Association 4”

On 11L Radio NY International they had a special show on a pivotal year in music — 1966. I don’t often listen to cover complications, but this was a an exceptional collection. It starts with Chris Collingwood and Potty Mouth doing a faithful version of  The Lovin’ Spoonful’s “Summer In The City.” The artists don’t wildly go off style on the songs, but each artist is able to stand out. Lucy Woodward brings a garage feel to The Yardbirds “Shape of Things,” and Mike Viola adds synths and echo to make “You Don’t Have To Say You Love Me” his own haunting soundtrack. About half the tracks are ballads and they also picked two Beatles songs and a Monkees tune (“Sweet Young Thing.”) Highly Recommended.

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Bongo Boy Records

Bongo Boy Records “Out of the Garage, Vol. 2”

We reviewed Volume 1, but didn’t get to this compilation until recently. A few of those Bongo Boy artists are back, starting with the ageless Mark Lindsay on the rocking “Show Me The Love,” and the wild cover of “Boys” by Cheap Perfume. The funny, catchy  “Kill A Clown (No, Not Really)” by Mike Daly & The Planets makes a perfect soundtrack to this old movie. Highlights include Mia Moravis “A Spy For Love” and The Accelerators do their best Ramones imitation on “Sun Surf and Sand.” Check out this newest collection of tunes!

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