Your gift can alleviate him of the additional burdens brought on by the significant cost of his immediate and long-term care. Power Popaholic interviewed Jesse a few years ago and wants to spread the word and hopefully, fans like you will answer the call.
You wouldn’t know it was summer in NYC with that Canadian smoke cloud hovering, but the music certainly says so. The Diners are a new band, the combo of Blue Broderick and fellow songwriter Mo Troper. Paste Magazine compared the new single “The Power” to Big Star and the Raspberries, so I’m all ears here. It’s been a few years since I’ve heard Melbourne-based power pop boy wonder Wesley Fuller, and he sounds even better than before, going “Back to Square One.” Brad Marino reads off his record collection, and I could listen all day. The Gypsy Moths sing about a classic Coney Island Amusement park, with cool sax blasting away. If you want more noise distortion with your rock, give Pretty a listen. It settles down into a Cramps meets Soundgarden vibe which is kinda nice. Finally, Ex-Norwegian talks about a “Real Bad Bunny,” but he’s not talking about this guy, right? I like the B-side “Send Nudes” even better!
The list of active veteran rock musicians still writing and performing is dwindling. That’s why we celebrate when they not only perform but continue to create new songs. Sadly this list is narrowed further when you include artists who still sound as good as they did in their prime. Mike Peters of The Alarm has not only survived the test of time but he’s boldly defied leukemia and cancer — and he’s become a legend, earning 16 Top 50 UK singles over the years. The new album Forwards was written while in the hospital during chemotherapy treatments, and vividly describes the persistence and will to continue.
Opening with the anthemic title track, “Forwards” shares a lot stylistically with former tourmates U2, full of ringing guitar rhythm as he sings “I’m living for today,” and the heartfelt ballad “Love and Forgiveness” is a shout-out to those who’ve fallen on hard times. The next big anthem “Next” is another defiant melody as he shouts “I feel alright when I’m with you” to his audience. Other standouts include “Whatever” and “New Standards.” It’s not all great, as “10 X” is a 6-minute plus preachy session, and other tracks don’t really distinguish themselves and seem to blend together. However this will appeal to fans, and for those who haven’t heard Mike since the days of “68 Guns,” I ask “Where have you been?” Check it out.
Long Island-bred brothers Brian and Michael D’Addario have been raised on classic rock and pop, so it’s in their DNA. As the title suggests they take a much softer approach, and the opener “When Winter Comes Around” recalls prime John Denver or David Gates. Next, the duo confronts the difficult reality of who they are in contrast to how others see them in the song “In My Head,” with sweet harmonizing and a melodic structure similar to Todd Rundgren.
“Corner Of My Eye” is a delicate ballad vocally bringing to mind Art Garfunkel, and the guitars come out for the rare Big Star-like power pop of “What You Were Doing.” While the influences are clear, the boys make unique songs that are clearly Lemon Twigs classics. It is as light and carefree as music can be, yet it is also intricate and full of depth. There are enough stylistic differences to keep things unpredictable and the performances lift the music to a shimmering height when the brothers harmonize. Without a doubt, this is Highly Recommended.
The Anderson Council’s most recent album, The Devil, The Tower, The Star, The Moon, offers a refreshing dose of memorable songs. This New Jersey-based band transports listeners on a mesmerizing sonic journey by skillfully fusing elements of the 60s British Invasion, psychedelic rock, power pop, and a dash of contemporary indie flair.
Opening with the captivating track “Tarot Toronto,” The Anderson Council sets the tone for the album, immediately immersing us in their lyrical alliteration and nostalgia-infused sound. The band effortlessly channels influences while adding its own power pop twist. “Alone With You” boasts a sing-along chorus with layers of vocals and guitars, another potential hit. “Million Miles A Day” and “Times on the Thames” both feature pulsating rhythms and catchy chorus making them instant earworms that beg for repeated listens.
Overall the music doesn’t get as densely fuzzy as previous albums (Although “Sunday Afternoon” is an exception). But it also allows the melodies to rise to the forefront. Overall, one of the best albums this year. Yes, it’s high on my list and super highly recommended.
Dennis Schocket (Starbelly) goes solo on this new adult-oriented potpourri pop album. It starts with a welcoming confessional in the title track that warmly greets you with its easy strum, and guitar solo. The bittersweet melody of “More Than Anything” is a richly produced ballad with its wonderful slide guitar leading the way. “Please Don’t Let Me Down” is a Jeff Lynne-ish rocker that feels a bit off, and I’m not sure why.
The mid-tempo ballads suit him much better, “Suddenly June” and “She Loves The Sun” are both melodic and wonderfully composed. The album explores introspective themes in tracks like “Love Untold,” and “I Forgive It All.” The bouncy “Madam Chaparral” is a big standout track, about a possible denizen of “Penny Lane.” It’s unsurprising that the Beatles’ DNA follows through with the sweet “Take Your Time With Me.”
Overall the production and mixing are excellent. The songs are more of a mixed bag, but with more treats here than I expected. Highly Recommended.