Collective Soul “Vibrating”
The days of classic rock bands soldiering on with new material are fewer and further between, but Collective Soul has an enviable track record. They have nearly 30 years of solid anthemic rock under their collective veteran belts, and Vibrating continues that tradition. Densely saturated melodies and hooks continue to be the focus of the songwriting, and Ed Roland knows his fan base well. Drawing from the band’s grungey roots, he always manages to craft expressive and emotional statements, and the “power” in this pop is undeniable.
The first 3 songs are easy to love, “Cut The Cord,” and “Reason,” are loaded with that familiar energy, especially “All Our Pieces,” which boasts an excellent sing-along hook. The band then calms down a bit with mid-tempo rockers, “Take” and “Undone” and Roland and the band do a great job with these tracks. Past the midpoint, it gets less predictable as “A Conversation With” reminds me of Peter Gabriel a little. Things aren’t as memorable until “Back Again” a slow-building rocker that seems to be directed at an ex-lover and Roland sells it well with his deep tremolo. Overall, a highly recommended addition to the Collective Soul catalog.
Young Guv “III & IV”
One of the brightest young power pop artists I’ve heard recently is Toronto’s Ben Cook, aka Young Guv. His first EP made my 2019 Best-of list and his continued growth as an artist is heartening to rock fans who fear those classic influences are on the wane. Drawn from the influences of The Byrds, Beatles, Todd Rundgren, and others he creates irresistible melodies than evoke the past without sounding like a tribute band. This collection is a combination of two albums with a bonus track. Both albums were created in the isolated New Mexico wilderness, and are focused on the power of love.
Starting with the opening jangle of “I Couldn’t Leave You If I Tried” it feels like a lost Teenage Fanclub classic, with a hook that doesn’t overstay its welcome. If anything III is nearly flawless. For example, the Big Star-like “Only Wanna See You Tonight” and the Britpop fuzz of “Scam Likely,” each song is efficiently composed and rendered. Once we get to IV, Ben takes a few more stylistic liberties but the earworms are still here, from the tambourine shakes and handclaps of “Too Far Gone” to the West Coast strum and slide guitar of “Change Your Mind.” Further on the songs get longer, and they don’t always stick (“Overcome”) or feel more like sketches (“Cold In The Summer.”) However, Guv’s batting average over 24 tracks is pretty darn good. Highly Recommended.
