Category: Power Pop Review

Andy Bopp and Styx

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andy bopp

Andy Bopp “AB”

Andy Bopp is a power-pop legend and guitarist from Baltimore Maryland. From Bastards of Melody to Myracle Brah, for over 25 years Bopp has carried the melodic rock flag and never waivered. On AB, he delivers a great variety of rock and power pop styles, as he falls neatly into a musical space somewhere between Robert Pollard (Guided By Voices) and Chris Stamey (the Db’s.)

Starting with “Ashes” it’s a definitive cry for immortality and “not letting go” unless he knows he’s been heard, with layered percussive rhythms over his guitar riffs. The echoing jangle of “I Am A Jetfighter” is another anthemic tune that rings true. Most of these tunes are accessible, short, and immediate; boiled down to a pure hook that begs to be repeated, like the 2-minute “Arlo and Joan.” It’s tough to keep calling out favorites because everything here works, like the fantastic “Abbie Karey,” which sounds like a lost Pete Ham (Badfinger) mid-tempo ballad. The second half rocks harder, “Bending All The Jets,” “EM543” and “Blood 66” are quick garage jams that soften you up for more methodical GBV-styled rockers like “Bicycle Parts” and “Think About You.” Overall not a weak track in the bunch and makes my top ten LP list for 2021. Highly Recommended!

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Styx

Styx “Crash of The Crown”

Let’s get this out of the way first, I know Styx is not power-pop, but they are a band that has earnestly been moving to update their prog art-rock sound for the past five years without losing their uniqueness. The Tommy Shaw/JY-fronted Styx is still dedicated to that sound but has managed to change things since 2017’s The Mission. Very few legacy rock bands have managed to do this successfully — but Styx has cracked that code. While old-time fans of Styx may balk at this effort, it adds several new musical influences to keep things fresh.

Starting with “The Fight of Our Lives” it establishes the classic Styx prog sound, with soaring guitar and harmonies all in under 2 minutes. “A Monster” continues the momentum, and “Reveries” has Lawrence Gowan’s vocal carry things, along with a wicked guitar break. The title track is where we shift into a new sound, as all three vocalists contribute here, and I hear echoes of Queen(!) mixed in. “Long Live The King” is another gem with this new sound. “Our Wonderful Lives” moves us slowly back into Styx land reminding me of “Sing For The Day” mixed with “Penny Lane.” Tommy Shaw and company do enough to establish their virtuosity, but the hooks are missing on some of these songs (“Sound The Alarm” and “Coming Out The Otherside.”) That said, this is a good direction for the band to go in, and fans will find plenty to enjoy here. Check it out.

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October EPs: Bryan Estepa, Four By Four, The Small Breed, Kurt Baker, Drew Beskin and more

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Great new music – Bryan Estepa teased us with the single “Back To The Middle” and now the entire EP is here, and it’s all killer, no filler – tasty bittersweet pop. The Pre-Amps of Madrid, Spain bring the bright pop with harmonies and horns on “Four By Four,” its classic Byrds/Beatles influences played to perfection. But if you really want to go retro, check out The Small Breed in the tradition of New Colony Six. Meanwhile, Kurt Baker is back from Spain and has been releasing a group of singles (which together make a great EP) that proves he hasn’t lost his power-pop chops. Drew Beskin released a terrific LP this past summer, and now he’s got some excellent Halloween singles too. Speaking of October, it leads to a great freebie – Rum Bar Records newest sampler. Like Halloween candy, it’s sweet, crunchy, and maybe has a razor blade hidden in it 😜 .








Oscar Lang and The Orange Peels

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Oscar Lang

Oscar Lang “Chew The Scenery”

Young UK musical phenom Oscar Lang proved his long-awaited indie-rock debut was worth the anticipation. Heavily indebted to Brit-pop’s past, Lang excels at fuzzy hook-filled melodies with buzzing electronic flourishes. After an extended fanfare, it leads into the first single “21st Century Hobby,” focusing on the dark side of social media, and the catchy chorus is layered with guitar lines. Without missing a beat “I Could Swear” bounces along and it’s all very infectious.

“Stuck” then gets even denser and louder with a self-loathing akin to The Dandy Warhols, before it goes full-on dance Madchester funk like The Happy Mondays on “Yeah.” So far we’ve got track after track of energy and excellence until it pauses with the piano ballad “Write Me A Letter.” This demonstrates Oscar’s subtle talent and emotive pull, and as the album continues it feels more relaxed from “Are You Happy?” to “Quarter Past Nine.” As we run out of gas at the end, “Final Call” feels pulled from the Coldplay or Radiohead playbook. Overall, it’s an effective and strong debut that’s highly recommended.

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The Orange Peels

The Orange Peels “Celebrate the Moments of Your Life”

With a title straight out of a commercial, Allen Clapp, Jill Pries, and Gabriel Coan continue to move the band beyond guitarist John Moremen’s influences. Clapp goes for a shimmering jazz-pop sound here, with a mix of arty psych-pop and electro-pop flourishes. Coan’s percussion takes the lead mostly, as Clapp drives the droning synths of “2×2” and the next several tracks meander along a theme of birds.

Clapp does get soulful on the piano ballad “Thank You” and the jangling bounce of “Whenever” is a standout for fans of the band’s classic sound. But this album is more experimental, and as far from power-pop as you can get. Clapp is a genius when it comes to atmospherics, and my favorite track here is the instrumental “Two Shores” — get some good headphones for this one. “The Ghost of You” and “Human” bring to mind Tears For Fears, and the loose, trippy “Mindego Hill” is a gem. The final section of this massive 17 track album is flower-themed as the music is more about ambiance and sonic environment than melody. The band has drifted in this direction since 2020, so it’s not a big shock. However, if you’re looking for those 3-minute earworms I’d visit their earlier works.

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October Singles: Andrew Stonehome, Ken Sharp, Cliff Hillis, The Webstirs, Gavin Eimerman, Not A Moment Too Soon, The Hi-End, Abbie Barrett, Kai Danzberg

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Lots of new October music here, and better than pumpkin latte for sure. There is so much music, that I’ll make a totally separate post for EPs. Andrew Stonehome is a songwriter, singer, and multi-instrumentalist based in Portland, Oregon and he delivers a perfect slice of power pop with “Heartbreaker.” The reliable Ken Sharp returns and he’s still got glam on the brain with “Hellcat,” and the great Cliff Hillis gives us a perfect driving song with “Just Drive” remember “it always sounds better when you sing along.” Chicago’s Webstirs are back with a new LP, and here is the opening single “For A Moment” and Gavin Eimerman shares a freebie about “Losing Ground” assisted by his dad bassist Herb Eimerman and friends. When he is not teaching African politics, Pierre Englebert makes music as Not a Moment too Soon and I think it should’ve been a more “R” rated song title, but it’ll do. The Hi-End rocks hard on the Stones-like call-to-arms “Actions Speaks Louder Than Words,” and Abbie Barrett is very much like Debbie Harry on the fantastic single “I Will Let You Know.” Finally, what’s better than Kai Danzberg teaming up with Roger Manning, Jr. (Jellyfish) for an ELO-like gem “Turn It Up,” a love letter to power pop radio and a cameo by DJ Michael McCartney Enjoy!


The Junior League and The Raves

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The Junior League

The Junior League “Bridge and Tunnel”

Joe Adragna (The Junior League) is back with a thoughtful album that has a Long Island, New York theme. The catchy single “The Sunshine Saves Everyone” is a richly developed slice of sunshine pop akin to Allen Clapp (The Orange Peels). Assisted by Scott McCaughey (The Minus 5) and Michael Giblin (Parallax Project/The Split Squad) it’s got a heavily percussive style full of grand orchestral flourishes. While 9-11 is not mentioned directly, the trauma is felt under the surface of these songs.

The dour vignettes of life on “Library Bar” and “LIRR” speak about looking for something better.  The expansive sound of “54” and “Hart Island” recall the folk-rock of America, and a highlight here is the memorable “Andrea (You Can’t Fly).” The tone shifts for “Not My Time” which is like a lost Smokey Robinson & The Miracles track. Another standout is the quicker tempo of “Turn Off The Lights.” While this album isn’t that immediate, repeat listens reveal really inventive soundscapes. It’s definitely, music that deserves to be heard.

Kool Kat Musik | Amazon


The Speed of Sound

The Raves “Past Perfect Tense” (Remastered)

Based in Atlanta, Georgia  The Raves were one of those “lost” gems from the early eighties that did well locally, but never got the acclaim or signing of similar bands at the time like The Rubinoos, Shoes, or The Spongetones. By 1992 the band’s output was compiled in a limited edition Past Perfect Tense CD. This rarity boasted tight harmonies and jangling guitars in the classic tradition of The Raspberries.

Kool Kat Musik brings you a remastered version of this hard-to-find LP. Fans of traditional power pop will love this, as the energy is wilder than the Beatley haircuts on the cover. Lots of highlights from the angular riffs of “C’est La Vie” and Badfinger-like “Now You’ve Really Done It” to the bouncy rock of “Calling Your Name,” and many more. You still hear source tape limitations on some songs, but this is still a great document of The Raves talent. Highly Recommended for DIY power pop collectors.

Kool Kat Musik | Amazon