Slink and Ruby Free

Slink “Desert Gem”
Lead by Sam Boukas, Slink is a hidden treasure of power pop just waiting to be discovered. “Dizzy” opens with a classic Big Star riff and harmony filled chorus. “Super Laura” is about the excitement of a new girl, with buzzing riffs and backing harmonies that recall The Greenberry Woods. “Money” is another good one, full of jangle and descriptive lyrics. The hooks get a bit more sparse at the mid-point, the punchy “Sweet Life” reminds me of “East Side Story” era Squeeze and stands out the most here. A very promising debut, we hope you dust off this “Desert Gem” and see it sparkle.

Ruby Free “Introducing Ruby Free”
Rick Hromadka (Maple Mars, Double Naught Spies) has put together a warm, rustic production with his wife Lisa Cavaliere called Ruby Free. Rick puts away the hard rock riffs in favor of sunny upbeat harmonies and 60’s styled pop on the opener “Bongos and Beards.”

Lisa’s vocal adds much needed sweetness to the mix here. “Deep In The Valley” is a real homegrown gem that reminds one of McCartney’s first LP. Each tune has it’s own charms, “Slow Parade” is a catchy slice of guitar perfection and “Good Company” is a dreamy piano number that layers the harmonies and psychedelics. Rick sounds more relaxed here too, the light folk duet “Sonny and Cher” floats along as a tale of hippy heartbreak. No filler here — every song keeps the ball rolling, to a “Hey Jude” styled crescendo in “Three Cheers For The Sun God.” Lots of nice orchestral touches close out “One Last Song” like an Elton John/Brian Wilson epic. One of this year’s best, it belongs high on my top ten for 2012.

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Spirit Kid and Khalid Hanifi

Spirit Kid “Happiness” EP
This is the a solid follow up EP to his 2010 debut, a burst of joyous guitars and dense harmonies on the opening title track is sure to wake you up. This moves seamlessly into “That Kind Of Man” with a bit more muscle, along the lines of The Posies. My favorite track is the “Sir Robert The Brave” it’s bouncy beat and ever shifting chords, that recall Cherry Twister and The Velvet Crush. The Rickenbacker acoustic ballad “Fool To Fall” is another charmer. “Down A River” is also a gem similar in style to Apples in Stereo. Overall, it’s exemplary power pop of the first order and one of the best EPs of the year.

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Khalid Hanifi “A Brief Respite From Shooting Fish In A Barrel”
Hanifi has a melodic gift  and here he makes a political statement. He gives us his take on a military contractor’s bravado on the opener “Free The World To Death” done in slow shuffle, similar to Randy Newman. It’s a political protest of how bringing democracy to Afganistan is a “soul crushing screw” to the natives. Next “The Splendor of Empire” has a relaxed melody that charms, and the biting lyrics “There’s class warfare alright/But it’s the rich that’s making war.”

You may not like his politics, but Hanifi is one of the best weavers of lyric and catchy melody since Andy Partidge. Another gem about the lowly 99% is “Whose idea was that?” and the jangle pop on “Hog Futures” leads to a bouncy chorus. It ends with a garage rocker “Give Them What They Want.” But this is a real serious album dealing with corruption, war and inequality – not really cheery pop stuff. But so well done, you take the medicine with the sweet melody.

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Shoes “Ignition”

80’s Power Pop icons Shoes are back. The self-produced and released LP on the band’s own Black Vinyl Records, Ignition proves Shoes still embrace and fly the banner of melodic guitar-driven pop.

“Head Vs. Heart” starts us off  with the sweeping chords and harmonies — it’s pitch perfect Shoes power pop. The mid-tempo jangle comes next on “The Joke’s On You” with its clean layers of guitars in the verses up to the chorus. The Shoes sound is very distinctive and the musicianship here is perfection.

The band manages to scale back the synths and mix up the formula as “Heaven Help” talks about the stifling uncertainty of love and it’s chorus reminds me of the Travelling Wilburys. The band also has some fun with “Hot Mess,” imitating the Stones with strutting Keith Richards-styled rhythms. Jeff Murphy’s political views come forth in “Where Will It End”  and most impressive is the minor key masterpiece “Out of Round” written about a departed friend.  Each of the 15 tracks manage to fly by and encourage repeat listens. The final track “Only We Remain” is a bit dragged out, but states the band’s purpose succinctly “Do what we wanna do. Livin’ for today.” Like the cover implies, Ignition is sure to lift your spirits.

Kevin Martin and Alan Bernhoft

Kevin Martin “Throwback Pop”
A real hidden gem everybody missed, thanks to Steve F. for bringing it to my attention. Veteran San Diego musician Kevin Martin weaves the catchy magic right away on “TV News” and its comparable to Josh Fix, Secret Powers and The Nines.

Just the right mix of Beatles and Elton John with hooks that sink in fast. “I Know Why” is a dead ringer for The Honeydogs pop style and on “I Need Your Love” its another perfectly crafted piano pop gem. The 70’s style is obvious, but still irresistible on tracks like “I Wanted To Tell You” and “Let Me Go.” The album veers toward the Elton-styled ballad with “Slow Down” and you’ll hear a little Gilbert O’Sullivan on “Looking For Love.” This is a textbook example on how to emulate the past without ripping it off. Super duper highly recommended, It belongs in my top ten without a doubt.

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Alan Bernhoft “Beatlesque Four”
The latest in Bernhoft’s series is more focused on latter Beatles era, with the opener “Love Everyone” which could’ve been a Yellow Submarine outtake for a pre-school class. Many of the songs sound like exercises in composition, with a very simple structure. Several standouts include, “Following Rainbows” with its obvious Lennon approach, and “My Rolls Royce” is Ringo doing a Beach Boys song! “Mr. McIntyre” is another chuging standout, and “They Came” has that Sgt. Pepper’s circus atmosphere. “Captain Anaujiram” ends things on a very silly note, emulating the least memorable Beatle’s song “You Know My Name (Look Up The Number).” Fans will embrace this for sure.

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Cliff Hillis “Dream Good”

Cliff Hillis “Dream Good”
Cliff Hillis has done what many power pop artists do after over a decade of solid output, they seamlessly transition to adult contemporary pop. Starting out with the legendary Starbelly, then transitioning to John Faye Power Trip and IKE he drew heavily on the riffs and influences of Matthew Sweet. Once his solo career started with Be Seeing You on Not Lame Records, fans knew what to expect and Cliff has remained a popular artist ever since.

On Dream Good, Hillis continues to show his melodic skills are as sharp as ever on the opener “Keep The Blue Skies” and he still surrounds himself with top notch collaborators like Scot Sax (The Feel), Danny Wilde (The Rembrandts) and Brad Jones. And he hasn’t mellowed that much, as “Ways and Means” packs lots of power into those driving blues riffs. I love the creative “Talking Tree” with its contrasting blend of strings, bass guitar and staccato picked rhythm. The next several songs are along the Fountains of Wayne or Marshall Crenshaw vibe with “When You’re Listening” and “Welcome To You.” More gems include the brilliant “Twin Sisters” and the low key “Just The Same.” Like Mike Viola, Hillis makes each story so compelling you need to listen. Each tune has a refreshing melody line and polished delivery (without filler to be found) that puts this album near my top ten list for 2012.

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