Category: Top Ten of 2013 Candidate

Stephen Lawrenson and Hot Nun

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Stephen Lawrenson “OBSCURiOSiTY”
Stephen Lawrenson makes a huge impression here, starting with “Your Karma” it channels early pysche-pop of The Idle Race and The Move. The title track runs at a faster tempo, adding a fantastic chorus worthy of The Pillbugs. Then chiming 12 string Rickenbacker strums greet us on “Words to Say” with George Harrison-style slide guitar flourishes. “Small White House” is a SMiLE-styled character study tribute to Brian Wilson, and the jangley “Ordinary” is like a lost Gripweeds track. Stephen slows down for the moving “Forever And A Day,” with its West Coast feel and banjo backing – very much a treat for fans of The Autumn Defense. It closes out with the early-ELO inspired ” Pale Yellow.” So as you can see from all the links, this becomes a mix tape of power pop influences from across four decades. It’s hard to find fault here, as the songwriting and musicianship are top notch. It’s another addition to my new top ten for 2013.

Kool Kat Musik | Amazon | CD Baby

Hot Nun “Hot Nun”
Jeff Shelton (Spinning Jennies, The Well Wishers) opens up 2013 with more than just a new album. He has a new band called Hot Nun. Still the crunchy riffs and catchy melodies remain the focus, as “Brave New World” the opening track blasts through the headphones. A bit harder rock than The Well Wishers, reminding me of the Posies or Velvet Crush. Lots of great tracks here include “Thank You For That” and “Who Do You Love,” “Queen Bitch” where you’ll hear a distinct glam (Sweet) influence. No ballads to balance things, but its a very short album. Only 8 tracks here but they are all killer examples of great power pop, so crank it up to 11 mate!

Bandcamp Only expect CD release in February.

The Charlestones and Secret Friend

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The Charlestones “Off The Beat”
This impressive Italian band sounds very similar to Supergrass and Oasis on the opener “Off The Beat” full of driving rhythm and Mattia Bonanni’s wailing vocal. “Love Is A Cadillac” has the airy guitar work and echoing melody along the lines of Coldplay, its a great stadium-sized rocker and proof that Brit pop can still find a home beyond the borders of the UK. Each song is compelling, like “The Girl Who Came To Stay,” it has great melody and one of the many highlights of this album. Unlike the debut, no filler here and fans of great alt. rock like The Kooks or The Stokes will also love this. Highly recommended!

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Secret Friend “Time Machine” 
Secret Friend is a new all star collective that includes Willie Wisely, Kelly Jones, Linus of Hollywood, and Roger Joseph Manning Jr. Organized by Australian songwriter Steven Fox, Time Machine is rooted in classic 70’s singer songwriter pop. Wisely has a cadence like James Taylor here, but the rich melody and backing make the opener “Who Am I?” a sure-fire hit.

“Starting Today” is another gem with sweet harmonies, and “Never Before” has subtle strings and lyrically falls into Gilbert O’Sullivan territory. Wisely’s “Oblivious” is a note perfect pop ballad and Kelly Jones “He’ll Never Know Me” is the jazzy answer to the narrative. Each musician helps make this LP a success. Foxs’ songwriting is very much like Andrew Gold, albeit with a modern POV. Many great songs here — it makes my Top Ten list for 2013 easily! A delectable slice of adult piano pop heaven.

Rob Bonfiglio and Jim Noir

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Rob Bonfiglio “Mea Culpa”
Bonfiglio (Wanderlust) continues to expand his sound from his debut. This time his combination of pop and rock influences are more varied, the opener “The Message” still has roots in the 70’s  and 80’s but the key changes and melodic bridges bring out the songs hopeful inspiration.

“Eyes On The Prizes” has a fantastic Lindsey Buckingham styled rhythm and chorus. “Just What You Are” channels Lenny Kravitz and “Fooled Myself” could be a lost Steve Eggers tune. No filler anywhere here and plenty of soulful adult pop included with those rock and roll riffs. His wife’s band Wilson Philips looks like it rubbed off a bit more on this album, with more harmonies and clearer background vocals. Overall a great LP that makes my new best of 2013 list.

CD Baby | Amazon
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Jim Noir  “Jimmy’s Show”
Noir takes the best of 60’s Carnaby Street pop and updates it with melodic magic on his past albums, taking the listener on a journey through a psychedelic side show carnival. It’s unfortunate that Noir seems to be musically loitering on Jimmy’s Show. It starts out pleasantly enough with “The Tired Hairy Man With Parts,” a sweet Kinks slice of English life. “Tea” is another good standout, with its manta-like verses “I just want a cuppa tea” and its choral harmonies.

However, many songs seem unfinished sketches dragged out to full length. “Sunny” and “Driving My Escort Cosworth To The Cake Circus” both stay in the same key and feel like filler. “JCC Sports” is cute re-do of Nilsson’s “Coconut” and the Beta Band influence is felt on “The Cheese of Jims Command” and “Old Man Cyril.” Its still essential listening if you’re in the mood for classic English pastoral pop. I guess I expected more from Jim, instead of paint-by-numbers nostalgia.

Artist website | Amazon

Frank Bango and Neil Nathan

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Frank Bango “Touchy Feely”
 Frank Bango was has emerged from a long hiatus after The Sweet Songs of Decay, this album was entirely funded with Kickstarter. It’s also a wonderful comeback for Bango to the positive melodic goodness of “Defenseless,” full of layered McCartneyesque touches. Bango’s nasal vocal  works perfectly on the psychedelic melody “Not A Word” and the yearning ballad “Night Song” is almost like Elvis Costello. Overall a great album with barely any low points (although the ballads tend to drag), easily could’ve been added to my top 30 list. Other highlights include “Too Lazy Too Love You,” “What Kind Of Saturday” and the jangly treat “Astronaut I’m Not.” Note: I was told this is an official 2013 release – so its the first candidate for the top ten in 2013.

Bandcamp

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Neil Nathan  “Sweep The Nation”
After an awesome debut, Nathan moves toward a hard rock concept album, although it reminds me a bit of Pink Floyd’s The Wall mixed with Styx Mr. Roboto bringing us a dystopian plutocracy message. The both the title track and “Jumpstart” drives the thematic melody forward, much like Collective Soul. Then “Comin’ Round The Bend” is more like classic Meatloaf.  “I Aint No Company Man” has a solid KISS riff and his voice deepens as he plays a different character. Both “There Is No Time” and “Everybody Everywhere” relentlessly blasts you, almost into submission. Fans of late 70’s styled bombast will love this, others be warned it doesn’t tone down till the last track “All We Need Is So Much More.”