Three Hour Tour “Action and Heroes”

Three Hour Tour “Action and Heroes”

It seems like forever since I last heard Darren Cooper’s band Three Hour Tour. Truth is it’s been 5 years and I’m thrilled we have some new music with Action and Heroes. Darren still has Adam Schmitt as his engineer and producer, and Brad Elvis covers the drums. The opener “March of The Fakers” is a heavy with fuzz guitar riffs, war drumming and blistering solos that wouldn’t be out of place on a Foo Fighters or GBV album. Darren crafts a personal statement that’s sure to resonate with music fans. It goes without saying that fans of The Grip Weeds, Myracle Brah or The Well Wishers should get this album immediately.

Overall, the music is high quality power pop, and nearly every track is a compelling listen. “Afterlife” is a classic rocker and the title track is a sing-along anthem, stating “we could use another hero in this world.” The late 70’s arena rock influence (specifically Boston) is strong on the brilliant “Room With A View” and “Tonight.” Darren does get a bit indulgent on the Zepplinesque “No Guarantee,” but my favorite track here is “Somewhere” with its goosebump inducing minor chord structure and hook in the chorus. Highly Recommended and it makes sense to add it to my top ten list for 2015.

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EP Reviews: Andy Reed, Chris Richards, Pelicans and Their Allies

Andy Reed “Relay Vol.1”

This is Andy’s first solo release since 2008. This is part one in a series of EPs to be released. Relay Vol.1 is a best of breed EP starting with the slow building theme “Waves” and the California easy melody “Dreaming Of The West Coast” being a big highlight, with its strings and crisp harmonies. The echoing influences of The Beach Boys and Fleetwood Mac are evident in the rich tapestry of “Darlin, You Don’t Know.” It finishes with the finely crafted melody of “I Love A Long Goodbye” and it leaves you begging fore more. This easily is in the running for top ten EP this year. Bandcamp only.


Chris Richards and The Subtractions “3peat”

Chris Richards delivers some covers from their favorite artists. A faithful version of Elvis Costello’s “No Action” is a great start, and continues with songs by Sloan, The Kinks, Cheap Trick, The Rolling Stones and George Harrison. Best of all this is a FREE download, so get it while its hot!


Pelicans and Their Allies

This new duo of Robert Higgs (lead vocal and guitarist) and Dayana Yochim (vocal and multi-instrumentalist) make smart, quirky indie pop with an assortment of instruments from guitars to glockenspiels. Fans of Field Music and Decemberists will enjoy this, especially the bouncy pop hooks in “Just Like July” and the sunny “I Guess You Already Knew That.”

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Mooner and Jeremy Porter

Mooner

Mooner “Masterpiece”

Who knew this Chicago band would knock its debut album out of the park? The aptly titled album starts out with a big guitar riff on “Shapeshifter,” with its crunchy + jangle thick rhythm section it impresses right away. Singer/songwriter Lee Ketch wrote the title track as a love letter to his wife and its got a hook in the chorus that lays into you and doesn’t let go — an instant classic. You’ll hear a distinct 70s classic rock influence throughout; Big Star, Warren Zevon, Raspberries and even a little Billy Joel. “Anytime” is another chiming gem, next we get a Tom Petty-like jam on the slow building “Dream.”

Honestly, each track is compelling and deserves repeat listens, as the fantastic “Why Don’t You Want To” has layered vocal, handclaps, and sweet key shifts. The band also has a great variety in the style of music from the somber Wilco-like “I’ll See You Again” to the hook-filled “Alison,” a song about a school boy crush. Easily in the running for my year end top ten list. Get it now!

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Jeremy Porter and the Tucos

Jeremy Porter and the Tucos “Above The Sweet Tea Line”

Detroit’s Jeremy Porter and the Tucos do a great job combining root rock and power pop across the entire 9 tracks on Above The Sweet Tea Line. “Josh” is a epic rocker about a childhood cat, feels like a mix of The Eagles and The Lemonheads.”Bottled Regrets” is a highly descriptive narrative about the dynamics of running a band, with a hot guitar solo in the break.

A catchy riff heads up “Elimination Round” and the slow shuffle of “Don’t Call Me Darlin’” is a alt. country gem of a duet with Jillian Rae. The energetic “Hey Kentucky” is another standout here, and even though the last few tracks don’t stick out as much, with the exception of the chorus to “Sounds Like Goodbye” there is more than enough here to make this LP highly recommended.

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Kurt Baker and The Nines

Kurt Baker

Kurt Baker “Play It Cool”

Proving to be one of the most productive artists today Kurt Baker is like the Energizer bunny (going and going) quickly moving from his collaboration with The Connection on The New Trocaderos, and he’s back with his favorite producer Wyatt Funderburk on a new high energy album.

It all starts with “Sends Me To Mars” setting a manic pace; its written by Kip Brown (The Wild Hearts) and it fits the Kurt/Connection/Trocaderos style like a glove. “Enough’s Enough” is more straight Kurt Baker style, catchy as hell and deserves multiple repeat listens. The tempo is still speeding when we get to “I Got You” and “Just A Little Bit.” Kurt’s restlessness comes through on his party theme “Monday Night.” The NFL may want to buy this one (my tip, Kurt)!

“Can’t Say No” is like a marriage between Elvis Costello and Green Day, and finally we get a slower (mid-tempo) love song on “Talk Is Talk” with a wonderful Beatlesque chord progression. “Back For Good” has what I hear as a Funderburk-influenced love song with yearning lyrics and a magical middle eight. There are a few songs that tread the same ground, but overall this is another home run for Kurt. Makes my top ten list (was there any doubt?) for 2015.

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The Nines “Night Surfer and the Cassette Kids”

The Nines are back with a rougher, tougher sound and the keyboard is no longer up front. Steve Eggers is still at the core of this Toronto band with the help of Bill Majoros (the Foreign Films). “It’s All in the Head” opens with deep garage rock riffs, and siren effects creating a rough car chase theme. “Just Another Party” has echoes of early XTC, Adam Ant, B-52s and the ’80s dance rock movement, and its great fun. Steve’s melodic composition skill comes out on “Never Take You For Granted” with it’s killer hook in the chorus.

The best impression is with the driving riff attack on “Wasted,” my favorite here – and very much a power pop classic. The tone slows a bit on “Sweet Tangerine” but picks up with the infectious “She Knows It’s Free,” again with the guitar riff in charge here. “Cathy” is another gem that is the best XTC song you never heard. Attempts to go darker, like on “Jimmy’s Girl” set a mood with descending riffs or synths, but don’t compare as well to the earlier tracks. Fans of early ’80’s sound will love it and its definitely highly recommended.

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The Turnback and Key Frames

The Turnback

The Turnback “Are We There Yet?”

After the strong Beatlesque debut, the Turnback move more toward a heavier sound on this sophomore effort, “Are We There Yet?” Opening with the hard charging riffs of “Faketown” its a cynical rant about the music industry, and bands will have to “cut through the bullshit with a sharper knife.” Even with a harder edge, The Turnback still sings those exceptional 3 part harmonies throughout the album. The standout single “Five Days A Week” has a soaring chorus that will make you a fan after the first listen. And the band still dabbles in 60’s psychedelics with “Revolution Girl,” but often I hear musical cues of late 70’s album era (i.e. Boston) in “A Long Way Home.”

“Unmotivated” slows thing down to a power ballad tempo, as Kenny Sherman leads the vocal to a brilliant layered melody with its descending chords asking us “is the song outdated?” The bright “A Place For Me,” is a proud theme for anyone who’s ever felt out of the mainstream. Uptempo tunes rule here as “July” and “First Song of Summer” follow a theme, and the unconventional “If I Were God” is a response to biblical misinterpretations with a deity telling us to “stop spreading these stories about me.” Each track is solid, including a cover of The Beatles “Tomorrow Never Knows” and overall exceeds expectations from the first album. Makes my top ten of 2015 list for sure, so pre-order it now!

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The Key Frames

The Key Frames “Monophone Heart” EP

Toronto’s Key Frames are a driving roots-rock outfit with a strong melodic sensibility, starting with the soaring harmonies and banjo of “Won’t Miss It.” The song has the clear influence of Big Star here. Next the fuzz guitar combines with the banjo for “Tidal Wave,” another ear-worm full of big beats and riffs. “Road To You” takes a trip through the back country, the swagger of Johnny Cash is front and center.

But the power pop gold is found in “True Believer” with its two-minutes of sweet melody and “la la la” backing chorus. Each song is a high quality production and makes this a highly recommended EP without any filler. I look forward to the full length album in the near future.

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