Category: Top Ten of 2017 Candidate

Pugwash and The Stars Explode

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Pugwash

Pugwash “Silverlake”

The highly anticipated Silverlake takes Pugwash in a more polished direction as Thomas Walsh leaves his old bandmates behind and teams up with Jason Falkner (Jellyfish) to deliver a denser, more confident sound. The opener “The Perfect Summer” is a stunningly brilliant single that is everything a power pop fan could want, accessible, repeatable and infectious. The follow up “What Are You Like” with its angelic backing harmonies, and Falkner’s sparkling guitar solo is even better. It settles in after that, as most of Thomas’ great influences (XTC, Jeff Lynne, etc.) are already baked-in, so even if the audible cues are noticeable, they don’t overwhelm the song.

“Better Than Nothing At All” is an earnest Walsh ballad, and “Without You” has the slickness that Falkner applied to Bent Van Looy‘s work. The pastoral acoustic “Sunshine True” is supported by orchestral strings and the jangle gem “Easier Done Than Said” is another excellent tune that highlights Walsh vocal chops and the solid arrangements. Not a note of filler, as each song hits the mark. It ends with “Autarch,” a slow-burning layered Beatlesque gem. In Falkner, Walsh has found a like-minded collaborator who knows exactly what he wants and delivers excellence. Easily makes my top ten list for 2017, and a must-buy album.

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The Stars Explode

The Stars Explode “Too Late to Save the World”

The Chapel Hill-based group The Stars Explode is back with founding member, Doug Edmunds (Gladhands) and a new lineup that includes Dewey McCafferty (Lead & rhythm guitar), Lance Westerlund (Bass) and Jackson McGee (Drums). The bombastic opener “Apocalypse Blues” boasts a darker rock edge and less of an alternative rock buzz. “The Long Way” is driven by a combination of layered guitar rhythms and harmonies, and it does recall The Gladhands late 90’s era. The tribute “Matthew Sweet” is an especially good tune that opines on the iconic artist “Do you remember hearing Matthew Sweet/Our girlfriend would play it on infinite repeat?” It mimics Sweet’s slowly buzzing guitar chords very nicely.

While the song “Some Girls Pt.2” is a Stones-related macho rant, it doesn’t recall that classic band as well as “Untitled #1.”  The guitar arpeggio rhythm highlights “From Daylight To Midnight” a nice slice-of-life rocker in our dog-eat-dog world. The songs are clear and aggressive, as the lone ballad (“Love Alone”) is soulful and sombre. The sonic textures in “The Real World” and “Rainy Days,” are a little closer to 80’s pop, but remain well-written songs. The ender “Our Last Stand” is a real treat with a terrific choral break followed by an energetic guitar solo. Overall a highly recommended collection of music.

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Burgess Meredith and Mark McCrite

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Burgess Meredith

Burgess Meredith “A Dimension of Sound”

This band was a big find in 2015, and now the full-length debut arrives. And it’s a pure salve if you miss that 60’s inspired, psychedelic pop that sticks in your brain. George Martin once said about The Beatles’ Being For The Benefit Of Mr Kite, “I want to be in that circus atmosphere; I want to smell the sawdust when I hear that song.” Burgess Meredith has taken that challenge over an entire album. Opening with the old piano and child choral is a sweet sing-along, with a layer of creepiness in the melody of “When We Were Born.” Then the calliope melody of “Wendy” delivers the best Bryan Scary song I’ve heard that he never wrote. But the real jewel of this album is the ultra-catchy “Olivia” which brings to mind a lost Elephant Six gem.

The bouncy “In and Out Of True” is another grand melody with a terrific ascending hook, that will give you goosebumps. “Outside” and “Welcome Home” is where the band’s grooviness reaches a peak. “The Leaver” continues its slow descent into Pepperland, each detailed buzz and chime taking us past “The Man From Abilene.” I couldn’t find a bad song here, and after a few listens the details of each song reveal the intricate craftsmanship involved. High on my year-end list and definitely the best psyche-pop album I’ve heard this year.

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Mark McCrite

Mark McCrite “Getting To The Point”

This Mark McCrite (Rocket Scientists) solo album isn’t new, but it is definitely overlooked and a lot of love and care went into writing and recording these songs. Influences from The Beatles to King Crimson are distilled in Getting To The Point. The variety is also evident from “Can You Feel This,” a catchy slice of rock, and then it goes to the emotional ballads “The Truth” and “Slip Away.” The quality of the musicianship is also very high, as drummer Tommy Amato (Rocket Scientists), veteran pop bassist Derrick Anderson (Chewy Marble) and the late Kevin Gilbert (Toy Matinee) assist here.

Plenty of great songs here,  covers of the Monkees “Love Is Only Sleeping” and ELO’s “Strange Magic” are both beautifully done. The title track, which reminds me of a Squeeze song with more guitar muscle is another highlight. Vocally McCrite is earnest and dramatic on “They Say” and “So Long,” which was a tribute to Kevin Gilbert. These are near perfect ballads, designed to push your emotional buttons. Overall a very solid album that deserves to be heard.

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The Perms and Mo Troper

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The Perms

The Perms “Miracle”

On their 7th studio release, The Perms have hit their stride, concentrating on hook-filled rock and roll. “Julie” opens things up with a catchy chorus, and the bands punk roots show through on the anthemic “Be Alright,” with a positive attitude that flows through the song. But the big hit here is a grand mid-tempo love song “Lose Yourself” with a combination of fuzz guitar and bright synth rhythms. The songs are all short and sweet, with plenty stylistic variety. The band gradually delivers a harder rock sound on “Think Less,” “Wanted You To Know” and “Busy Izzy.” Fans of Cheap Trick will appreciate much of this.

The immediacy of the music is evident, and on “Now November” lead singer Shane Smith intones “I know it’s tough, I know we suffered, but life is short. What do we have to lose?” And this album embraces carpe diem throughout its nine tracks. And not a wasted note here, with even the jazzy acoustic ender “Gone.” This is a rare instance where I felt they could have added a few more songs. But quality is more important than quantity and musically this is damn good. Highly Recommended.

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Mo Troper

Mo Troper “Exposure & Response”

Portland songwriter Mo Troper is a skilled power pop musician with a real gift for catchy melody and biting emotive lyrics. Fans of both Superdrag and Wyatt Funderburk will find a lot here to love. Here the hooks are flying fast and stick in your head quickly. The album is a bundle of demoralizing frustrations and cynical solutions, starting with the choral harmonies of “Rock and Roll Will Change The World,” it’s hope is dashed by the next song “Your Brand.” A rich mantra, where marketing your tragedy is all part of being a musician.

The centerpiece here,“The Poet Laureate of Neverland” adds horns and strings to the mid-tempo guitar chorus that states the conceit that artists can’t grow up and “never have to reminisce if you never move on.” Some of these tunes are just too quick (under 2 minutes) but they still stick; “Tow Truck” is a quick gem, “Wedding” is a Beach Boys parody, “Jumbotron” sounds like a lost Teenage Fanclub demo and the self-critical “Clear Frames” is another fantastic ear-worm. Troper stated in an interview, “I want my songs to get stuck in people’s heads.” Mission Accomplished. Makes my top ten list this year.

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Wesley Fuller and The Successful Failures

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Wesley Fuller

Wesley Fuller “Inner City Dream”

Wesley Fuller is an Australian singer/songwriter multi-instrumentalist and producer, who quickly received national attention with the release of his debut EP, Melvista. With a sound rooted in the late 70s and early 80s pop, this full-length debut is everything promised and more. Fuller reveals a growing maturity both technically and melodically, as you’ll hear influences from The Talking Heads, The Cars, The Bay City Rollers and Electric Light Orchestra.

The opening title track “Inner City Dream” is a glorious combo of T-Rex and Jeff Lynne. “Someone To Walk Around With” is another catchy gem lead by guitar riffs and tambourines, that reminds me of the hit that Jet scored with “Are You Gonna Be My Girl.” The 70’s cowbell and fuzz bass are joined by heavy synths in the equally amazing “Skyways,” but its honestly impossible to find any filler throughout the album. Another highlight is the infectious “#1 Song” about pop star dreams and “the chance of a lifetime.” Each song boasts a modern production sheen, with a finely crafted sense of pop songwriting – making the results pretty damn incredible. Overall the music varies in tone enough, with mid-tempo love songs reaching the album’s second half on “Wish You Would” and “Miranda Says” contrasting with the heavy anthemic and danceable first half. Makes my year-end top ten for 2017. Don’t miss it!

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The Successful Failures

The Successful Failures “Ichor of Nettle”

The Successful Failures’ sixth LP, “Ichor of Nettle,” adds more roots rock influence to its power pop core. Fans of Tom Petty, Stevie Ray Vaughan, Gram Parsons, and Cheap Trick will appreciate the band’s sound. Opening with “The Ballad of Julio Cuellar,” a real-life tale of illegal immigration with a sympathetic Julio “left to die” by his smuggler.

The hard-charging riffs of “Misguiding Light” are more of what we expect from Mick Chorba’s band, and its a great tune. My favourite on this album is the folk hero story “Sam Houston,” who was a “…Southern Democrat who followed his own rules.” It’s a great combination of melody, grit and Americana. The bluegrass acoustic “Tennessee Boy” is a romantic gem with a standout mandolin solo and great blue-collar anthems “PA Fight Song” and “The Shit That Drags You Down” are also highlights. A few missteps, like the plodding “The Devil Took A Liking To Me” and “All Rise” but at best these songs just aren’t as compelling as the earlier songs on this album. Highly Recommended.

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Travis Bretzer and The Red Button

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Travis Bretzer

Travis Bretzer “Bubble Gum”

Edmonton native Travis Bretzer created this infectious album of bedroom pop that grows on you faster than weeds in the sun. Bretzer’s approach is very simple melodies filled with little hooks and sparse arrangements, similar to Apples in Stereo or early Brendan Benson. The quirky “Heart and Soul” has a fast tempo and a smooth synth for its chorus of “away, away.” It then delivers a brilliant faux country gem “Up In The Morning,” reminding me of The Monkees with its simple lyric,”Up in the morning/not much to do.”

“Are You Ever Gonna Change?” introduces a little psyche-pop guitar to the melody, and the follow-up “Evergreen” gets even more trippy, with acoustic guitar and echoing harmonies, like a lost Beta Band single. The centrepiece here is the gorgeous ballad “Peace, Love and Harmony,”  and on the latter half, we get lots of false endings and the tempos slow with each song that follows. By the time we get to “Vamanos” we get more instrumental, and eventually “A Song For Rashy” is simply a lullaby to doze off to. Oh, yeah this is also a “name-your-price” download, so reward him generously. Highly Recommended.

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The Red Button

The Red Button “Now It’s All This!”

When Seth Swirsky teamed up with Mike Ruekberg in 2007, it’s hard to believe the massive impression they left on the power pop scene. Jem Records picked up the band retrospective —Now It’s All This! featuring a new 6-song EP, bonus “unplugged” rarities, and newly remastered versions of the first two Red Button albums on 2 CDs.

Firstly, let me say the list of artists that can correctly capture the pure pop spirit of The early Beatles is very short. While many can emulate the sound, few can compose original material that stands alongside McCartney and Lennon. I count The Weeklings and The Wonders. The Red Button can also generate the same excitement with its music.

The new material is absolutely consistent, “Can’t Let Candy Go” and “Tracy’s Party” has the Rickenbacker riffs, and hook-filled melodies that never get old. The gentle jangling ballad “Tell Me It’s Over” is a heartbreaker about waiting for expected rejection. Seth’s winsome “Solitude Saturday” has a rich orchestral approach, and the title track is a fitting finale. The unplugged tracks are very close to the originals, but “Genevieve” actually sounds much better without the studio mixing. We have already reviewed The Red Button’s She’s About To Cross My Mind, and As Far As Yesterday Goes and it goes without saying this talented duo is essential listening.

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