Category: Top Ten of 2020 Candidate

The Lees of Memory and Brian Bringelson

powerpopaholic
The Lees Of Memory

The Lees Of Memory “Moon Shot”

From the ashes of Superdrag,  multi-instrumentalist John Davis, guitarist Brandon Fisher and drummer Nick Slack formed The Lees of Memory. Leaning more on the shoegaze side of the equation, Davis starts with “Lonely Everywhere,” a symbolic anthem of COVID isolation with layers of guitars, sitars, harmonies, and percussion. Very much in the model of Matthew Sweet meets Bob Mould, it’s got a great hook that stays with you.

The heavy guitar crunch is applied perfectly to “Crocodile Tears” a song that feels like a dark cloud floating above you, and “Free and Easy” drifts along like a classic Pink Floyd guitar epic full of blues and resignation. “Drift Into Dream” is another gorgeous composition, with echoing harmonies resting on those dense rhythmic layers. Most of the songs hit the mark, “Live Without” and “The Wheel” is as good as anything Superdrag ever did, although most of the tunes are pretty downbeat. “The Summer Sun” feels like a eulogy to those sunny days on the beach. Davis throws in the kitchen sink on the 4 minute plus finale “Far Beyond” with a funky break obviously inspired by Prince. An excellent album that stands up to repeat listens and grows on you. Highly Recommended and it makes my year-end best-of list.

Amazon

Brian Bringelson

Brian Bringelson “Desperate Days”

Brian Bringelson, a member of the band Anchor and Bear and a solo artist under the name Paul Starling is back under his own name on Desperate Days. The opener “Losing Train of Thought” is a sweet catchy melody, that sounds much like his early material with slight echoes of early Beach Boys and The Smiths. The jangling guitar of the dream-like title track “Desperate Days” builds with each verse, the vocal harmonies burst through on the chorus.

Bringleson’s music has a very unforced and casual approach, with a Pet Sounds styled production aesthetic, best-exemplified by “Bone Collector,” “The Deep Dark Truth,” and “Rust and Gold.” But my favorite here is “Letting Go Of Arrows,” an epic ballad with smooth echoing harmonies and hooks. Not everything attains this level of greatness, but enough does. This is easily Brian’s most accessible and mature album, it’s definitely highly recommended.

Amazon

Ice Cream Hands and Supercrush

powerpopaholic
Ice Cream Hands

Ice Cream Hands “No Weapon But Love”

Likely Melbourne Australia’s finest power pop band, Ice Cream Hands is exactly what we need right now. When singer/guitarist Charles Jenkins, guitarist Marcus Goodwin, bassist Douglas Lee Robertson,  and drummer Derek Smiley reunited after a 13-year absence, it was like they never left us. This is a band that knows how to write great songs, with amazing guitar melodies and soaring harmonies. And they haven’t lost a step.

The title track “No Weapon Of Love” is a bold opening statement. “Everybody got to live together, Everybody got to grow together,” a massive chorus about unity that updates The Beatles’ message of “All You Need Is Love” for the new millennium.  Next, “So Happy Apart” starts with a simple bouncy piano verse that turns into a joyful version of Harry Nilsson playing with Jellyfish. Horns add to the anthem, and a perfect guitar break makes it complete. Jenkins’s soulful vocal looks back on “Somehow We Never Got Together” as the Harrison-like slide guitar flows along. The band feels so comfortable, the songs have an unforced beauty that just washes over you.

The ballads take on a wistful tone, and “February Falls” takes on a near-religious tone, like a Brian Wilson choral. Not a note is wasted here, and “Thank You” goes through a list of musicians that influenced the band from The Only Ones to The Ramones (and Spencer P. Jones). Without a doubt, one of the band’s best albums — it will rank high on my 2020 year-end list.

Amazon

Kurt Baker

Supercrush “SODO Pop”

Like comfort food, Supercrush closely follows late 90s power pop bands like Teenage Fanclub, the Posies, and Velvet Crush. The songs are short, punchy, and filled with hazy vocals about love and heartache. Musician Mark Palm and his band (Phil Jones, Allen Trainer, Bob Reed, Inna Showalter, Greg Ehrlich, and Jay Kardong) effectively recreate that sound with a layer of shoegaze and post-punk fuzz that’s both familiar and engaging.

One issue is that the songs start to blend together a little, as they all follow the same template. A few exceptions include new wave-influenced “Parallel Lines” which could’ve been leftover from an old Ocean Blue record. The album title looks as if they misspelled “soda”, but they are actually referring to the name of Seattle’s south of the downtown business district. Recommended tracks include “Get It Right,” “Be Kind to Me,” and “I Can’t Stop Loving You.” Overall Highly Recommended.

Amazon | Kool Kat Musik

Brad Brooks and Joey Molland

powerpopaholic
Brad Brooks

Brad Brooks “God Save The City”

Brad Brooks’s latest album was in process when he got a cancer diagnosis that nearly ended his career, and he channeled that renewed passion into each note. The title track rocks with gusto, sax solos, pounding drums, and guitars riffs drive the glam-styled melody. Then it transitions to ’70s influenced blue-eyed soul on “Feel The Might” and “Why Do You Hurt.” Fans of Motown pop and Hall & Oats from that era will enjoy this.

Brooks sings with an authenticity that resonates. “Strange Fruit Numb,” continues the funk and groove, akin to a lost Lenny Kravitz hit. The rock-style returns on “Lee Marvin’s Uzi” a strong layered composition, and other highlights include “Angel of Angles” and the brilliant melody on “Do The Same For Me.” Brad deals with his mortality directly on the piano ballad “Scared Was I.” Highly Recommended.

Amazon

Bubble

Joey Molland “Be True To Yourself”

At 73 years old Badfinger’s Joey Molland is the sole surviving member of the band’s power-pop legacy, and he’s teamed up with famed Ringo Starr producer Mark Hudson. The collaboration is so natural, I wonder why this didn’t happen many years ago. An added bonus is the star-studded support in the studio; Steve Holley (Wings, Ian Hunter), Jason Scheff (Chicago), Micky Dolenz, and Julian Lennon.

Molland sounds good for his age, and the approach on “This Time” is chocked full of great sonic details; overdubbed harmonies, horns, and a bluesy guitar solo that fits like a glove. Like Ringo’s recent past successes, Hudson’s slick production lifts these songs to greatness, for example, “Better Tomorrow” is a catchy gem that looks to a positive future, as Joey is an eternal optimist. But the shining jewel here is the Beatlesque “Rainy Day Man,” with its winning riffs and backing harmonies. This is the best Molland song I’ve heard since his Badfinger days.

There are little “easter eggs” all over the album for fans, with familiar guitar signatures and flourishes. “All I Want To Do” is the type of song we wished Paul McCartney would do again. “I Don’t Wanna Be Done With You” is yet another great highlight. On the ballads, Joey’s grizzled age comes out a bit more on “Heaven” and “Shine,” but the songwriting is consistently excellent all around. This successful comeback is worth more than a Highly Recommended status, but a spot on the year’s top ten. Don’t miss it!

Amazon

Joey Molland also did a recent interview about his years in Bandfinger and his bandmates.

SLD and Rick Hromadka

powerpopaholic
SLD

SLD “Lost”

SLD (aka Sounds Like Digging) is back – Tom Parisi and his cousin Paul Costanza return with a smooth rich sound on “He’s Got You Now,” a slick single with a grand chorus backed by psyche pop guitars. This is like a double album with 17 tracks.

“Fly Away” is a McCartney-like piano gem, that slowly picks up steam to its magical chorus, with an upbeat “ooh-la-la,” rhythmic harmonies, and a wicked guitar break that begs for repeat listens. “Don’t Want Get Over You” is a wonderful jangling pop gem full of great chord changes and Tom’s guitar riffs are supported by Paul’s bright vocal that defines the SLD sound. A few songs get bogged down where the rhythm, not the melody is the focus (“No Way,” “She”) but even these are decent.

There are many highlights here: “12 to 5” has brilliant harmonies across each verse, “Lost” is ultra-smooth pop, and “Last Night” is a polished, atmospheric song with an expansive melody. Using synths and an ’80s slow pop rhythm, “Circles” could’ve been a Tears For Fears hit, and “Midnight Eyes” boasts a hand-clapping beat with underlying phased guitar chords. Fans of ELO, Pilot, and The Nines will really enjoy this. Highly Recommended.

Amazon | Kool Kat Musik

Rick Hromadka

Rick Hromadka “Better Days”

A solo new album from Rick Hromadka (Maple Mars, Ruby Free) is a tour de force plus it’s loaded with talented guest stars. Very polished compared to his last LP, starting with the title track it makes clear that’s he’s embracing the “dad rock” label with a variety of vintage rock influences – almost a combination of his previous bands.

“State Of Mind” boasts an addictive chorus and inventive lyrics throughout. Both “Searchlight” and “The Ever After” have terrific guitar work, reminiscent of Thunderclap Newman. As a break from the seriousness, the whimsical “I’m Here To Entertain” makes use of many musical circus tropes, as the video shows.  Additional gems include “Full Blown Freakout,” “Pinwheel,” and the epic harmonies are all over “The Last Volcano.” No real duds here, so it also makes my top ten for 2020 list. Highly Recommended.

Amazon | Kool Kat Musik

Joe Giddings and Nick Pipitone

powerpopaholic
Joe Giddings

Joe Giddings “Better From Here”

Joe tells us right away ‘I don’t want to sing like the Beatles again, but I’m gonna do it anyway’ on the title track. It’s got a little bit of everything, but what stands out is that’s got some real guitar muscle. The next tune tones it down with slide guitar on “Always Raining Somewhere,” his songwriting here is in top form.

The influences are never stuck in one place, and it’s stubbornly original. “Gone So Far” is another brilliant example, with sweet harmonies and chord shifts. His guitar can shred with anyone, as he plays with a post-punk sprightliness and a less overtly British Invasion-inspired melodic sense that’s closer to the power-pop greats of the ’90s.  Fans of Velvet Crush and Fountains of Wayne will enjoy “Amity Horror” and “Rock and Roll.”  The high harmonies just burst in again on “If I Don’t Have Love.” Not a whiff of filler here and each track hits its target.  This is looking to be in my top 10 of 2020! Super Highly Recommended!

Kool Kat Musik


Nick Pipitone

Nick Pipitone “Thiensville”

Milwaukee’s Nick Pipitone has delivered a concept album in Thiensville, about a middle-aged man’s life in a small Wisconsin town. Inspired somewhat from The Kinks Village Green Preservation Society it touches on a lot of local names and places. The most distracting thing about Nick is his nasal Elvis Costello meets Bob Dylan styled vocal delivery. If you can get used to it, you will enjoy this album.

Starting with “Century Estates,” it’s a look back at a housing development that was “top-of-the-line” in 1969. The guitar riffs are great, similar to The Raspberries, but his songwriting style is clearly modeled after Mike Viola. “Skippy Had A Dream” is another early standout, and the album gets better the further you go along.

The ’60s influenced “The Prime Minister” with its psychedelic fuzz, very much recalls The Beatles “Rain” and “The Gathering” is a great slice of life tune about reliving your past, at a reunion with wine in hand comparing diamonds and Range Rovers. These song stories are very well written and musically smartly composed. Big highlights include “Coffee War” with a terrific guitar melody and “Village Scoop” with its catchy percussion. “C.O.C” about The College of Concordia goes to great lengths finding words to rhyme with “Concordia” and I love the line “No. 2 pencils and No. 3 girlfriends, Both are quite handy in the dead of winter.” Highly Recommended.

Amazon | Kool Kat Musik