Category: Top Ten of 2025

Nick Frater and Brad Marino

powerpopaholic
Nick Frater

Nick Frater “Oh Contraire!”

Nick Frater returns with ‘Oh Contraire’, a stunning power pop achievement that cements his place among the genre’s best. Although Frater has consistently produced memorable hooks and harmonies, his daring arrangements this time broaden his overall style. Many highlights here, the best being “I Know You Know I Know,” a memorable single with glam rock-inspired riffs and along with “One Minute” and “My Heart’s in Stereo,” it echoes Jeff Lynne’s signature production style. And when he wants to create a grand epic sound it’s no issue with “Songs For The One-Eyed City” loaded with descending guitar riffs, bells, echoing harmonies and a heavy rhythm section. Frater seamlessly blending his influences without losing his own distinct voice.

Another big highlight is “Dreaming of a Wonderland” which sounds like a lost 10cc single to me.  The mellow 1970s-inspired lounge pop of “Seraphim Called” and “Steal Away” are also refreshingly familiar, while the piano closer “Goodnight, Goodbye” is a McCartney-esque gem. Oh Contraire boasts a star-studded guest list, including Probyn Gregory, Michael Simmons, Cary Grace, and Texas power pop duo Lannie Flowers and Danny Wilkerson. Their contributions enhance an already great record, proving Frater’s ability to bring out the best in his collaborators. Without a note of filler, this one is a contender for my top ten of 2025. Highly Recommended.

Amazon | Kool Kat Musik


“Brad

Brad Marino “On The Brink”

Brad Marino’s latest release is a collection of 19 rarities, remixes, and unreleased tracks, carefully curated, remixed, and remastered. Known for his consistent output of high-energy rock, Marino unearthed a treasure trove of songs that showcase his signature blend of classic rock, and punk influences. ‘On The Brink’ leans more towards early rock and roll as a template, not that far from his old band The Connection.

If you’ve never heard Marino before, this is a great “instant” record collection. I love the re-made “Peggy Sue Got Married,” a shout out to Buddy Holly. Marino’s variety is on display too, from the mid tempo “Not Fooling Me” to the Ramones inspired “Hamburger U.” Included is the standout single duet “Over My Head” with Natalie Sweet. Overall a fun collection. Highly Recommended.

Amazon | Kool Kat Musik

Sorrows and He’s Dead Jim

powerpopaholic
“Sorrows"

Sorrows “Parting Is Such Sweet Sorrow”

A new and final chapter for the legendary NYC indie power pop band Sorrows is finally out. This end to the trilogy of albums ‘Parting Is Such Sweet Sorrow’ was recorded in 1981, at the height of their powers. The band is made up of Arthur Alexander, Joey Cola, Ricky Street, and Jett Harris. Originally they were The Poppees, but changed their name and upped their game in 1980. In the spirit of Cheap Trick, The Plimsouls, and 20/20, they had the hooks, harmonies, and punk energy to make it very big. But their record company had other plans and the 2nd album was ruined by overproduction and management interference. The album was finally released as intended, and ‘Love Too Late’ was my #2 album of 2021.

Now right out of the gate, the raw “Never Mind” is a cry to the record company suits that the band’s independence was top of mind. It’s a perfect melding of Beatles and Stones, along with the brilliant “Out Of My Head.” Then add a little Who-influence, and you get the perfect Ricky Street rocker “What A Good Boy!” The band also has several blistering rockabilly tunes “Let Me Know,” “That’s Your Problem,” and “Something Else.” Another highlight is the heartfelt elegy for John Lennon “Cricket Man,” and there are a few well done covers included as well. Overall, a fantastic send off for one of the most under-rated bands ever. A contender for my 2025 top-album list for sure. Highly Recommended!

Big Stir Records | Amazon


“He’s

He’s Dead Jim “Head Like a Toyshop”

While the band name and cover is a clever bit of sci-fi nostalgia, this Aberdeen, UK group starts us off in the same direction as psyche pop revivalists Mothboxer or Emperor Penguin with the opener “Paradise Fayre.” But they don’t stay in that lane, “On the Beach” has a Madchester lite feel, and they bounce around the genres of garage, glam, new wave, and jangle.

Highlights include “Seventh Night of Sin,” “Ticket to Explode,” and bright horns and synths of “Tomorrow is Yesterday” which seems to sum up this bands motto. Not all the songs hit the mark, but the enthusiasm is evident. The variety of styles are also a mixed bag, but even a faithful cover of Blue Öyster Cult’s “Don’t Fear The Reaper” will put a smile on your face. Fans of adventurous retro pop will enjoy this, so check it out.

Amazon | Kool Kat Musik

Joe Giddings “Stories With Guitars”

powerpopaholic
“Joe

Joe Giddings “Stories With Guitars”

Joe Giddings (Star Collector) has finally returned with a follow-up to ‘Better From Here’ after more than five years, and it’s safe to say that the wait was absolutely worth it. His new album bursts forth with power-pop energy, showcasing his signature blend of infectious melodies, shimmering harmonies, and dazzling guitar work.  The album kicks off with “Tonite Tonite,” a brief but thrilling opener in the grand tradition of the Raspberries. The hooks are razor-sharp, and the harmonies soar, setting the stage for what’s to come.

“My Riviera” stands out as an early highlight, serving as a joyful recounting of Joe’s rock and roll journey. Packed with clever references—from “Jellyfish milk in his tea” to his beloved guitar—it’s a love letter to the music that shaped him. Listeners with a keen ear will pick up shades of Brian May (Queen) and Randy Bachman in his guitar phrasing, adding depth to an already irresistible track. “Then Came Madeline” shifts gears with its jangling strum and heartfelt melody. It would feel right at home on a classic Posies record, demonstrating Giddings’ knack for crafting emotionally resonant songs wrapped in shimmering production.

“David Stepanski” and “Adrenalin” paints a vivid portrait of childhood memories, complete with the kind of detail that makes it feel deeply personal yet universally relatable. Meanwhile, “Song at the End of the World” presents an imaginative concept—an critic interview set to music—further showcasing his creativity and storytelling prowess. The Jellyfish vibe is so strong through the entire album, and Joe’s ability to blend these influences with contemporary energy results in a collection of songs that feel both timeless and immediate. It’s an album that rewards repeated listens, and is the first one to make my new 2025 best album list! Super Highly recommended!

Kool Kat Musik | Amazon