The 13th album by acclaimed melodic pop singer/songwriter Richard X. Heyman is his love letter to the Baby Boom generation. You get to be a part of it by pledging money to help this album come to fruition. Cool rewards; badges, lyric sheets, autographed CDs, fridge magnets! Please check it out here:
Visit Richard’s Kickstarter page
Glen Burtnik’s Summer of Love
“Relive the Memories, Share the Spirit and Celebrate the Songs of the Woodstock Generation, The Music That Changed the World.”
Glen Burtnik’s Summer of Love Concert series celebrates the 50th anniversary of the iconic 1969 Woodstock Music and Art Festival. I’ve been a huge Burtnik fan for a long time (The Orchestra, The Weeklings, Styx) and now he’s running a huge music festival that focuses on the iconic rock music from the period of time generally between the 1967 and 1969. Shows run from July through August in selected cities. Visit www.summerofloveconcert.com to learn more.
A freshly minted follow up to Kai’s new LP Not Only Sunshine – get it at Big Stir Records
A Freebie! Chris Church’s single is very much a lost 70s-styled gem
This is a super fun single with its acapella beat, rock rhythm, and innocent lyric.
The Ramones-like chords and handclaps are awesome here.
Toronto band Oscar Tango is the brainchild of Ryan Farley, and this is a 4-song EP featuring classic power pop guitar. Amoeba Teen (Stourbridge UK) new A-Side “Suit & Tie” is a supercharged preview of the band’s upcoming Medium Wave album, and the B-Side “Caught in the Middle” is a completely exclusive release from the same sessions as the album. “Suit & Tie” delivers power and never stops!
Get it at Big Stir Records
Veteran musician Jim Basnight made waves in with The Moberlys early in his career and he continues to put out great material to this day. Not Changing is his first new album in seven years and it offers listeners a variety of moods and memories. The album starts with the easy-going “Code to Live By,” a testament to his longevity with a terrific solo guitar break. The title track is a wistful look back on his career, confident that he’s made the right choices as he states “with this guitar, you can dig for gold, but can you dig a soul from a grave?” He returns to the theme of death with the somber “Suicide Evening,” and “Kurt Cobain.”
While there are several quieter tracks, Jim shines when he reaches into that classic blues-rocker style similar to The Rolling Stones on “Big Bang” and “Best Lover In The World.” The rollicking “Making Love for a Living” is a catchy tune sure to get you moving and “Never Get Lost” is another power pop gem. More highlights include “Second Street,” “You Never Cease To Amaze Me” and the radio-friendly finale “Living The Way I Want.” This is a celebration of a man comfortable doing what he loves. So, why change such a good thing? Highly Recommended.
San Francisco stalwarts Trip Wire continue to rock on their fourth LP with Marty Schneider, Bill Hunt, Stu Shader, and Jeff Shelton (The Well Wishers). The gruff “Had Enough” evokes Bob Mould, and Shelton shines here as the vocalist on “Down” with lots of great energy. “Light Of The Moon” has some interesting composition and sounds like a cross between Lou Reed and REM. The subtle “Golden Gloves” with its strings and the seamless follow-up “Clear,” showcases a simple acoustic melody that builds into a majestic solo jam. It almost sounds like a completely different band.
But the album is far from over, as they get back on to power pop with “Bottle Rocket.” After this, we get the folk-like jangling pop of “Act Fast” and country twang of “Carolina.” The band seems most comfortable with roots-inflected rock, and while the other genres aren’t bad, they don’t stick in your head for long. Overall a refreshingly honest rock ‘n’ roll album that deserves to be heard.
The solo LP from Brad Marino (The Connection, The New Trocaderos) is out and he continues the tradition of thick guitar riffs leading each tune. It’s all Brad, playing all the instruments with only co-producer Kris Rodgers adding keyboards and some additional vocals. Fans of The Ramones, Chuck Berry or Dave Edmunds will not be disappointed.
“Broken Clocks” starts us off with a Ramones meets Beach Boys verse/chorus setup. The sound is a little cleaner and better structured than his previous bands, but it sticks to a very similar formula (Hey, if it ain’t broke…) Several tracks were previewed on earlier EPs last year like “C’mon, C’mon, C’mon.” Highlights include “No One Else Tried It,” ”From The Start,” and “Bye Bye Johnny,” a sequel to Berry’s “Johnny B. Goode.” “What Comes Naturally” adds a country slide guitar to the mix, and the Stones-y influences of his new label (Rum Bar Records) comes out on “Don’t Do The Crime.” Check it out!
Something about Chicago’s Sunshine Boys that brings to mind classic rock traditions but spins the music in a fresh way. Featuring veteran musicians Freda Love Smith (Blake Babies, Antenna, Mysteries of Life), Jacqueline Schimmel (Justin Roberts, Big Hello), and Dag Juhlin (Poi Dog Pondering, The Slugs), Sunshine Boys offer a propulsive, modern take on 90’s alternative rock. The music feels like a labor of love and it is densely produced.
“Questions” glides along with a galloping rhythm about a long distance relationship. Dag’s deep vocals recall both John Mayer and Peter Gabriel, on both the anthemic “Tripping Through Time” and the potential hit single “Billy Boy.” The introspective themes on “Schoolyard Bully” and “Only A Million Miles” showcases our weary anxiety about the world today. I found the catchiest gem here “Glider Pilot” with its grand chorus. Both wonderful and a little out of time, and that’s what makes it music that deserves to be heard.
Sacramento, CA-based The Decibels were active from 1993–2001 and cut a trio of fine garage-styled power pop albums that were criminally overlooked. The sound combined 60’s Mod influences with 80’s angular guitar leads. Fans of The Plimsouls, Buzzcocks and Paul Collins Beat will enjoy the frantic tempos and sing-along lyrics. The band re-grouped in 2017 and continued from where they left off.
“Hey Emily” is a rousing opener that contrasts with the sad lyrics of middle-aged loneliness. The strong chords of “It’s Not Me” is one of the big standouts here, as the band is “trying to prove a point that went dull long ago.” The band’s Merseybeat tendencies come out on “Misery” with some nice chord shifts and three-part harmonies. Most of the songs are under the three-minute mark and push the energy limit, so it would’ve been nice to hear ballad amongst the dozen tunes here. However, most of the music is very good, and you can explore some of the earlier LPs on Bandcamp. Check it out!
Chicago’s Faux Co. adds a perfect amount of fuzzy psychedelic grit and melodic hook in the opener “Prozac Spaceman.” The band consists of Ben Mackey, Chris Lee, Christian Whiting, and Jayson Homyak. Their music blends melodic pop with garage rock elements (and horns) for “Set The Record Straight.” These two strong tunes give this short album (only 8 songs) a solid forward momentum.
The catchy fuzz rhythm of “The Sun Will Come Back” leads to the Lennonesque ballad “Oh Mother Night.” The gorgeous harmonies are a highlight of “It’s Nothing Really” and it approaches epic dreamlike territory on the Oasis-like “Get A Say.” The music is consistently excellent as it concentrates on deep themes of apathy, creativity, love, and loss. Not a speck of filler here. Highly Recommended.
