Eric Barao and I Know Leopard

Eric Barao

Eric Barao “Obsolete” EP

The follow-up album to Eric Barao’s self-titled debut album is finally here and he’s pulled out the big guns in the studio. Mike Viola (Candy Butchers) and Roger Joseph Manning Jr. (Jellyfish) are supporting Eric and all the recording, mixing and production techniques were done in the late 60’s style similar to The Beatles White Album. Jellyfish feels like a big influence throughout, with lots of instrumental flourishes, Queen-like guitar solos, and soft vocal harmonies.

“Nothing to See” slowly builds up from its orchestral prelude to its easygoing chorus that worms its way into your head effortlessly. The title track is an instantly accessible gem, with the pounding piano bed that jauntily gets to our chorus sung by Viola perfectly as he pleads “I’m not obsolete!” Both these tracks have wonderful guitar breaks that compliment the songs. “Unhappy Ending” starts with a Big Star-like riff before heading to Barao-land, layered full with synth effects and mellotron. “Bad For You” stands out because its dramatic and dark, almost like a Broadway villain theme. Next, “My Pussy-Puss” is an overly baroque tune, you almost expect a double entendre here with Roger J Manning Jr.’s multi-tracked vocals. Overall a fantastic EP that stands as one of the best of the year so far.

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I Know Leopard

I Know Leopard “Love Is A Landmine”

Sydney indie quartet, I Know Leopard is a rare breed of retro pop. They look like a cosplay version of Abba but their sound is an amalgam of ELO, Split Enz, 10cc, and Erasure. The title track is mesmerizing with the perfect amount of synth, piano, guitar, and heartbreak. “Heather” is another neon-drenched love song that sounds like a lost ’80s hit. The synths dominate the remaining tracks and bring with it a lounge-like club atmosphere.

Lead singer Luke O’Loughlin’s soft and pained vocals take center stage and brilliantly envelopes you on “All That She Cared About,” “Blame It On Me” and “Seventy Lies.” With Bassist Rosie Fitzgerald adding the anchor to each song, the harmonies and grooves are wonderful. Some songs feel like filler (“Mums and Dads of Satanists”) but once this band adds more hooks to its repertoire, watch out. Definitely, a band to keep your eye on. Highly Recommended.

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Freebies and Singles: The Top Boost, Geoff Palmer, Tommy Lorente, Vista Blue, Ken Sharp, Preoccupied Pipers, The Turnback


The Top Boost earns major kudos for this excellent 3 song EP. On the title track, they’re joined by Roger Joseph Manning Jr. (Jellyfish, Imperial Drag). The result is a swirling blend of bubble gum pop sweetness with a wistful lyrical undertone. A+


Geoff Palmer (The Connection) has released a few singles in advance of his next solo LP Pulling Out All The Stops. This one is more than hot, it’s a FREE download. BTW, his former bandmate Brad Marino has LP out too, reviews for both coming soon!

My favorite French power pop musician Tommy Lorente gives us a FREE download, it’s so catchy even if you don’t speak French just sing along with the “Na Na Na Na.”

The reliable punk-pop of Vista Blue continues his sports-themed Ramones influenced rock. Another FREE download!

Ken Sharp spent some time at Fernando Perdomo‘s new Reseda Ranch Studios 2.0 and recorded this little gem about the 1964 World’s Fair. Only a buck, and worth the trip through his imaginary time machine.

A goodie from KC Bowman and friends (aka The Preoccupied Pipers) about another band and its audience? Hey! It’s still a FREE download.
The Turnback is back with a new single “Unloading An Empty Gun”. If you buy it, maybe Todd, Kenny & Barry will reload and give us another album (please!)

David Brookings and The Lund Brothers

David Brookings and the Average Lookings

David Brookings and the Average Lookings “Scorpio Monologue”

David Brookings took the slow road to power pop stardom. His eighth album shows how much he’s grown as an artist. Scorpio Monologue goes further with both melody and musicianship compared to his past work. He also experiments with a variety of styles; power pop, rock, folk, and even Bossa nova. 
 
The jangling rhythm anchors the opening progressions of “And It Feel Like.” The song carries a maturity with its solid chorus and shredding guitar solo. But the seriousness eases with the catchy “I Grow Up Fast,” a breezy autobiographical strummer where “the future catches up with the past.” The buzzing power ballad “Time Takes You By” makes the mood with relatable and hopeful lyrics. Brookings also has a good sense of fun with the folky “Silicon Valley” describing the area like a goofy travelogue of Northern California, ending with the choral hymn “Steve Jobs!” The band lets its Chuck Berry flag fly next on “She’s Mad At Me Again,” and it’s simply infectious.  Its also takes guts to cover one of the most covered songs ever, but David makes Badfinger’s “Without You” work just fine. Overall not a single weak track, and easily a candidate for my top 10 of 2019 list. Super Highly Recommended.

Amazon | Kool Kat Musik

The Lund Bros

The Lund Brothers “Loser” 1993-97′ – Remasters and Rarities”

Chris and Sean Lund, aka “The Lund Bros” occupy a unique place in the annals of power pop. In 1995 they were bankrolled by Geffen Records to produce six tracks, but ultimately they were rejected for sounding “too much like the Beatles.” While objectively the band’s music fits more between bands like Extreme or Zebra, what the hell is wrong with The Beatles? The virtuoso guitar shredding skills and multi-track choruses are simply great. The duo continues to produce material, and perform around Washington state.

The demo tracks used these recordings as a basis for their first full-length record, the self-titled “Loser” released in 1998. Chris Lund’s Demon Studios have remastered all these tracks, including songs that were never released! Favorite tracks: In My Hands, Invisible Man, Told You So, Such A Ride and You Know. Highly Recommended.

Amazon | CD Baby

The Last Bees and Pezband

The Last Bees

The Last Bees “The Last Bees” EP

Milwaukee-based The Last Bees are a project from the mind of singer-songwriter Ian Ash. Playing perfect Beatlesque pop music is comparable to Bushnell’s Law; “easy to learn, but difficult to master.” Very few bands have done it right (The Red Button is one of them) and I’m proud to say The Last Bees deserve to be part of this exclusive club. The Last Bees stick to the Fabs mop-top era (1964-66) for inspiration, and it would’ve been nice to move forward in time, but we can get to that on the next EP.

“I Can’t Wait” is pure infectious joy on par with the Wonders. The Beatles may be the starting template, but Ian makes sure each song has a unique catchy-as-hell chorus that finds the melodic sweet spot. The songs also tap into a kind of youthful vulnerability that has all but vanished from today’s pop music. Care is given to each song so it doesn’t become repetitive and at under three minutes — they never overstay their welcome. A big highlight for me was the mid-tempo ballad “The Final Sting,” with its glossy acoustic strums, recalling The Beatles “I’ll Be Back” in technique. Without a doubt one of the best retro pop EPs you’ll hear in 2019.

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Pezband

Pezband “Cover To Cover Remixed”

Remember power pop in the ’80s? While Pezband’s original Cover To Cover was released in 1979, it foreshadows the mid-80’s production techniques (big bass, delays, loaded reverbs) that gained popularity at that time. Fans will love this remix; the vocals are more prominent and other sonic details are clearer. I talked with band leader Mimi Bentinis earlier this week about the album.

Pezband’s great melodies are still guitar loaded, but they add some synths on “Stella Blue” and the title track adds a steel drum intro. The vocal work is also passed around a bit more. The band’s songwriting is solid, “Meika” should have been a huge hit. The band puts the “power” in power pop on “Back In The Middle,” and “Don’t Look Back.” In addition, “Unexpected” is another excellent tune that deserves repeat listens.

But you can also hear the band’s frustration with its lack of commercial success. One clue; “Make Me Happy” ironically doesn’t sound too happy. Betinis’ mid-tempo “Didn’t We” makes that frustration clear “why’s it all wrong / tried for so long / didn’t we?” It wasn’t that surprising that the band shut down soon afterward. But this rare LP from the Illinois power pop legends definitely deserves re-discovery. Fans of  The Beat, 20/20, The Plimsouls, and The Flashcubes will love this. Highly Recommended.

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EPs, freebies and singles: Un-Teens, Secret Friend, The Well Wishers, The Embryos and Any Version Of Me

The Un-Teens are classic sounding power pop band with infectious hooks tipping their hat to early punk from Hamilton, Ontario.

Steven Fox’s band Secret Friend is back with a sweet single. Linus of Hollywood (guitars) and Roger Manning Jr. (keyboards) contribute!

Jeff Shelton is busy at work with both The Well Wishers and Trip Wires. “Feelin’ Fine” is a strong single paired with a cover of  Fleetwood Mac’s “Second Hand News.”
Chicago band The Embryos resemble Teenage Fanclub on the standout “Wasting All Your Time,” and the other tunes are good too! FREE Download!
French retro pop enthusiast Any Version of Me is back. Unfortunately, it doesn’t look like we have a way to download the music – but we can stream these tunes. “Thinking of The Days” has a very Lennon-Harrison vibe, and “Look What You’ve Done” is a hybrid of The Four Tops and The Hollies!