The Young Veins and The John Sally Ride

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The Young Veins

The Young Veins “Take A Vacation” Deluxe Edition

One day Ryan Ross and Jon Walker (Panic at the Disco) decided to embrace sunny harmonies and chiming Rickenbackers straight out of the mid 60’s playbook. The Young Veins crib from The Beatles, Kinks, Zombies and The Dave Clark Five – and it makes great classic rock listening from beginning to end. And while LP did come out in 2010, the new deluxe edition is out now and includes 6 additional songs previously unavailable.

“Change” jumps out with those great riffs and a chugging chorus that sticks in your head. The feel-good vibe leads the Kinks-like title track, and “Caper Town” is a big Beatles meets Phil Spector number with the most memorable melody here. “Maybe I Will, Maybe I Won’t” is dead-on Ray Davies imitation and most tracks stick to under 3 minutes. Added standouts include “The Other Girl” with its layered instrumentation, and the skiffle rant “Security.” While other critics might call out the blatant retro worship, the songwriting keeps it original and entertaining. Personally, I’m thrilled anyone under 30 is into this style rock and roll. Overall highly recommended.

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The John Sally Ride

The John Sally Ride “Nothing Doing”

The combo of John Dunbar (Vocals), Sal Maida (Bass) and Sal Nunziato (Drums) are The John Sally Ride, and their sophomore LP raises the bar. The band has more confidence and play tightly composed songs that are designed to stick in your brain. The band’s style reminded me of Glenn Tilbrook and/or Squeeze with just a touch of Wilco.

It starts out simple enough with the jangling melody of “Embarrassingly Single” leading to a great middle eight. Often its a word couplet like on “Consider It Considered” or the title track where John sings “I’m nothing with you, but nothing without you.” The biographical “Watching Fingers” is another gem about getting hooked playing guitar and “All or Something” is another keeper. Overall, no filler and this would have found a place in my top 25 last year. Highly Recommended.

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EPs: The Re-Used Electrics, Blank Pages and Sam Hoffman

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The Re-Used Electrics

The Re-Used Electrics “For Johnny” EP

The Re-Used Electrics prowled Houston, Texas from 1980-1985 and was dedicated to translating the spirit of live punk bands of that time to local rock audiences. This 5 song EP is dedicated to Johnny Thunders (aka John Anthony Genzale) best known for his work with the New York Dolls.

The classic guitar instrumental “Pipeline” originally made famous by The Chantays is given a sweet treatment and opens the set. Followed by “Chinese Rocks,” the solid instrumental work does its best to make up for the buried vocals, which resemble a gruff Johnny Rotten. “One Track Mind” and “Pills” are good catchy rock and roll. Definitely meant to be played loud and proud.

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The Blank Pages

The Blank Pages “Into The Ether” EP

After ending a 7-year hiatus with 2018’s Before Your Summer Fades, The Blank Pages are back with a fresh EP. Guitarist Greg Potter leads the charge with the title track, a catchy anthem with a nice guitar hook. My favorite track here, “Let It Flow” is another jangling gem that rocks with gleeful abandon. The lower key “Snapshots” is more a narrative about a long lost connection and “Welcome To The Unknown” is composed a little like Joe Jackson, a synth and piano lead with driving percussion and swirling guitar rhythm. Highly Recommended.

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Sam Hoffman

Sam Hoffman “Fairweather”

Wow, out of nowhere Sam Hoffman sounds like Richard X. Heyman fronting The Junipers, with plenty of that jingle jangle guitar. The opener “December” is just infectious and “Anything At All” is like a Byrds outtake. Some nice McCartneyesque bass highlights “Glencrest Lane,” but Sam’s vocals are a little too buried to make it stand out.

“Good Company” has a slowly rising riff that starts with gentle harmonies and a light melody. Next, the instrumental “Karate” shows us Sam’s guitar chops. Most songs are 2 minutes or less, so this feels a little like Tony Molina’s LP. But Mr. Hoffman gives us a lot more with the 5-minute + ballad “Lorraine” full of strings and western guitar. Not a single dud here and  I was super impressed by this debut. You have the option of a name-your-price Bandcamp download or support the artist through an Amazon purchase. Highly Recommended.

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Kai Danzberg and Mothboxer

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Kai Danzberg

Kai Danzberg “Not Only Sunshine”

It was right around this time last year German musician Kai Danzberg introduced us to the infectious Pop-Up Radio, and with a new year, we have a new album. With Not Only Sunshine Kai is more consistent in his style, as the primary influences are Jeff Lynne (ELO) and Roger J. Manning Jr. (Jellyfish). He also has several collaborations with a variety of experienced power pop talent.

The cinematic intro (title track) is a simple multi-tracked hymn that leads into the sunshine-fueled “My Beautiful Day” with Dana Countryman. This is the sole burst of pure pop happiness, with its Beach Boys-styled harmonies. “Nothing In My Head” with David Myhr is a worthy follow-up, with a sweet hook in the chorus. From there the LP slowly sinks into the sadness of love lost, as “Turn Away” is a beautifully rendered power ballad on par with Jellyfish (and Roger J. Manning Jr. contributes). While the atmospherics are effective, the next several songs don’t reach the highs of those before it. But on his own Kai still delivers excellent music as “Help” is a big highlight, and the personal “Empty Room” is a sweet reflection on childhood with some nice acoustic guitar work. Other highlights include “Where Can I Sleep” and “Let Me Know,” a duet with Lisa Mychols that borrows its intro riff from Cheap Trick! Kai continues to grow as an artist, and I highly recommend this album. Bravo!

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Mothboxer

Mothboxer “Open Sky”

Production wizard & master of ceremonies Dave Ody expands the Mothboxer sound to include orchestral and progressive genres. “Sunshine Sound” is a slowly expansive epic that combines Pink Floyd, John Lennon and 1969-era Beach Boys into something akin to The Beta Band. This vaguely familiar setting has its trippy moments on “Got To Wake You Up” to “Better When It Rains,” with low chords and brass flourishes. “We Could Be Right” goes in many directions at once, but still feels cohesive with odd drum fills and Move-like guitar progressions.

The gem here is “Million Miles Away” with its hidden hook in the piano chords and harmonies. Ody manages to make something unique out of the familiar, and even with four minute plus indulgences it never feels like filler. Another good comparison would be the first time I listened to Electric Light Orchestra’s “No Answer,” and hearing those lumbering melodies by Roy Wood. Especially on the finale “Yesterdays Are Tomorrow.” Highly Recommended.

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Big Stir Singles and more!

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Big Stir Digital Singles

The best thing about music on the internet is that it’s immediate. That means anyone who comes up with a timely tune can record it and get it out there right away. The worst thing is that it’s ephemeral and we’ve seen brilliant one-off tunes not getting the attention they deserve because of the blink-and-you-miss-it pace of social media. Big Stir not only has a kick-ass zine, that deserves support – it has an impressive growing roster of power pop artists: Spygenius, The Newds, Plasticsoul, Addison Love and The Armoires (to name a few). So support these artists and check out the Big Stir Singles page!

More NEW Singles!

A wonderful new jangling gem from the Sunchymes – you can’t go wrong here.

Scott Brookman has been locked in his bedroom, doing his DIY pop for years. This single is based on a true story!

I’ve missed Peter Balderachi and I’m glad he’s ready for a “Change”

The Jellybricks are back! Very very cool video shows that Ok Go aren’t the only creative vid kids! The new single “Brooklyn” is out now. Get it!

Jonny Polonsky and Wes Hollywood

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Jonny Polonsky

Jonny Polonsky “Unreleashed: Demos and Rarities 1996-2018”

For a short time during late 1996 Jonny Polonsky was the next “big thing” in indie power pop. His solo debut was a smash success, like a combo of Jason Falkner and Frank Black he stormed the scene. And then… he didn’t make any new music for 8 years. According to Jonny, “I disappeared into a wine bottle…” By the time The Power of Sound LP arrived, the buzz was gone. Thankfully, he continued to write and record. This collection gathers unreleased material from his entire career.

“Everywhere All The Time” is a great start with a pounding rhythm and rising guitar fuzz, about the chaotic, divisive mean-spiritedness out in the world. “Do You Remember” and “Amazed” are short snippets that also resonate. “What A Wonderful Way To Die” is a mid-tempo mix of T-Rex and Steven Tyler. The other tracks are hit or miss, and the longer jams didn’t really work for me. I liked the quirky “The History of Numbers,” “On The Wire” and “The Auctioneer.” Overall you can pick and choose your favorites from this eclectic selection.

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Wes Hollywood

Wes Hollywood “Dynamite”

Wes Hollywood describes his music as “Ray Davies and Elvis Costello having a punch-up in the front row of a Cheap Trick concert.” This Chicago power popper is influenced by late skinny tie era pop (1978-1980) with a touch of new wave, like The Cars and Bram Tchaikovsky. I didn’t really hear any Cheap Trick influence, but he starts with “Four Pound Twenty,” a catchy gem that sets the tone with its simple lyrics and workmanlike composition.”When Sunday Roll Around” is another highlight, like lost Ray Davies mid-tempo track.

From there several songs have that early Elvis Costello vibe. Hollywood has always been a skilled songwriter and does a great job with the next 5 songs; “Small Talk,” “Dirty Manhattan,” “Nothing To See Here” and “Evelyn.” Honestly, no filler here even if some may see it as too derivative. Hollywood puts his own stamp on these songs and fans of this type of music shouldn’t miss this. In fact, Wes had enough songs for an additional EP, Lipstick. Highly Recommended.

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