The Boys With The Perpetual Nervousness and Braddock Station Garrison

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The Boys With The Perpetual Nervousness

The Boys With The Perpetual Nervousness “Dead Calm”

International collaborations strike again! TBWTPN are Andrew Taylor (Dropkick) and Gonzalo Marcos (El Palacio de Linares).  Named after a song by The Feelies, and recorded in first takes in a couple of evenings between Madrid and Edinburgh, Taylor and Marcos hit gold here. Filled with jangling Rickenbackers and warm melodies, it feels like a melding of Big Star, Teenage Fanclub, and Elliot Smith.

The opening song (named after the band) has that Big Star progression and killer chorus that sets the table perfectly. Each song takes a mellow approach with crisp orderly compositions, “Close The Doors” is a great example of that dreamy jangle pop that sticks in your head. There is enough variety in the songwriting to keep things fresh through all ten tracks, and most of the songs are upbeat. Andrew’s soft vocal harmonies and his acoustic guitar standout as precise pop on “Start it again” without the need for overt folk or rock elements. The title track ends the album and echoes the opening melody. Amazing music that makes my best of 2019 list for best power pop this year. Super Highly Recommended.
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Braddock Station Garrison

Braddock Station Garrison “American Radio”

Do they have college radio bands anymore? Washington, DC band Braddock Station Garrison has a touch of Americana added to their fantastic rock sound. They are following in the footsteps of those 90’s college radio bands (The Connells, The Bats, Buffalo Tom) all while sounding modern and engaging.

Opening with “Blockbuster” its got a solid hook, along with a jangling rhythm and its a quick standout. The Stones-like “Travellin’ Bible Salesman” is a nice simple rocker. “Small Town Scene” and “When You Say” speed up the tempo and drum beat, but the vocals are a little like The Black Crows with its talky approach. The band also gets jammy on “Border Run.” It keeps up this approach, and if you loved the bands mentioned above it definitely deserves to be heard.
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Vanilla and The Paisley Underground

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Vanilla

Vanilla “Mystik Knights of Tacoma”

Vanilla is an indie-pop band from the US Pacific Northwest. Featuring Jayson Jarmon (Liar’s Club), Sean Gaffney, Dana Sims (Witchburn, The Jet City Fix), and Kord Taylor. You’ll hear a more varied list of influences than previous albums. We open with the surf guitar instrumental “March of The Mystik Knights” and then we get the superb “On A Night Like This” full of pop melodicism, organ and a chorus stickier than freshly chewed gum. Carl Funk supplies the vibrato-heavy vocals on “Save Me,” and then we get to the psyche-pop goodness of “Sweetshop” full of harmonies and wicked guitar riffs.

Another notable fact is the lead vocals change with each song, from Kirk Adams to Regan Lane (and a long list in between). It’s nice to hear an updated hard rock cover the Small Faces’ “Itchycoo Park” and the retro-composition “Man of The Moment” sung by Jordani Sarreal, sounds like a lost James Bond movie theme. While the multiple styles and instrumentation make for fun listening, it can be jarring track-to-track. It does fit the theme of musicians being part of a delusional fraternity whose days are numbered as “Be Not Coy” lyrics tell us “Gather ye rosebuds while ye may, Your time is almost past.” Highly Recommended.

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Pasiely Underground

The Bangles, The Three O’Clock, The Dream Syndicate and Rain Parade “3×4”

In the mid-80s, several bands from the Los Angeles-area formed the core of a power pop offshoot movement, commonly known as the Paisley Underground. These bands incorporated psychedelia, rich vocal harmonies and strong guitar riffs, part homage to 1960s groups such as The Byrds, The Doors and Bee Gees. Coined by Michael Quercio of the band The Three O’Clock, the movement stood to defy that era’s punk/new wave pop. The top bands of this sub-genre were; The Rain Parade, The Dream Syndicate, The Three O’ Clock and The Bangles.

Well 35 years later, The Three O’Clock reformed in 2013 and in December of that year we saw a reunion of all four bands for two nights in L.A. and San Francisco. These artists were part of a special clique and grew up together, so they honored each other by covering each other’s songs. Four bands covering three songs each (as it is titled). The album’s covers are played in a laid back fashion, and while they don’t surpass the originals, they pleasantly remind you how good these songs are. If you are a fan of any of these bands, it will definitely rekindle your interest in the era (and the originals). For the uninitiated, this is a solid album giving you a crash course in the Paisley sound. Check it out!

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Popdudes and Populuxe

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Popdudes

Popdudes “Maximum Rock Stupidity”

This is a bonus CD for buyers of the John Borack penned “Shake Some Action 2.0” book and its a nice mix of classic power pop covers and a few originals. The Popdudes, are essentially author John Borack and Michael Simmons with several high profile guests: Robbie Rist, Michael Carpenter, Kenny Howes, and Torbjörn Petersson. Borack and Simmons know what makes great power pop, and they bring their “A” game to originals like “Joe Sincere.” I wish there were more than a handful here.

The band does a crack job with Cheap Trick, McCartney, ELO, Matthew Sweet and many others. While several covers are faithful, I like the ones that are slightly off-center; like Kenny Howes version of Abba’s “Waterloo” done as a hard rocker. I also love that they go for a few deep cuts, like George Harrison’s “Ding Dong, Ding Dong” or Walter Egan’s “Magnet and Steel,” an outtake from the Drink a Toast To Innocence compilation.  Highly Recommended.

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Download the sample “High”

Popluxe

Populuxe “Lumiere”

Brooklyn based Populuxe is vocalist/writer Rob Shapiro, drummer/percussionist Mark Pardy, bassist Mike Mallory and several studio musicians over the years. They bring together a creative soundscape, which gets influences from XTC, Paul Westerberg, Steely Dan and more.

The band’s attitude is shaded with darkness on the opener “Lady Liberty” and it felt like a lost David Bowie track. Next, the brilliantly written “Garage Sale” is a closer match to Black Sea-era XTC, and its a highlight with its quirky percussion and dense chorus. It then mellows out on the bongos and strums of “Schoolyard” before it takes a weird turn on the 8-minute opus “How Long’s It Gonna Take,” with little jazzy guitar elements. At first annoying, I found myself singing the chorus. “Behind Enemy Lines” and “Beat It, Eric” are both built from solid bass and drum structure, with angular guitar leads. After a few spins, I really liked it, as it reminded me of the band Sugarplastic in spots. But there are no hooks to draw you in right away, so while the arrangements are really good you need time for this one to grow on you. Check it out.

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Ronny Tibbs and Luther Russell

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Ronny Tibbs

Ronny Tibbs “Lone Fry”

Detroit singer-songwriter Ronny Tibbs charms you right away on “30-Year-Old Boy,” a fully orchestrated slice of perfect piano pop along the lines of Nilsson, McCartney, and Brian Wilson. Then “All She Wrote” starts quiet and grows into a rich guitar theme. He then takes an abrupt turn into synth-pop with “Sunlight,” not a bad song but it does throw the momentum off.

“Watching Annie Over” gets a little glammy, before the great mid-tempo “Mona Lisa” with its layered strings, rich piano chords, and detailed flourishes. It takes another Sparks-like detour before we get to the Wilco-like “Picture of Us,” and Tibbs strained vocal here helping build the story’s authenticity. The final tracks “Black Party Girl” and “Breakout” are good, but fail to reach the earlier highs on the album. Overall, a really good debut. And you should pay attention to Mr. Tibbs. He’s a star waiting to burst out any moment now.

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Luther Russell

Luther Russell “Medium Cool”

L.A. musician Luther Russell is not a big-time rock star, but he should be. He’s been played with Jakob Dylan (before he joined the Wallflowers) and was in several bands; The Freewheelers, Federale, and The Relationship. He most recently collaborated with Big Star drummer Jody Stephens on Those Pretty Wrongs. And he certainly has absorbed The Big Star sound into his new solo LP Medium Cool.

The opener “Deep Feelings” has a great bass line, and the opening guitar riffs recall Chris Bell’s technique perfectly. The R&B chugging “Can’t Be Sad” is like a lost Elvis Costello hit and one of the stronger songs here. Often the songs go long, with extended guitar jams, which linger in your head. Both “The Sound of Rock and Roll” and “Corvette Summer” are iconic rock themes that sound great. However, it fails to keep the momentum fresh on the albums second half, and things start to get too familiar. “Sad Lady” is a rare standout that sounds like Bruce Springsteen joined Big Star. Overall, some great music here to explore. Check it out.

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Two Sheds Jackson and Popravinas

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Two Sheds Jackson

Two Sheds Jackson “Some Kinda Life”

This German band made a big impression with me several years ago, so I was excited to hear this full-length LP. Opening with a very ELO-influenced “Weekend” it shares some production qualities with Long Player, but Two Sheds has a more varied palette. The subtle ballad “Where The Sunflowers Reign” and “A Life Supreme” has strong orchestration and the latter has a slick hook with a smooth guitar solo. You’ll also hear elements of 10cc, Sparks, and Paul McCartney perfectly referenced, without being an homage.

The band does a great job setting a mood with little snippets like “September Rain” and delivers great AOR pop gems like “Kiss and Say Goodbye,” “Trip The Light Fantastic,” “Some Kinda Love,” and “Prism of Time.” Incorporating the last EP, the band collaborates with several pros like Vinnie Zummo, Rick Hromadka, Luke Jackson, Roger Klug, and the late Wim Oudijk. And with these excellent songs, it lifts the entire set to a “must-buy” if you missed the earlier EP.

With 22 tracks, there is alot here to absorb. Maybe too much as we get several tracks of filler sprinkled in spots, but it’s hard to find any real duds here. Kool Kat is offering the LP along with the band’s first album bundled at a special price. Highly Recommended.

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Popravinas

Popravinas “Willy Nilly”

The memorable Eddy Sill and his band are back with their heavily anticipated third album Willy Nilly. The Popravinas have a great classic rock sound, with nods to The Stones, Wilco and Old 97’s. The tight guitar licks and reliable melodies are also comparable to The Connection and Lannie Flowers. “Talkin’ Out Loud” is a great opener, laid back and catchy with a killer hook. They up the jangle on “Tim’s Basement” an ode to their favorite place to hang out and some great twang enters the weary gem “Put It All To Bed.”

The great thing about the Popravinas is that they’re never boring, and the band picks up the tempo on “Dun’ Me In” with its vocal harmonies and references to life on the road. The best tune here is the driving “Sofia (CMU)” about an old girlfriend that will have you singing along. You can’t ask for anything more from these guys. Highly Recommended.

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