Reissues: The Posies and Fastball

Some of the greatest power pop ever was produced in the 1990’s. Omnivore has recently released expanded editions of these classics. 

The Posies Dear 23

The Posies “Dear 23” Expanded Edition

The major label debut from The Posies became an instant classic and put The Posies on the map. Like a modern-day version of The Hollies, the ambitious duo took notes from their Merseybeat forefathers and combined it with a Big Star-like attention to detail wrapped up in a baroque pop package. Remastered from the original analog masters; one CD containing the original album, plus enough bonus material to fill out the rest of the CD; and an additional CD of demos and other bonus material. Nearly all of the bonus tracks on this new reissues have never been heard before!

Omnivore Direct | Amazon

The Posies Frosting On The Beater

The Posies “Frosting On The Beater” Expanded Edition

In the early ’90s, the Seattle grunge movement took over the nation’s airwaves, pushing other genres aside. The Posies answer to this was to add their trademark melodies and smart lyrics to all the current angst. The wall of distorted guitars and thick drum beats is a direct contrast to Dear 23, but the songwriting got even better and remains the band’s highwater mark. Similar remastering set up; one CD containing the original album, plus enough bonus material to fill out the rest of the CD; and an additional CD of demos and other bonus material.

Omnivore Direct | Amazon

Fastball “All The Pain Money Can Buy” 20th Anniversary Edition

Fastball gave us an excellent example of when power pop and the nation’s musical zeitgeist intersected. The #1 hit “The Way” exploded on the radio, propelling All The Pain Money Can Buy to Gold status in only three months and Platinum another three months later. The release also received two Grammy® nominations, and the band won four Austin Chronicle awards for the album. This remastered 20th-anniversary edition contains the original 13 songs, plus 9 bonus tracks including rare B-sides, compilation tracks, and 4 previously unissued demos.

Omnivore Direct | Amazon

Bad Moves and Gentle Hen

Bad Moves

Bad Moves “Tell No One”

Washington, D.C. band Bad Moves are the tight combo of David Combs (lead guitar), Emma Cleveland (bass), Katie Park (guitar), and Daoud Tyler-Ameen (drums) exhibit an untamed pop spirit with punk tendencies. “Change Your Mind” blasts through the speakers, with the powerful bass, feedback and punked up harmonies that compel attention.

You’ll hear some ’70s and ’80s influences, like The Nerves, The Replacements, and The Cars.“One Thing” and “Cool Generator” are pensive rockers that build up to its choruses, with Emma and Katie dominating the vocals. They shout out a call to action about how those intense younger experiences can affect your adult life. The music is a fun romp loaded with catchy riffs, and without a drop of filler but it does slow slightly towards the second half. This album is a great pickup and the irony of the title is you should “tell everyone!” Highly Recommended!

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Gentle Hen

Gentle Hen “Be Nice To Everyone”

Northampton, MA band Gentle Hen has a new LP that plays to its strengths but isn’t afraid to play outside the box. The band is led by Henning Ohlenbusch, with a sound that falls somewhere in between Fountains of Wayne and REM. The understated opener “We’ve Got The Goods” is a slyly catchy tune with a nice repeating riff driving the chorus. The rich harmonies of “She’s Got It Bad” recall Teenage Fanclub (as they name drop several bands) about an obsessive record collector. The band does its best to rock faster and harder on “Knock, knock, knock” and “You Can’t Take It Back.” It’s a style that fans of The Connection or Kurt Baker will appreciate.

The music also touches on folk and new wave, but Gentle Hen resonates best when a distinct storyline works with the melody, like the excellent “There’s A World In The World” which flirts with a quirkiness that TMBG would envy. Other highlights include “They Know, They Know” and the light chorus/dark ascendant chords on “Ancient Bones.” Overall a very good album that deserves to be heard.

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Paul Collins and Checkpoint Charley

Paul Collins

Paul Collins “Out of My Head”

The King is back! Paul Collins is a rare breed of musician that can rally the power pop faithful to his side with each release. And for over 40 years from The Nerves to the Beat, he’s still got the talent and energy to get his ideas across. Keeping things simple Paul gets a noticeable assist from Paul Stingo (bass and vocals) as he delivers a series of simple catchy themes intermixed with a few introspective ballads.

“In and Out of My Head” starts with a dramatic ballad that sounds akin to late-60’s era Beau Brummels or Ricky Nelson. This is followed by the short and sweet power pop nuggets “Go” and the Beatlesque “Kind of Girl” that has been Paul’s bread and butter. It’s those catchy hooks married to Paul’s genuine emotion that really stick. “Just Too Bad You’re Leaving” and “Midnight Special” follow the same template, but Paul’s grizzled vocals strain to keep up. The love ballads are wonderfully done with “Emily” and “Lost Again” as standouts. Another excellent song is “You Belong To Me” with its sing-along chorus and solid rhythm that should’ve been a huge Billboard hit (if only we had a time machine.) Collins also briefly reflects on his age and loneliness in the nuanced “Tick Tock.” Overall a Highly Recommended album.

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Checkpoint Charley

Checkpoint Charley “Pomp, Twaddle & Bombast: Songs 13-24

Checkpoint Charley is the ongoing power pop muse of Kevin Packard and Jesse Anderegg. The band returns from a 10-year hiatus to craft a follow-up to their critically acclaimed debut, Songs 1-12. Their sound draws heavily on the influence of Jellyfish, Queen, and Muse. The opening 4 tunes are from their Star Wars themed EP Great Jedi Mind Trick, starting with the bombastic guitar melody of “InVader.” Next, the yearning power ballad “Misunderstood” is pure magic, as “The Ballad Of Han and Leia” is a more rocking song that you can dance to. “Mayday” has those soaring harmonies and ascending chords that reach the stars. These tracks are so good, the band was recently featured as House Band at ICC Con in Nashville, TN.

From there heavier “Young & Naive” and “She’s All Mine” are closer to Imperial Drag than Jellyfish. My favorite track is “Child’s Play,” as the band chugs along with gleeful abandon, adding toy piano to the powerful hooks. “559V” is another gem that is perfectly composed, and amazingly most of the songs are over the four-minute mark, but they don’t feel stretched out. No filler here, and absolutely better than the debut – this is super highly recommended.

Kool Kat Musik | Checkpoint Website

Sunday Night Singles! Bob of The Pops, Timmy Sean, Andy Reed, Jay Stansfield, Bryan Estepa, The John Sally Ride

Bob of The Pops! Vol.3 – Robyn Gibson (The Junipers) gets better with each group of covers he delivers. Love all this, and it’s a FREE download. Get it now!

Timmy Sean is back with a pure power pop single sure to stay on my playlist all year long.

Andy Reed gives us a slow ballad, and it’s his first solo work this year.

Jay Stansfield hasn’t had an LP ready in a long time, but this new single is a little like Jason Falkner.

Aussie Bryan Estepa delivers a very sweet power-pop tune.  Can an album be far behind?

John Dunbar is back with his band The John Sally Ride and he offers some very sage advice. It’s a pep talk set to a catchy beat.

Extra Arms and Stephen Chopek

Extra Arms

Extra Arms “Headacher”

Formerly known as Ryan Allen & His Extra Arms, the band has transformed from a solo project to a full-fledged rock band. The group has moved from the raw garage sound of Basement Punk to a polished indie-rock vibe similar to Nick Piunti. Ryan still knows how to craft killer hooks, like the amazing riff-driven “Done To Death.”

The heavy rhythm guitars still layer songs, so “Under Surveillance” and “Why I Run” sounds like the Foo Fighters, Oasis and Squeeze partying together. The variety is due to the new band dynamic with Ryan joined by bandmates Michael Gallacher (guitar), Ryan Marshall (bass) and Sean Sommer (drums). It’s also consistently great with lots of highlights including “Old Heads” and “Push The Button” being power pop standouts. Highly Recommended.

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Stephen Chopek

Stephen Chopek “Begin The Glimmer”

Stephen Chopek was originally trained as a drummer. After touring with major acts (John Mayer, Jesse Malin, Marc Broussard) he decided to learn how to play guitar and write songs. And after busting his hump in New York City he’s already on his third album.

Chopek is somewhere between folk-pop and power pop on Begin the Glimmer. Starting with the careful strum and steady beat of “Make of Puzzles” the shimmering chorus and layered guitar notes fit comfortably together. The catchy “Radio Caroline” is written about UK pirate station in the early ’60s defying the BBC. The layered strumming continues with the solid “Places and Things.”

Things eventually slow to a more folk speed, but it picks up with “The Ballad of Cash & Dean” a Paul Simon-like song about two iconic men in black. He does break out a hard riff for “Thoughts Are Thinking” and overall this is a very good album that deserves to be heard.

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