Mick Terry “Days Go By”
Produced by Jim Boggia, Mick Terry’s sophomore album is bathed in love of Americana and Rock nostalgia. Mick’s crisp vocal approach reminds me of Neil Finn or Michael Carpenter. The opener “Rocking In The Photograph” shows its passion with magical guitar riffs adding emphasis to a wistful memory. A strong narrative supported by acoustic and electric follows on “Emily Come Back,” but I really liked “Stars,” an easy-going melody with just the right amount of slide guitar.
“Everybody’s Talking” takes a cue from Motown’s heyday and “Arthur’s Tale” is a unique arrangement with its player piano rhythm and subtle brass accents. My favorite track here is the unapologetic rant “Pop’s A Dirty Word” that asks kids to remember Bowie, Ronson, John Peel, and the Faces. Its got a bouncy hook and a message that resonates. Overall a really fine homage to AM radio pop of the past that deserves to be heard.
Bird Mancini “Dreams and Illusions”
The duo of Ruby Bird and Billy Carl Mancini are veterans of Boston’s indie scene and certainly meld many different pop styles at once. The opener “Congratulations” is a wonderful Elvis Costello/Tom Petty/Beatles hybrid composition with solid harmonies. The strong guitar riffs lead “Don’t Blink” through dueling vocals that combine psychedelic Beatle-isms in a layered production. There is some dissonance with this approach, as the technique overshadows the melody. When a single vocal dominates it is preferable, like how Ruby shines on the catchy “It’s Already Done.”
The acoustic folk of “Recluse” is a neat spacey trip, and “Fault Line” lets Ruby explore some Motown R&B soul. But if you love power pop there are some highlights like the guitar and accordion gem “Wishing Well.” The album’s variety of styles means that it really does have something for everyone. Check it out.
