You can also check out our main Bandcamp page for all seven of Mr. Basnight’s albums, and more.
Emperor Penguin has successfully channeled a very anglophilic psychedelic pop style in Gentlemen Thieves. Following the template set in Sunday Carvery, they start out the door with the catchy “What’s the Worst That Could Happen?” It’s loaded with echo, reverb, dense melody, and lots of fuzzy energy. Lisa Mychols adds a whole new dimension to the band with her duet on the XTC-like “I Wouldn’t Put It Like That.”
Each song is a carefully constructed gem; “Silver Apples” is another dazzling example of this band’s talent, while “Driving Blind” brings the rocking riffs up front. “Sonnez Les Matines” opens with a few notes that recall Pink Floyd but quickly becomes a Middle Eastern dance track. The nursery rhyme-like “Pipistrelle” with its toy piano also sticks fast. One of the best songs here is “You Are My Atmosphere,” and Mychols adds her stamp to this one too. Almost everything here is great. My only issue is the album’s overly compressed mix. The melodies are so good, but sometimes they seem buried in white noise. I wish they gave it the Giles Martin treatment, but despite this, it’s highly recommended.
A collection of original songs by Nick Frater, written in tribute to the pre-Fab Four, The Rutles. So it’s music written in the Beatlesque style, with just a touch of sarcastic wit. While Frater doesn’t quite measure up to Neil Innes when it comes to humor, musically, he’s spot on. “The Devil You Know” showcases duality, with John Lennon’s gloomy tendencies and a sunny McCartney-like bridge stuck in the middle because he had to “get back from the grave in 1966,” a reference to the “Paul is Dead” Beatle rumor. Fans of The Rutles and The Beatles will find Easter eggs like this scattered in the lyrics.
Some of these are genuinely fun, like “You’re A Good Egg,” a Magical Mystery breakfast without a hint of symbolism, and “One Lump or Two,” a bit of tea time for Lady Madonna. Unfortunately, they didn’t all stick with me, and once you can identify the song’s origins and intent, there isn’t much else to draw you back to listen again. Nonetheless, this comes highly recommended for Beatles fans, and you should definitely give the music a listen.
Bandcamp only
As a bonus I have some new freebies! Mostly from 2023 All these albums are “name-your-price” but these are all high quality. I know music fans appreciate this pricing model, and I hope you donate to them so they can continue making great music.
Every year, Dave Bash reliably puts out this 3-disc overview of old and new power pop talent. There are always unexpected gems that I never see promoted anywhere else, and that’s one of the best reasons to pick this up. Unlike past volumes, the quality is truly spread across all three discs. Here are some highlights for me:
Disc 1: Opening with The Cowsills on “Ya Gotta Get Up!” is proof that power pop never goes out of style. Sunbourne Rd gives us “Pioneers and Natives,” with its strong psyche-pop vibe, The Parlophonics’ brilliant pop of “Reading Kerouac,” Tyler Graham’s “If It Were Up To Me,” and the 80’s-like strums of 6Kitty’s “Do I Walk.” One apparent thing is that this is not strictly power pop but a huge selection of pop styles.
Disc 2: The jangling dream-pop of Pikal’s “That’s Not Me” or Plasma Chasms’ “Chasing Ghosts” follow a path closer to full psychedelic prog. The optimistic “Yesterdays and Silly Ways” by Thomas Charlie Pedersen is also a standout. Brian Larney & Dean Falcone have the riffs on “Love Signs,” as well as The On and Ons’ “Don’t Wanna Talk About It.”
Disc 3: The 80-rock stylings of Robin Schell’s “Eleven” and Jody & The Jerms’ “Insatiable” both have great hooks. The Love Gamblers’ “Without Love,” Stephen’s Ruin “Lorraine,” Broken Sound’s “Sky Girl,” and Lizard Music’s “Keystone Cops” also all had me very impressed. Without a doubt highly recommended, and we look forward to next year’s compilation.
The people who have suffered because of the Maui wildfires will receive immediate assistance thanks to this musical initiative. The people of Lahaina and the communities located in West Maui will appreciate your generous donation, which will help provide relief to those affected by this terrible calamity. Thanks to my friend, Michael McCartney, for bringing this to my attention.
While most of these songs have already been released, some of them are exclusive to the collection. Featured highlights include Dana Countryman, Star Collector, Timmy Sean, Tammy Ferranti, David Myhr, John Hunter Phillips, and The Hurricane Beach Band (doing an awesome Beach Boys-like track). With 42 tracks, you can’t go wrong. Highly Recommended.
Shine On: A Tribute To Pete Ham
With a medley of cover songs and some fantastic original compositions, the album Raspberry Park is a delightful journey. The fact that the band deviates from Beatlesque songs without drastically altering their sound is something I appreciate. Excellent tracks abound on this album, beginning with the passionate “Like We Used To Do,” with its catchy chorus. While sharing a bassline with “The Beat Goes On,” the infectious “Brian Jones” finds its melodic voice. Perhaps “All the Cash in the World” might serve as their theme song, expressing their lifelong passion for performing. Glen Burtnik (aka Lefty Weekling) and Bob Burger (Zeek Weekling) are in top songwriting form here; additional highlights include the poignant “Fall Down A Flight of Stairs” and the note-perfect rocker “None of Your Business.”
The unconventional arrangements of these cover versions make them stand out from the usual tributes: “She’s Leaving Home” and “I’ve Just Seen a Face.” The mashup “Mr. Soul Satisfaction” is catchy and fun; it combines The Monkees, Neil Young, and The Rolling Stones seamlessly. The transitional songs here sound like filler, but that could just be my ears being picky. The 20-second interlude of the Sgt. Pepper-ish “Raspberry Park” was too short; I would have preferred a longer rendition. This being said, the excellent music more than compensates. Highly Recommended.
Carmen Toth is a singer-songwriter from Toronto, and her musical influences are Stevie Nicks, Cyndi Lauper, Kate Bush, and I hear a little Susanna Hoffs, too. She has been making independent music since 2003, but Fix the World is my first experience, and she makes a great impression with the catchy opener “Pretty Dresses.” Toth does a good job with the next few songs, as standard indie pop tunes go.
Her unique, Nicks-like cadence works well on the angular riffs of “Struggling,” and there are some nice harmonies in the chorus. Her title track, “Fix the World,” shifts from an acoustic ballad in the verse and bounces into a pop chorus about material girls being too distracted to solve issues. Some good power pop tracks here include “Time Bomb Heart” and “My Ears Are Still Ringing.” The last song, “Looking Forward,” has a hopeful, optimistic chorus that’s sure to put a smile on your face. Overall, this is a good album that deserves to be heard.