https://www.youtube.com/watch?v=S9_fMDToe3E
The Lunar Laugh and Duncan Reid
When a band comes to an end, it’s always a sad day. The new records by these bands are rumored to be their last. It’s not always clear why a band breaks up, but at least we have the music to enjoy.
The Lunar Laugh “In The Black”
The Lunar Laugh is an indie rock group from Oklahoma City. Connor Anderson and Jared Lekites are the band’s co-leads, and Triston Lightner (bass), Levi Sherman (drums), and Campbell Young (singer/songwriter) round out the lineup. The band combines great power pop-influenced hooks with both modern and vintage pop and rock song structures.
Just listen to the first song, “Born Weird,” which is almost a mix of Barenaked Ladies and The Rembrandts, and it goes right into the great single “Allegiance,” with its Phil Collins-styled percussion. My favorite song here is “Fake It Till We Make It,” with its glam riffs and anthemic handclapping chorus. The midwestern style comes back in earnest with “Timeless Time” and the jangling “Stranger Than Oz.” The album’s second half is a little more varied stylistically, but some memorable cuts include “So So Long” and the alt-country “Picture Perfect,” with its sweet pedal steel guitar. The band’s maturity shines through each tune, and with no filler, it’s highly recommended.
Duncan Reid and the Big Heads “And It’s Goodbye From Him”
Duncan Reid, who played bass and sang in the 1970s UK punk band The Boys, has put together one of the most impressive power pop/punk rock discographies with Nick Hughes, Sophie Powers, and Karen Jones, who make up the Big Heads. And It’s Goodbye From Him is the fourth and final studio album by Duncan Reid and the Big Heads. Reid’s songs have a unique mix of heart, humor, and intelligence. This record is mostly about self-reflection, and the style is a combination of power pop and punk rock.
The opening track “Lost Again” has a more modern synth and guitar melody, but the heavier “Funaggedon Time” recalls the glory days of glam rock with a catchy riff that’s easy to love. “Just Try To Be Kind” is a great song that tells you to be kind because “all good things end.” The pandemic song “Can I Go Out Now, Please” is another super melody and a look back on that unique locked-up lifestyle. “Oh My My” is a reaction to pregnancy from the male POV, and it’s another highlight. Also, the goofy conspiracy theory-laden “Bill Gates (Finland is a Myth),” and “Singing with the Beach Boys,” a touching story about a divorced weekend dad making a special connection with his son, are great ways to end a great record and a legendary career. While this is his last album, Duncan Reid earns much respect here, and he’s got a full catalog on Bandcamp to enjoy. Highly Recommended.
Remembering Ducky: One of the best power pop producers
Living in Medford, Carlisle ran his basement studio, Ice Station Zebra, for many years. He worked with and was a client of many artists, including The Major Labels, Animal Talk, The Figgs, Modern Day Idols, B.B. King, Susan Tedeschi, Rooney, Parks, Mike Viola, Bleu, Waltham, Air Traffic Controller, The Flashcubes, Bang Camaro, The Sheila Divine, Andrea Gillis, and a host of others (too many to mention them all).
Bleu wrote a birthday song about him, and I think it says it all.
If you’d like to dive into Ducky’s life, here are a few worthy links:
Thomas Walsh and The Pozers
Thomas Walsh “The Rest is History”
Thomas Walsh (Pugwash), a musician who has a lot of great inspirations (XTC, ELO, etc.), put out his first record under his own name. Walsh moves beyond his Pugwash oeuvre a little and adds his own spin on some stylistic sounds, with additional help from heavyweights like Michael Penn and Neil Hannon.
The Jeff Lynne-like single “A Good Day For Me” is a brilliant opener that once again proves Walsh’s talent. His songwriting remains strong on highlights like “All This Hurt,” which boasts a great jangling melody. Even better is the sublime “Take Your Time,” with its fantastic bridge. He also excels at trippy psych-pop with the hypnotic bassline of “Everyone Back in the Water.” He also does a fair amount of experimental pop with the unexpected chord shifts of “Love in a Circumstance” and the tribal chanting of “This Is My Fortress.” Add the poignant counting of his blessings with “To Be That Child Again” and the orchestral sweep of “We Knew,” and there you have it. More hits than misses, and not a single dud. Highly Recommended.
The Pozers “Something Pop”
This Texas band makes the most of recording at Abbey Road Studios in London and opens up with “And You Love,” a five-minute epic with soaring guitars and synths. Despite the studio gloss, lead singer-songwriter Jim Richey effectively gets across a variety of sounds with a punkish garage style.
The Pozers’ style works best on fast-tempo catchy tunes like “Alison With An Edge” and “It’s All About You.” The ballads here are also well written, like “Make Up,” but the percussion needs to be toned down a little in the mix. The ambitious harmonies on “Her Facade” aim a little higher than the band’s ability to do it, but it settles into a nice mid-tempo groove. A big highlight is the Merseybeat and handclaps of “Missing You (Missing Me),” and the slow groove on “Ease Off My Heart.” This is a band that definitely deserves to be heard.
Cupid’s Carnival and Dave Kuchler
Cupid’s Carnival “Rainbow Child”
Do you remember when power pop’s defining characteristic was that it sounded like the Beatles? Bands like The Vinyl Kings, The Weeklings, and Spongetones did it right, and now Cupid’s Carnival firmly plants its flag in that realm again. Their 2016 LP Everything Is Love was a love letter to the sound of the Fab Four. Loaded with hooks and jangling gems, why fix things that aren’t broken? So here we are for a second helping, but the production and mixing got even a little better. And even the songwriting has improved! These songs were singles collected over the past 3 years.
While they are Beatlesque, they aren’t slavish and manage to be completely original. Very similar in approach to Andrew Gold’s The Fraternal Order of the All, the songs lean heavily on the hippie aesthetic; “Rainbow Child” and “Flower Power Revolution” manage to be Lennonesque gems. But the best highlights have a more McCartney vibe: “You’re So Cool,” Thinking About You Girl,” and the harmony-laden “Every Single Day.” Highly recommended, and it fills a slot on my top ten list for 2023.
Sony Music Japan | Kool Kat Musik
David Kuchler “Love & Glory”
Like Mike Viola or Nick Piunti, Kuchler masters the 3-minute gem with a minor chord progression but with a distinctly brighter vocal. “In It With You” is the first song and the big single here, loaded with a great power pop hook and a sweet guitar solo in the break. It’s a very high bar to climb for the rest of the songs. The songs were developed over the course of a 3-year period. The last tune written, “Labor of Love,” is a short, catchy tune that gives David a rationale for becoming a musician.
The passionate approach of “She’d Rather Be With You” about giving up someone you’ve been obsessed with is another gem, with a classic power pop song structure. After this, it’s not as consistent, but still very good. David’s vocals also lend themselves to the more country-styled “All I Need” and “Slow Day.” His inventive slice-of-life lyrics are enjoyable on the Nick Lowe-styled highlight “Lovers Talk.” The mandolin lead “This Old Car” describes the scene of junking memories of mid-life, and “Chasing Glory” gives us a spirited jangle pop gem. The effort and great songs make this highly recommended.