Steve Robinson and The Junior League
Steve Robinson “Window Seat”
If you enjoyed the pastoral prose and delicate compositions of Swallowing The Sun (2021) then Steve Robinson has another album you’ll enjoy. And Steve once again has friend Ed Woltil as co-pilot and special guest Dave Gregory (XTC) on a few songs.
Opening with “Unnecessary War,” its a serious anti-war mid-tempo tune with an excellent guitar break. The song shows you when there is no real introspection, the shouts of war can overwhelm. “Word to the Wise” boasts a pensive guitar rhythm, and similar low-key tone, but a big highlight is the very XTC-ish “King of Scatterbrain,” with its jaunty melody, and Steve sounding great with nice trumpet flourishes. Another wonderful highlight is “Hesitation Blues,” with its chugging melody and very Beatlesque bassline. The mellow ballads “Room With a View” and “Treasure” are enjoyable too. Highly Recommended.
The Junior League “Our Broadcast Day”
Joe Adragna (aka The Junior League) and friends, Scott McCaughey (the Minus Five) and Michael Giblin (Split Squad) follows up the excellent EP Nattering Nabobs with a cracking full length follow up. Joe is on a roll here, as he opens with the shimmering guitars of “Two Ways To Go” with its echoing verses, and a catchy “bop, bop, bop” in the chorus. “Let’s Hear it for the Dead” is another catchy mid-tempo tune with a wonderfully layered bass line, over a tambourine beat.
Many of the songs, such as “Everybody Knows” and “The Me and Them,” have a mellow country sound, with a focus on harmonies in the latter. Just about each song has enough variety to prevent predictability, as Joe delivers strong narratives that deserve repeat listens. Another interesting highlight is “1973 Nervous Breakdown,” an epic slow rocker about remembering chaos with a sense of nostalgia. Highly Recommended.
Bad Moves and The Low Sixes
Bad Moves “Wearing Out The Refrain”
Bad Moves made a solid impression with their debut in 2018 with ‘Tell No One.’ Their sophomore effort, ‘Untenable’, followed with a darker tone but retained the band’s signature energy, powered by all four members—guitarists Katie Park and David Combs, bassist Emma Cleveland, and drummer Daoud Tyler-Ameen.
Opening with “A Drowning Confession,” its loaded with dramatic synths and gripping energy. “Hallelujah,” is an infectious power-pop track that captures the harsh realities of American politics with biting wit. “Eviction Party” boasts some great overlapping harmony lines in the chorus, grappling with both harsh realities and escapism. Another highlight is “Sorry That I’m Not Better,” a combination of emotional intensity and introspection. The final three tracks showcases the band’s ability to mix heavy themes with dynamic instrumentals. “The Undertow” builds a wall of sound, while “A Lapse in the Emptiness” blends delicacy with fierce guitar work. Overall, the energy never wanes, and the music perfectly captures modern anxiety. Highly Recommended.
The Low Sixes “The Oshawa Tree”
The Low Sixes, a punk-infused power pop band from Montreal, got their start when guitarists and vocalists Jonathan Cummins and Brendan Drouillard met over drinks at the local waterhole, Barfly, after a lengthy European tour with their other project, heavy psych rock band USA Out of Vietnam. The addition of John Milchem and Jon Asencio completed the quartet. The Oshawa Tree shares its name with the city of Oshawa in Ontario, Canada, and not an intentional dig on U2.(?)
Opening with the anthemic “Turn on The Night,” it has the raw garage rock energy, but with hooks aplenty. In a world where many bands chase fleeting trends, The Low Sixties stand firm, paying homage to rock’s roots while keeping their sound fresh and relevant. “Ryan’s Favorite Song,” which was named after the album’s producer is a catchy romp akin to Redd Kross, The Buzzcocks, and Cheap Trick. “Teenage Crime Wave” is a mid-tempo about looking at teen musicians with youthful envy. The pivotal “The Worst is Yet to Come” has epic Beatlesque sweeping verses, as they go from quiet to loud. “New Action” recalls Thin Lizzy in the chorus, and the band makes an authentic attempt to honor these influences. The short 9-tracks breaks my EP/LP rule, but each song is really good here, so crank it up loud. Highly recommended.
Fresh sounds: Joe Dilillo, The Fatal Flaw, Lolas, The Hutchinsons, The Jaws of Brooklyn, The Candy Whips, Curling
Jon Flynn and The Half Cubes
Jon Flynn “Cherry Cherry”
The second solo effort by Jon Flynn, half of the power pop group Diamond Hands, “Cherry Cherry” is a great listen. The ten songs that make up the album take the listener on an adventure of discovery from Jon’s move from Los Angeles to San Francisco. “Game You’re Playing” has a sparse electronic sound, and you’ll hear a bit of early Talking Heads meets Marc Bolan. The layered synths and simple guitar rhythm are accented by strings and still catchy. “Where to Start” has a bit more swagger, as he sings “change is a monster.”
Not everything works, but there are clear standouts like the psychedelic reverb of “Brush Your Hair,” and the dramatic seduction of “Creature” and “Great Man.” Jon’s persona on these dramatic moments also reminds me of Gaz Coombes (Supergrass) but many other tunes didn’t have that much of a hook. Despite this, Jon definitely sets himself apart from his former band stylistically and has a unique perspective on things. Check out this album that deserves to be heard.
The Half Cubes “Pop Treasures”
Is there a perfect covers album? By design, cover albums have a strike against them by not being originals. But Power Pop Hall-Of-Famers and Syracuse natives The Flashcubes may have found a loophole. Similar in approach to Big Stir Records label-mates Sparkle*Jets UK, they picked their favorite power pop records and recorded them with an eye on a new audience re-discovering these great songs. But what ‘Cubes vocalist-bassist Gary Frenay and drummer Tommy Allen have done is a labor of love that includes many of the original artists on these classics. They also enlisted Randy Klawon (The Choir) to get the correct guitar sound.
Great cover versions of classic songs by artists such as The Hollies, The Searchers, The Pursuit of Happiness, Cheap Trick, The Pernice Brothers, The Hudson Brothers, and more are available here. My faves include Eric Carmen’s “My Girl,” Phil Seymour’s “Precious To Me” and The Hudson Brothers “Spinning Wheel.” Hard to argue that this doesn’t belong on my 2024 top ten list. Super Highly Recommended!
